0657 – Mind Game (2004)

Mind Game (マインド・ゲーム) is a 2004 Japanese animated feature film based on Robin Nishi’s manga of the same name. It was planned, produced and primarily animated by Studio 4°C and adapted and directed by Masaaki Yuasa in his directorial debut, with chief animation direction and model sheets by Yūichirō Sueyoshi, art direction by Tōru Hishiyama and groundwork and further animation direction by Masahiko Kubo.

It is unusual among features other than anthology films in using a series of disparate visual styles to tell one continuous story. As Yuasa commented in a Japan Times interview, “Instead of telling it serious and straight, I went for a look that was a bit wild and patchy. I think that Japanese animation fans today don’t necessarily demand something that’s so polished. You can throw different styles at them and they can still usually enjoy it.”

The film received a cult audience and was well received, winning multiple awards worldwide, and has been praised by directors Satoshi Kon and Bill Plympton. Allegedly, according to Tekkonkinkreet director Michael Arias, there was consideration for a release of the film on R1 DVD but it fell through. The film is now available to stream on Netflix in Australia as of 2016. GKIDS announced that they licensed the film, which will be streamed on VRV Select on December 29, 2017 followed by a limited theatrical run in February 2018 and a home video release in spring 2018. (wiki)

imdb

640 – Rabbit (2005)

A modern mystery film of lost innocence, greed and nature. A dreamlike but dark story of lost innocence and the random justice of nature, told with curious images from a distant childhood. A selection of 1950s educational stickers, discovered in a provincial junkshop 20 years ago, provide the ingredients for this adult fairytale.  Once they were new, delivering a simple message to those also young. Like us, however, they have grown older and now present a more complex meaning. Rabbit tells a tale of lost innocence, greed and the random justice of nature. When a boy and girl find an idol in the stomach of a rabbit, its magical abilities lead to riches. But for how long?

BACKGROUND INFO

Run Wrake found an envelope in a secondhand shop in the 1980s that contained sheets of educational stickers illustrated by Geoffrey Higham and published by Philip & Tacey Limited in the 1950s. The image of the idol was the primary inspiration for Rabbit’s storyline.

https://runwrake.com/       imdb

612 – Davi Kopenawa, Bruce Albert, Alison Dundy – The falling sky – words of a Yanomami shaman

The Falling Sky is a remarkable first-person account of the life story and cosmo-ecological thought of Davi Kopenawa, shaman and spokesman for the Yanomami of the Brazilian Amazon. Representing a people whose very existence is in jeopardy, Davi Kopenawa paints an unforgettable picture of Yanomami culture, past and present, in the heart of the rainforest–a world where ancient indigenous knowledge and shamanic traditions cope with the global geopolitics of an insatiable natural resources extraction industry.

In richly evocative language, Kopenawa recounts his initiation and experience as a shaman, as well as his first encounters with outsiders: government officials, missionaries, road workers, cattle ranchers, and gold prospectors. He vividly describes the ensuing cultural repression, environmental devastation, and deaths resulting from epidemics and violence. To counter these threats, Davi Kopenawa became a global ambassador for his endangered people. The Falling Sky follows him from his native village in the Northern Amazon to Brazilian cities and finally on transatlantic flights bound for European and American capitals. These travels constitute a shamanic critique of Western industrial society, whose endless material greed, mass violence, and ecological blindness contrast sharply with Yanomami cultural values.

Bruce Albert, a close friend since the 1970s, superbly captures Kopenawa’s intense, poetic voice. This collaborative work provides a unique reading experience that is at the same time a coming-of-age story, a historical account, and a shamanic philosophy, but most of all an impassioned plea to respect native rights and preserve the Amazon rainforest. (amazon)

“When I come back from a trip among the white people, the dizziness leaves my eyes after a while and my thought be-comes clear again. I no longer hear cars, machines, or airplanes. I only lend an ear to the tooro toads and krouma frogs that call the rain in the forest. I only hear the rustling of the leaves in the wind and the rumbling of the thunders in the sky. The ignorant words of the city politicians gradually vanish in the quiet of my sleep. I become calm again by going to hunt and making my spirits dance.

The forest is very beautiful to see. It is cool and aromatic. When you move through it to hunt or travel, you feel joyful and your mind is slow-paced. You listen to the chirping of the cicadas in the distance, or the cries of the curassows and the agami herons, and the clamor of the spider monkeys in the trees. Your worries are eased. Your thoughts can then follow one another without getting obscured.”

