1152 – Samsara (2011 documentary)

Samsara is a 2011 American non-narrative documentary film of international imagery directed by Ron Fricke and produced by Mark Magidson. Samsara was filmed over a period of five years in 25 different countries around the world.

The official website describes the film, “Expanding on the themes they developed in Baraka (1992) and Chronos (1985), Samsara explores the wonders of our world from the mundane to the miraculous, looking into the unfathomable reaches of humanity’s spirituality and the human experience. Neither a traditional documentary nor a travelogue, Samsara takes the form of a nonverbal, guided meditation.” (wiki)

imdb   /   fantasy_coffins   /   819 – Olivier de Sagazan

1146 – Baraka (1992)

Baraka is a 1992 non-narrative documentary film directed by Ron Fricke. The film is often compared to Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio for which Fricke served as the cinematographer. It is also the most recent film to be photographed in the 70mm Todd-AO format, and the first film ever to be restored and scanned at 8K resolution. (wiki)

Named after a Sufi word that translates roughly as “breath of life” or “blessing,” Baraka is Ron Fricke‘s impressive follow-up to Godfrey Reggio‘s non-verbal documentary film Koyaanisqatsi. Fricke was cinematographer and collaborator on Reggio’s film, and for Baraka he struck out on his own to polish and expand the photographic techniques used on Koyaanisqatsi. The result is a tour-de-force in 70mm: a cinematic “guided meditation” (Fricke’s own description) shot in 24 countries on six continents over a 14-month period that unites religious ritual, the phenomena of nature, and man’s own destructive powers into a web of moving images. Fricke’s camera ranges, in meditative slow motion or bewildering time-lapse, over the Church of the Holy Sepulcher in Jerusalem, the Ryoan-Ji temple in Kyoto, Lake Natron in Tanzania, burning oil fields in Kuwait, the smoldering precipice of an active volcano, a busy subway terminal, tribal celebrations of the Maasai in Kenya, chanting monks in the Dip Tse Chok Ling monastery…and on and on, through locales across the globe. To execute the film’s time-lapse sequences, Fricke had a special camera built that combined time-lapse photography with perfectly controlled movements of the camera. In one evening sequence a desert sky turns black, and the stars roll by, as the camera moves slowly forward under the trees. The feeling is like that of viewing the universe through a powerful telescope: that we are indeed on a tiny orb hurtling through a star-filled void. The film is complemented by the hybrid world-music of Michael Stearns. ~ Anthony Reed, Rovi (rottentomatoes)

imdb   /   on YouTube

1135 – Us (2019)

timespace coordinates: 1986 – 2019 Santa Cruz, California

Us is a 2019 American psychological horror thriller film written and directed by Jordan Peele, starring  Lupita Nyong’o, Winston Duke, Shahadi Wright Joseph, Evan Alex, Elisabeth Moss, and Tim Heidecker. The film follows a family who are confronted by murderous doppelgangers known as “the Tethered”.

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themes and interpretations

Critic Jim Vejvoda related the Tethered to “urban legends” and “xenophobic paranoia about the Other”, (…) Journalist Noel Ransome viewed the film as being about “the effects of classism and marginalization”, writing “the Tethered are effigies of this same situational classism. They’re trapped—mentally and physically—and ignored”. Joel Meares of Rotten Tomatoes also noted that the Tethered, referencing the “we’re Americans” line, are representatives of the duality of American society, how some citizens can afford to live on top of the class system, while others are stuck in illiterate poverty. He also noted the title Us could mean “U.S.”, or United States.

The Tethered’s red jump suits and single glove were an allusion to Michael Jackson along with the “Thriller” shirt seen on young Adelaide, and Peele has stated that Jackson was “the patron saint of duality”. Peele referenced many other instances of 1980s culture, including allusions to The Lost Boys and Hands Across America, stating “Everything in this movie was deliberate, that is one thing I can guarantee you. Unless you didn’t like something and that was a complete accident”.

The film contains numerous references to Jeremiah 11:11, which reads: “Therefore this is what the Lord says: ‘I will bring on them a disaster they cannot escape. Although they cry out to me, I will not listen to them'” (NIV). Critic Rosie Fletcher commented on the context, with Jeremiah warning Jerusalem was facing destruction due to false idols, and expressed the opinion that the film’s characters also “worshiped the wrong things”…  (wiki)

imdb   /   rottentomatoes

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LUNIZ — I GOT 5 ON IT

1127 – Red Planet (2000)

timespace coordinates: 2056 A.D., Earth is in ecological crisis as a consequence of pollution and overpopulation. Automated interplanetary missions have been seeding Mars with atmosphere-producing algae as the first stage of terraforming the planet. When the oxygen quantity produced by the algae is inexplicably reduced, the crew of Mars-1 investigate—a crew consisting of Quinn Burchenal (Tom Sizemore), a geneticist; Bud Chantilas (Terence Stamp), an aging philosophical scientist and surgeon; systems engineer Robby Gallagher (Val Kilmer); commander Kate Bowman (Carrie-Anne Moss); pilot Ted Santen (Benjamin Bratt); and terraforming scientist Chip Pettengill (Simon Baker). (wiki)

Red Planet is a 2000 US | Australian science fiction thriller film directed by Antony Hoffman.   –   imdb

1126 – Black Hawk Down (2001)

timespace coordinates: 1993  Mogadishu amid the civil war in Somalia

“Only the dead have seen the end of war.”

Black Hawk Down is a 2001 war film produced and directed by Ridley Scott from a screenplay by Ken Nolan. It is based on the 1999 non-fiction book of the same name by journalist Mark Bowden. As an embedded journalist, he covered the 1993 raid in Mogadishu by the U.S. military, aimed at capturing faction leader Mohamed Farrah Aidid. The ensuing firefight became known as the Battle of Mogadishu. The film features a large ensemble cast, including Josh Hartnett, Ewan McGregor, Eric Bana, Tom Sizemore, William Fichtner, and Sam Shepard. (wiki)

imdb   /   controversies and inaccuracies

1119 – Nineteen Eighty-Four (1984)

timespace coordinates: dystopian 1984. war-torn London ruled by Oceania, a totalitarian superstate

“Under the spreading chestnut tree / I sold you and you sold me”

Nineteen Eighty-Four, also known as 1984, is a 1984 British dystopian science fiction film written and directed by Michael Radford, based upon George Orwell‘s novel of the same name (published in June 1949). Starring John Hurt, Richard Burton, Suzanna Hamilton, and Cyril Cusack,

the film follows the life of Winston Smith, a low-ranking civil servant in a war-torn London ruled by Oceania, a totalitarian superstate. Smith (Hurt) struggles to maintain his sanity and his grip on reality as the regime’s overwhelming power and influence persecutes individualism and individual thinking on both a political and personal level. The film, which features Burton’s last screen appearance, is dedicated to him. (wiki)

imdb   /   Newspeak

1117 – Woman Walks Ahead (2017)

timespace coordinates: 1890, the Standing Rock Agency – Dakota Territory

Woman Walks Ahead is a 2017 American biographical drama film directed by Susanna White and written by Steven Knight. The film is the story of Catherine Weldon (Jessica Chastain), a portrait painter who travels from New York to Dakota to paint a portrait of Sitting Bull (Michael Greyeyes) in 1890. Chaske Spencer and Sam Rockwell also star.

historical inaccuracies   /   imdb   /    Ghost Dance movement