Dauði Baldrs (1997)
Dauði Baldrs (youtube) (Old Norse for “Baldr’s Death” or “The Death of Baldr”) is the fifth album by the Norwegian solo act Burzum. Unlike Burzum’s previous work, which was mostly black metal, this is a dark ambient album. It was recorded using a synthesizer and a normal tape recorder by Varg Vikernes while he was in prison, as he was not allowed to have any other instruments or recording equipment. The album has been described by many as “dungeon synth“.
The album is about the legacy of Baldr, the second son of Odin in Norse mythology. Most likely a concept album, as the whole album leads up to Ragnarök, the battle at the end of the world in Norse mythology.
“Illa tiðandi” is easily the most minimalist track, with only two sections being repeated over the 10:29 duration, which are both simple piano melodies, eventually accompanied by a choral chant. It is an alternative version of the song “Decrepitude I” (wiki)
Thulêan Mysteries (2020)
Thulêan Mysteries (youtube) is the twelfth and final studio album by Norwegian musical project Burzum.
Recorded as a soundtrack to Vikernes’ role-playing game MYFAROG, the album follows the post-prison era medieval/dark ambient musical style. Vikernes said of the album:
“Since my true passion has never been music, but actually tabletop role-playing games, I figured I should make this an album intended for that use; as background music for my own MYFAROG (Mythic Fantasy Role-playing Game).”
The album’s artwork is by Norwegian artist Theodor Kittelsen called “Nøkken” (wiki)
A homeless ex-soldier in London is offered a place to stay at a decaying house, inhabited by a young woman and her dying mother, and begins to suspect something unnatural is living there, too.
Amulet is a 2020 British horror film written and directed by 
David Rooney of The Hollywood Reporter called the film “smart and stylish” and wrote: “Garai steadily builds suspense while keeping her intentions enigmatic until quite late in the action. She eventually folds together mysteries of the past with terrors of the present in an out-there final act that goes full-throttle Dario Argento, mixing digital and hand-made effects in a sea of garish reds and bizarre pagan visions.” (
TimeSpace Warps 