“(…) perhaps the crash will look like a string of blockbuster movies pandering to right-wing conspiracies and survivalist fantasies, from quasi-fascist superheroes (Captain America and the Batman series) to justifications of torture and assassination (Zero Dark Thirty, American Sniper). In Hollywood, studios run their scripts through the neural networks of a company called Epagogix, a system trained on the unstated preferences of millions of moviegoers developed over decades in order to predict which lines will push the right – meaning the most lucrative – emotional buttons. Their algorithmic engines are enhanced with data from Netflix, Hulu, YouTube and others, whose access to the minute-by-minute preferences of millions of video watchers, combined with an obsessive focus on the acquisition and segmentation of data, provides them with a level of cognitive insight undreamed of by previous regimes. Feeding directly upon the frazzled, binge-watching desires of news-saturated consumers, the network turns upon itself, reflecting, reinforcing and heightening the paranoia inherent in the system.
Game developers enter endless cycles of updates and in-app purchases directed by A/B testing interfaces and real-time monitoring of players’ behaviours until they have such a finegrained grasp on dopamine-producing neural pathways that teenagers die of exhaustion in front of their computers, unable to tear themselves away. Entire cultural industries become feedback loops for an increasingly dominant narrative of fear and violence.”
Tag: gaming
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“Hardware and software is culturally biased. Robotic epistemologies are caught in a 500-year bubble, a particular way of looking at the world,” Lewis says. “It gave us some good things, but it also gave us colonialism, slavery, and sustained environmental degradation. Do we really want those biases trained into future technologies and A.I.?”
Indigenous peoples are decolonizing virtual worlds
0798
“I was born too late to explore the seas, and born too early to explore the universe, but I was born on time to explore Skyrim”
0792 – Future Man (2017- TV series)
timespace coordinates: 2162 >> 2017 / 1969 / 1985 Los(t) Angeles / >> 1950’s -1980’s
Future Man is an American comedy web television series created by Howard Overman, Kyle Hunter, and Ariel Shaffir that premiered on November 14, 2017 on Hulu. The series follows Josh Futturman, a janitor by day and a gamer by night, recruited by mysterious visitors to travel through time to prevent the extinction of humanity.. It stars Josh Hutcherson, Eliza Coupe, Derek Wilson, Ed Begley, Jr. and Glenne Headly. On January 8, 2018, the series was renewed for a second season consisting of thirteen episodes. (wiki)
762 – Electric Dreams (2017 TV series)
Philip K. Dick’s Electric Dreams, or simply Electric Dreams, is a British anthology television series based on various writings from author Philip K. Dick, each of the 10 stand-alone episodes are set in a different and unique world — some that lay in the far reaches of the universe and others that are much closer to home. While the stories may be worlds apart, central to each is the exploration of the importance and significance of humanity. (rt)
714 – Westworld – season 2 (2018)
timespace coordinates: 2022 – 2052 (unknown location/planet?)
TimeSpace Warps 