District 13: Ultimatum, also known as D13-U (French: Banlieue 13 – Ultimatum or B13-U), is a 2009 French action film and a sequel to the 2004 film District 13. Directed by Patrick Alessandrin and written and produced by Luc Besson, the film sees parkour artists David Belle and Cyril Raffaelli reprising their original roles of Leïto and Damien. (wiki)
In 2010, social problems have overrun the poorer suburbs of Paris. Especially Banlieue 13, commonly referred to as B13: a ghetto with a population of two million people. Unable to control B13, the authorities surround the entire area with a high wall topped by barbed tape, forcing the inhabitants within to survive without education, proper utilities or police protection. Police checkpoints stop anybody going in or out. Three years later, the district has become overrun with gangs…
District 13 (French title Banlieue 13 or B13), is a 2004 French action film directed by Pierre Morel and written and produced by Luc Besson. The film is notable for its depiction of parkour in a number of stunt sequences that were completed without the use of wires or computer generated effects.
David Belle, regarded as the founder of parkour, plays Leïto, the main character of the story. (wiki)
Dean, Duncan and DJ Beatroot are teenage pals from Glasgow who embark on the character-building camping trip — based on a real-life program — known as the Duke of Edinburgh Award, where foraging, teamwork and orienteering are the order of the day. Eager to cut loose and smoke weed in the Scottish Highlands, the trio finds themselves paired with straight-laced Ian, a fellow camper determined to play by the rules. After veering off-path into remote farmland that’s worlds away from their urban comfort zone, the boys find themselves hunted down by a shadowy force hell-bent on extinguishing their futures. From writer-director Ninian Doff — making his feature debut after a slew of award-winning music videos and short films for artists including Run the Jewels, Miike Snow, Migos, and Mykki Blanco — comes an anarchic satire of generational politics, hip-hop loving farmers and hallucinogenic rabbit droppings that pits the youth of tomorrow against the status quo of yesterday. (rottentomatoes)
«The Romans stole the alphabeta system from the Greeks through war», explains Rammellzee. «Then, in medieval times, monks ornamented letters to hide their meaning from the people. Now, the letter is armored against further manipulation.»
New York graffiti artist and B-boy theoretician Rammellzee(the artist encases himself during gallery performances in Gasholeer, a 148-pound, gadgetry-encrusted exoskeleton inspired by an android he painted on a subway train in 1981. Four years in the making, Rammellzee’s exuberantly low-tech costume bristles with rocket launchers, nozzles that gush gouts of flame, and an all-important sound system.)
«From both wrists, I can shoot seven flames, nine flames from each sneaker’s heel, and colored flames from the throat. Two girl doll heads hanging from my waist and in front of my balls spit fire and vomit smoke… The sound system consists of a Computator, which is a system of screws with wires. These screws can be depressed when the keyboard gun is locked into it. The sound travels through the keyboard and screws, then through the Computator, then the belt, and on up to the four mid-range speakers (with tweeters). This is all balanced by a forward wheel from a jet fighter plane. I also use an echo chamber, Vocoder, and system of strobe lights. A coolant device keeps my head and chest at normal temperature. A 100-watt amp and batteries give me power.»
«slanguage» – a heavily encrypted hip-hop argot – is the linguistic equivalent of graffiti «tags» all over the mother tongue. In an essay on English as the imperial language of the Internet, the cultural critic McKenzie Wark argues for the willful, viral corruption of the lingua franca of global corporate monoculture as a political act.