Tag: fashion
723
The Carmilla Movie (2017) – adapted from the 1872 gothic novella Carmilla by Joseph Sheridan Le Fanu.
wiki / imdb / rottentomatoes
0719 – A Prayer Before Dawn (2017)
timespace coordinates: late 2000’s Chiang Mai Prison, Klong Prem Central Prison aka “Bangkok Hilton,” Thailand.

A Prayer Before Dawn is a 2017 internationally co-produced prison-/boxing-/survival-drama film directed by Jean-Stéphane Sauvaire, from a screenplay written by Jonathan Hirschbein and Nick Saltrese, starring Joe Cole. It is based on the book A Prayer Before Dawn: My Nightmare in Thailand’s Prisons by Billy Moore.

The true story of an English boxer incarcerated in one of Thailand’s most notorious prisons as he fights in Muay Thai tournaments to earn his freedom.
The inmates in the film are all played by real ex-inmates who have served time in Thai prisons.
0689 – Furious aka Legend of Kolovrat (2017)
timespace coordinates: 13th century Russia

Furious, also known as Legend of Kolovrat (Russian: Легенда о Коловрате, translit. Legenda o Kolovrate), is a 2017 Russian historical fantasy film about the Ryazan knight Evpaty Kolovrat, It is directed by Dzhanik Fayziev & Ivan Shurkhovetskiy and stars newcomer Ilya Malakov, Polina Chernyshova, Aleksei Serebryakov, Aleksandr Ilyin Jr. and Yulia Khlynina in supporting roles.
Film is based on the period when Russia was under control of the Golden Horde. Ryazan knight Evpaty Kolovrat is the leader of the squad, which decides to fight back Batu Khan , who divided Russia.
The plot is based on The Tale of the Destruction of Riazan, a medieval military tale about the capture of the city of Ryazan by the Mongols in 1237 and is one of the best sources of the Mongol invasion of Russia. (wiki)
675 – yesterday evening
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0663 – November (2017)
spacetime coordinates: 19th century Estonia

November is a 2017 Estonian fantasy drama film directed by Rainer Sarnet, based on Andrus Kivirähk‘s novel Rehepapp ehk November (Old Barny aka November).

“Sarnet’s earthbound fairy tale occupies a dreamscape somewhere between the teeming canvases of Brueghel and the existential agonies of Bela Tarr‘s films.” Sheri Linden