series

1125 – future man (season 2 – 2019)

timespace coordinates: 2162 Lost Angeles / the NAG > 3491 AD, Damnation Island

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Season two picks up in 2162, and Josh, Wolf, and Tiger learn that their season one mission to stop the cure from getting out didn’t work. In this timeline, Stu Camillo is now in power, having created the cure, and launched a plan to relocate humanity to Mars. A shadowy organization called the Pointed Circle seeks to recruit Josh to take Stu down — but are they the good guys, or is Stu? As Wolf quickly acclimates to the strange customs of this time, Tiger struggles with her Biotic identity and searches for an escape. Josh unites the team in an epic plan to save the world, but their time-traveling catches up to them, and they must reckon with their choices and what to do next. (rottentomatoes)

imdb

movies, Uncategorized

1123 – Twelve Monkeys (1995)

timespace coordinates:  2035,  subterranean compound / ruins of Philadelphia (after a deadly virus released in 1996 wipes out almost all of humanity, forcing survivors to live underground) > 1990 / 1996  Baltimore + battlefield during ww1

15065_12-MONKEYSVHSCover12 Monkeys, also known as Twelve Monkeys, is a 1995 American neo-noir science fiction film directed by Terry Gilliam, inspired by Chris Marker‘s 1962 short film La Jetée, and starring Bruce WillisMadeleine Stowe, and Brad Pitt, with Christopher Plummer and David Morse in supporting roles.

References to time, time travel, and monkeys are scattered throughout the film, including the Woody Woodpecker cartoon “Time Tunnel” playing on the TV in a hotel room, the Marx Brothers film Monkey Business (1931) on TV in the asylum, and the subplots involving monkeys (drug testing, news stories and animal rights). The film is also intended to be a study of people’s declining ability to communicate in modern civilization due to the interference of technology. (Memory,_time,_and_technology)

12 Monkeys is inspired by the French short film La Jetée (1962); as in La Jetée, characters are haunted by the images of their own deaths. Like La Jetée12 Monkeys contains references to Alfred Hitchcock‘s Vertigo (1958). Toward the end of the film, Cole and Railly hide in a theater showing a 24-hour Hitchcock marathon and watch a scene from Vertigo. Railly then transforms herself with a blonde wig, as Judy (Kim Novak) transforms herself into blonde Madeleine in Vertigo; Cole sees her emerge within a red light, as Scottie (James Stewart) saw Judy emerge within a green light. Brief notes of Bernard Herrmann‘s film score can also be heard. Railly also wears the same coat Novak wore in the first part of Vertigo. The scene at Muir Woods National Monument, where Judy (as Madeleine) looks at the growth rings of a felled redwood and traces back events in her past life, resonates with larger themes in 12 Monkeys. Cole and Railly later have a similar conversation while the same music from Vertigo is repeated. The Muir Woods scene in Vertigo is also reenacted in La Jetée. In a previous scene in the film, Cole wakes up in a hospital bed with the scientists talking to him in chorus. This is a direct homage to the “Dry Bones” scene in Dennis Potter‘s The Singing DetectiveJames Cole is a notable Christ figure in film. The film is significant in the genre of science-fiction film noir, and it alludes to various “canonical noir” films.

12-Monkeys-Movie-1995-Tech-Noir-PosterAfter the release of The Zero Theorem in 2013, claims were made that Gilliam had meant it as part of a trilogy. A 2013 review for The Guardian newspaper said, “Calling it [The Zero Theorem] the third part of a trilogy formed by earlier dystopian satires Brazil and Twelve Monkeys [sic]”; but in an interview with Alex Suskind for Indiewire in late 2014, Gilliam said, “Well, it’s funny, this trilogy was never something I ever said, but it’s been repeated so often it’s clearly true [laughs]. I don’t know who started it but once it started it never stopped”(wiki)

imdb   /  12 Monkeys (TV series)

movies

1113 – Cyborg (1989)

timespace coordinates: 21st Century (2010’s ?) New York City >  Atlanta, Georgia

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Cyborg also known as Slinger is a 1989 American martial-arts cyberpunk film directed by Albert PyunJean-Claude Van Damme stars as Gibson Rickenbacker, a mercenary who battles a group of murderous marauders led by Fender Tremolo (Vincent Klyn) along the East coast of the United States in a post-apocalyptic future. The film is the first in Pyun’s Cyborg Trilogy. It was followed by 1993’s Knights (originally entitled The Kingdom of Metal: Cyborg Killer) and Omega Doom in 1997.  Cyborg was followed by sequels Cyborg 2 and Cyborg 3: The Recycler. (wiki)