0582 – Agora (2009)

spacetime coordinates: Alexandria, Egypt. 391 – 415 A.D.

Agora (Spanish: Ágora) is a 2009 Spanish English-language historical drama film directed by Alejandro Amenábar and written by Amenábar and Mateo Gil. The biopic stars Rachel Weisz as Hypatia, a female mathematician, philosopher and astronomer in late 4th-century Roman Egypt, The story uses historical fiction to highlight the relationship between religion and science at the time amidst the decline of Greco-Roman polytheism and the Christianization of the Roman Empire.

The set used in the film is meticulously historically authentic, showing a blend of Greek, Roman, and Egyptian architectural styles that would have been fitting to the time period,  but the costumes are anachronistic. Hypatia’s age in the film is also inaccurate; most scholars believe she would have been in her 50s or 60s at the time of her death, but the film portrays her as a young woman. Irene A. Artemi, a doctor of theology at Athens University, states that “The movie—albeit seemingly not turning against the Christian religion—is in fact portraying the Christians as fundamentalist, obscurantist, ignorant and fanatic”. Similarly, the atheist historian Tim O’Neil remarks: “Over and over again, elements are added to the story that are not in the source material: the destruction of the library, the stoning of the Jews in the theatre, Cyril condemning Hypatia’s teaching because she is a woman, the heliocentric “breakthrough” and Hypatia’s supposed irreligiosity.” (read more: Historical accuracy)

Cyril of Alexandria

imdb

579 – Dayu haitang / Big Fish & Begonia (2016)

“In ancient history there was a tree called Ta-khun, whose spring (Chun) was 8000 years, and its autumn (Qiu) the same.”

Big Fish & Begonia (original title: Da Yu Hai Tang), is a 2016 Chinese animated epic fantasy film written, produced and directed by Liang Xuan and Zhang Chun.

The story was inspired by a myth from the ancient Chinese Taoist classic Zhuangzi. The film also integrates many stories from other Chinese classics such as Classic of Mountains and Seas and In Search of the Supernatural.

imdb

508 – Xibalba (2017)

spacetime coordinates: Yucatán, Mexico 2012

“According to the Mayan book of creation, the Mayan spoke of a species of lizard men who descended from the sky and captured their civilization. On December 21st, 2012 everyone expected the world to end but the ancient Mayan prophecy didn’t predict the end of the world. The prophecy was about a silent invasion, the plague of the reptilian aliens, the beginning of the end…”

The Curse of the Mayans – aka Xibalba – is a 2017 Mexican science fiction horror film directed by Joaquin Rodriguez from a screenplay co-written with Alberto Haggar. The Lanczyner Films/Three Great Lights Films production stars Carla Ortiz, Olga Fonda,  Steve Wilcox.

Dr. Alan Green, an American archaeologist, leads Danielle Noble and her team of cave divers on an expedition searching the Mayan ancient records. the film is a mix of Mayan mythology, Nibiru and Annunaki lore, truth and storytelling introducing Reptilian Archons (AKA evil mirrored Chitarauri) as the exo planetary dopplegangers of every human soul, laying dormant until released by bumbling hands.

Review   imdb   horrorpedia

0493 – The Shape of Water (2017)

spacetime coordinates:  Baltimore during the Cold War  in 1962

The Shape of Water is a 2017 American fantasy drama film directed by Guillermo del Toro and written by del Toro and Vanessa Taylor. It stars Sally Hawkins, Michael Shannon, Richard Jenkins, Doug Jones, Michael Stuhlbarg, and Octavia Spencer. Set in Baltimore in 1962, the plot follows a mute custodian at a high-security government laboratory who falls in love with a captured humanoid-amphibian creature.

the film was primarily inspired by del Toro’s childhood memories of seeing Creature from the Black Lagoon and wanting to see Gill-man and Kay Lawrence (played by Julie Adams) succeed in their romance.

In an interview with IndieWire about the film, del Toro said, “This movie is a healing movie for me. … For nine movies I rephrased the fears of my childhood, the dreams of my childhood, and this is the first time I speak as an adult, about something that worries me as an adult. I speak about trust, otherness, sex, love, where we’re going. These are not concerns that I had when I was nine or seven.”

http://www.imdb.com/title/tt5580390/