Richard Fortey investigates why islands are laboratories of evolution. Examining some of the crucial influences on natural selection that are normally overlooked – like geology, geography, isolation and time – the series reveals that there is much more to evolution than ‘survival of the fittest’.
On one side of the Jura Mountains there are ants colonies at war and the other home to a huge empire of ants, believed to be one of the largest animal societies in the world, where over a billion ants from rival colonies live in peace.
“For what stronger pleasure is there with mankind…than the love of hearing and relating things strange and incredible? How wonderful a thing is the Love of wondering, and of raising Wonder!”
Circa 800 AD, A manuscript from the illuminated gospel known as the Book of Kells, thought to have been created by Irish monks from the scriptorium of the monastery on the Scottish island of Iona between the 7th and 9th centuries AD. The tome now the most precious manu (Photo by Hulton Archive/Getty Images)
It also draws upon Celtic mythology; examples include its inclusion of Crom Cruach, a pre-Christian Irish deity and the reference to the poetic genre of Aislings, in which a poet is confronted by a dream or vision of a seeress, in the naming of the forest sprite encountered by Brendan. Wider mythological similarities have also been commented upon, such as parallels between Brendan’s metaphysical battle with Crom Cruach and Beowulf‘s underwater encounter with Grendel’s mother.
The Secret of Kells began development in 1999, when Tomm Moore and several of his friends were inspired by Richard Williams’sThe Thief and the Cobbler, Disney’s Mulan and the works of Hayao Miyazaki, which based their visual style on the respective traditional art of the cultures featured in each film. They decided to do something similar to Studio Ghibli‘s films but with Irish art. Tomm Moore explained that the visual style was inspired by Celtic and medieval art, being ‘flat, with false perspective and lots of colour’. Even the clean up was planned to ‘obtain the stained glass effect of thicker outer lines’. (wiki)
As the world around us increases in technological complexity, our understanding of it diminishes. Underlying this trend is a single idea: the belief that our existence is understandable through computation, and more data is enough to help us build a better world.
In reality, we are lost in a sea of information, increasingly divided by fundamentalism, simplistic narratives, conspiracy theories, and post-factual politics. Meanwhile, those in power use our lack of understanding to further their own interests. Despite the apparent accessibility of information, we’re living in a new Dark Age.
From rogue financial systems to shopping algorithms, from artificial intelligence to state secrecy, we no longer understand how our world is governed or presented to us. The media is filled with unverifiable speculation, much of it generated by anonymous software, while companies dominate their employees through surveillance and the threat of automation.
In his brilliant new work, leading artist and writer James Bridle surveys the history of art, technology, and information systems, and reveals the dark clouds that gather over our dreams of the digital sublime. (VERSO)