documentary, Uncategorized

840 – Savages – The Story of Human Zoos (2017 documentary)


For more than a century the great colonial powers put human beings, taken by force from their native lands, on show as entertainment just like animals in zoos. The story of the savage treatment of people who were considered sub-human.

documentary

807 – Mercury 13 (2018 documentary)

Mercury 13 is a remarkable story of the women who were tested for spaceflight in 1961 before their dreams were dashed in being the first to make the trip beyond Earth. NASA’s ‘man in space’ program, dubbed ‘Project Mercury‘ began in 1958. The men chosen – all military test pilots – became known as The Mercury 7. But away from the glare of the media, behind firmly closed doors, female pilots were also screened. Thirteen of them passed and, in some cases, performed better than the men. They were called the Mercury 13 and had the ‘right stuff’ but were, unfortunately, the wrong gender. Underneath the obsession of the space race that gripped America, the women were aviation pioneers who emerged thirsty for a new frontier, but whose time would have to wait. The film tells the definitive story of thirteen truly remarkable women who reached for the stars but were ahead of their time. A Netflix original documentary directed by David Sington and Heather Walsh. (rottentomatoes)

https://www.netflix.com/ro-en/title/80174436

movies

0803 – Sorry to Bother You (2018)

timespace coordinates: alternative present-day version of Oakland, California

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Sorry to Bother You is a 2018 American absurdist dark comedy with aspects of magical realism and science fiction inspired by the world of telemarketing written and directed by Boots Riley, in his directorial debut. It stars Lakeith StanfieldTessa ThompsonJermaine FowlerOmari HardwickTerry CrewsPatton OswaltDavid CrossDanny GloverSteven Yeun, and Armie Hammer.

Capitalism


Boots has maintained that the film offers a radical class analysis of capitalism, rather than a specific analysis of America under President Trump, clarifying that he wrote the initial screenplay during the Obama administration, and that the target was never any specific elected official or movement, but rather a broader look at “the puppetmasters behind the puppets.” While the majority of the final script remained the same, minimal changes were made prior to shooting in order to avoid the film appearing to be a critique of Trump specifically, including removing a line where a character says “Worry Free is making America great again,” written before Trump would use the line in his 2016 presidential campaign.

False consciousness 


The title of the film has a double meaning, referencing both the phrase’s use by telemarketers and its general usage when telling a person something you know they might not like to hear, such as the Communist themes present in the film. According to Boots, “…the other side of it is, is that often when you’re telling someone something that is different from how they view things, different from how they view the world, it feels like an annoyance or a bother. And that’s where that comes from.” The theme of the strike was used to reflect the need to “organize people in the workplace” and for workers to recognize their power. When asked on his choice to cast Armie Hammer as Steve Lift, Boots stated that Armie was a “lovable dude,” whose casting reflects the current state of “new capitalism,” where the realities of working conditions are hidden, referencing lines such as “I’m not your boss, I’m your friend.” (wiki)

sorry-to-bother-you-poster-1-learinza-morris

imdb

movies

760 – Detention (2011)

timespace coordinates:  2011 – 1992 California

An apocalyptic fantasy, horror, science fiction, action- thriller, body swapping, time-traveling teen romantic comedy starring Josh Hutcherson, Dane CookShanley Caswell and  Spencer Locke. Detention follows the local students of Grizzly Lake as they survive their final year of high school. Bringing even more angst to student life, a slasher killer has chosen their high school as his new home of slaughter. It becomes a race against time to stop the killer, which will in turn save the world – if only they can get out of detention. (rt)

“Insane, Hyperkinetic, Next Level Filmmaking.”


“(…) for pop-culture pilgrims intent on discovering an underground prize, look no further.


“Smart, funny, and equally full of splatstick violence and heart, Detention isn’t just next-level horror–it’s next level everything, a senses-altering reaffirmation of cinema.


“a shockingly meaningful, potent film about the nature of meaninglessness and its damning effects on the younger generation”


“manic throwback horror comedy for the Twitter generation.”


time traveling teen pop culture comedy Detention is a runaway freight train of frenetic energy!


“is Scream meets Scott Pilgrim with a dash or two of Kaboom, it makes for one wild cocktail.”


Post-irony


imdb

movies

0751 – What Still Remains (2018)

Twenty-five years after a viral outbreak decimates the population, the remaining survivors still fear that deadly illness and the change it created. Against this post-apocalyptic backdrop, a young woman loses her family and struggles to survive on her own in the wilderness. When a lonely traveler offers her a place in his community, she must decide if the promise of a better life is worth the risk of trusting him.

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WHAT STILL REMAINS is a 2018 post-apocalyptic mystery thriller written and directed by Josh Mendoza. The film stars  Lulu AntariksaColin O’DonoghueMimi RogersDohn Norwood and Jeff Kober.

imdb   rottentomatoes

movies, Uncategorized

0740 – Mary Magdalene (2018)

timespace coordinates: Judea, 33 AD.

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Mary Magdalene is a 2018 biblical drama film about the woman of the same name, written by Helen Edmundson and Philippa Goslett and directed by Garth Davis. It stars Rooney MaraJoaquin PhoenixChiwetel Ejiofor and Tahar Rahim. It is the last film score completed by composer Jóhann Jóhannsson before his death.

Mary Magdalene, starring Rooney Mara as the titular character, sought to reverse the centuries-old portrayal of Mary Magdalene as a repentant prostitute, while also combating the conspiracy claims of her being Jesus’s wife or sexual partner. Instead, the film portrays her as Jesus’s closest disciple and the only one who truly understands his teachings. This portrayal is partially based on the Gnostic Gospel of Mary Magdalene. The film, which described as having a “strongly feminist bent”, was praised for its music score and cinematography, its surprising faithfulness to the Biblical narrative, and its acting, but was criticized as slow-moving, overwritten, and too solemn to be believable. 

imdb   /    liberation theology

music, quotes

729

Too hot inside Too hot outside Lazy days when I said let’s go for a ride


CocoRosie / insta / twitt /

freak folk / New Weird America