The film was shot for less than $500,000 and was filmed in 23 days. Jean-Claude Van Damme re-edited the film, much as he did with Bloodsport (1988), to make the fight scenes more exciting and trim down the drama. Van Damme spent two months editing the film. He would do the same on Hard Target (1993) (imdb)


Cyborg Nemesis: The Dark Rift

movies

0983 – The Man Who Killed Hitler and Then The Bigfoot (2019)

The year is 1987. Calvin Barr (a too-great-for-words Sam Elliott) is not a violent man. But he is more than capable of violence if sufficiently provoked. What many don’t realize about the thoughtful, elderly bloke regularly seen at the neighbourhood tavern is that he’s a legendary WW2 veteran who many years ago assassinated Adolf Hitler, an incredible secret that he’s frustratingly unable to share. One day, just as he’s coming to terms with rounding out his life, Calvin gets a visit from the FBI and the RCMP. They know what he’s done, and what he can be capable of. They have a mission for him. After discovering that it harbours a disease capable of eradicating humanity… they need him to take out Bigfoot.

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A wondrous feature debut from writer/director Robert D. Krzykowski, featuring visual effects by celebrated two-time Academy Award Winner Douglas Trumbull (2001: A SPACE ODYSSEYBLADE RUNNER), who also co-produced alongside the great John Sayles and Lucky McKee, and a supporting cast that includes Aidan Turner (THE HOBBIT trilogy), Caitlin FitzGerald (ALWAYS SHINE), Ron Livingston (THE CONJURING), Sean Bridgers (ROOM) and Rizwan Manji (PATERSON), this is one special film. A fantastical discourse on the melancholia of old age and a singular blast of entertaining wit, THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT bubbles with imagination and poignancy. It’s a work that stands as staunchly alone as the weather-beaten hero at its core. It will bowl you over like a forgotten beast deep in the Northern wilderness. Mitch Davis //fantasiafestival

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imdb

movies, music

0959 – Todo sobre mi madre / All About My Mother (1999)

timespace coordinates: 1990’s Barcelona

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All About My Mother (Spanish: Todo sobre mi madre) is a 1999 Spanish drama film written and directed by Pedro Almodóvar, and starring Cecilia RothMarisa ParedesAntonia San JuanPenélope Cruz and Candela Peña.

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The plot originates in Almodóvar’s earlier film The Flower of My Secret (1995) which shows student doctors being trained in how to persuade grieving relatives to allow organs to be used for transplant, focusing on the mother of a teenager killed in a road accident. All About My Mother deals with complex issues such as AIDShomosexualitytranssexualismfaith, and existentialism. (wiki)

ost


imdb

movies

945 – SuperGrid (2018)

timespace coordinates: near future Canadasupergrid posterSuperGrid is a Canadian post-apocalyptic road movie directed by Lowell Dean, who previously directed horror-comedies WolfCop and Another WolfCop. The film stars Leo FafardMarshall WilliamsNatalie KrillJonathan CherryAmy Matysio and Jay Reso.

imdb   /   rottentomatoes

movies

0944 – Ghosts of Mars (2001)

timespace coordinates: (84% terraformed) MARS, 2176 A.D.

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Ghosts of Mars is a 2001 American science fiction action horror film written, directed and scored by John Carpenter. The film stars Natasha HenstridgeIce CubeJason StathamPam GrierClea DuVall, and Joanna Cassidy.

Responding to the criticism towards the film in his autobiography, Carpenter stated he was intentionally trying to make Ghosts Of Mars as over-the-top and tongue-in-cheek as possible. He claimed he was trying to make a mindless and silly, yet highly entertaining and thrilling, action flick where “the universe allows its characters and plot points to be silly without becoming full-fledged comedies”, akin to 80’s movies like Commando, Rambo: First Blood Part 2, and Predator. Looking back on the film and its criticism, he stated he was frustrated that most people thought the film was meant to be a serious horror movie, and feels that he should’ve made the film more openly comedic and “in on the joke”, saying “I have no power over what critics say, but when people complained about the movie being campy and not scary…the name of the movie is Ghosts Of Mars, I figured the campiness would be self-explanatory.” (wiki)

imdb