691 – The Wonder of Weeds (2011)

“…when something does get labeled alien, an entire industry will spring up dedicated to its destruction.”

Blue Peter gardener Chris Collins celebrates the humble and sometimes hated plants we call weeds. He discovers that there is no such thing as a weed, botanically speaking, and that in fact what we call a weed has changed again and again over the last three hundred years. Chris uncovers the story of our changing relationship with weeds – in reality, the story of the battle between wilderness and civilisation. He finds out how weeds have been seen as beautiful and useful in the past, and sees how their secrets are being unlocked today in order to transform our crops.

Finally, Chris asks whether, in our quest to eliminate Japanese Knotweed or Rhododendron Ponticum, we are really engaged in an arms race we can never win. We remove weeds from our fields and gardens at our peril.

YOUTUBE

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“What would the world be, once bereft
Of wet and of wildness? Let them be left,
O let them be left, wildness and wet;
Long live the weeds and the wilderness yet.”

Inversnaid (1881)

Gerard Manley Hopkins

686 – The Triumph of the Fungi: A Rotten History (2006 book by Nicholas P. Money)

Everyone is aware of the nineteenth-century Irish potato famine, but fungal diseases of many other crops have had similarly apocalyptic consequences. Today, coffee, cacao, and rubber are threatened by fungi throughout the tropics. Indeed, fungi have carved their way through the ages, attacking every plant that we cultivate, constantly exploiting new hosts. In The Triumph of the Fungi, Nicholas Money offers an intimate picture of these pernicious microbes, the scientists who have sought to control them, and the people directly impacted by the loss of forest trees and cash crops. Even with the development of fungicides and other scientific breakthroughs, fungi continue to be unstoppable – this is the story of their triumph. (amazon)

672 – Edwardian Insects on Film (2013 documentary)

In 1908 amateur naturalist Percy Smith stunned cinema goers with his surreal film The Acrobatic Fly. Featuring a bluebottle juggling a series of objects, the film became front page news. Now wildlife cameraman Charlie Hamilton-James attempts to recreate this fascinating film.

Along the way, Hamilton-James (helped by Sir David Attenborough who saw Smith’s films as a boy) tells the story of Percy’s remarkable career and reveals the genius behind this forgotten pioneer of British film. (docuwiki)

imdb

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Minute Bodies: The Intimate World of F. Percy Smith (2016)

imdb  ( film and music )

0634 – Anonymous (2011)

spacetime coordinates: 16th – early 17th century London

Anonymous is a 2011 political thriller film directed by Roland Emmerich and written by John Orloff. The film is a version of the life of Edward de Vere, 17th Earl of Oxford, an Elizabethan courtier, playwright, poet and patron of the arts, and suggests he was the actual author of William Shakespeare‘s plays. It stars Rhys Ifans as de Vere and Vanessa Redgrave as Queen Elizabeth I of England. The effects crew “took 30,000 pictures in England, of every Tudor building they could find, and then they scanned them all into the computer and built real London in 1600.”  (wiki)

The film was a box office flop and received mixed reviews, with critics praising its performances and visual achievements, but criticizing the film’s time-jumping format, factual errors, and the filmmakers’ promotion of the Oxfordian theory of Shakespeare authorship. (read more: controversy)            imdb

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William Shakespeare – Notes of a Lecture given
by Dr. Rudolf Steiner (On-line here)

0633 – Michiel de Ruyter / Admiral (2015)

spacetime coordinates: 1650s – 1670s  Dutch Empire – British Empire

Michiel de Ruyter (Dutch pronunciation: [miˈxil də ˈrœy̯tər]) is a 2015 epic Dutch film about the 17th-century admiral Michiel de Ruyter directed by Roel Reiné. Paintings from the 17th century served as an inspiration for the design. In the beginning of the movie, when Klaartje the family maid pours milk, it is almost an exact replica of the famous painting ‘The Milkmaid’ by Johannes Vermeer.

Prior to its release, several protest groups had accused the film of glorifying the colonial history of the Netherlands. References to colonialism in the film are however almost absent. The film makes a minor reference to the Dutch East India Company, which contributed highly to the welfare in the 17th century in the low countries, and to the trading vessels which were protected by the navy under Michiel de Ruyter. The film’s main subjects — apart from Michiel de Ruyter himself — are the internal politics of the country, including the brutal murder of Johan de Witt and the complicated relationship with England, up to the engagement of the Dutch prince of Orange with Mary II. (wiki)

imdb

612 – Davi Kopenawa, Bruce Albert, Alison Dundy – The falling sky – words of a Yanomami shaman

The Falling Sky is a remarkable first-person account of the life story and cosmo-ecological thought of Davi Kopenawa, shaman and spokesman for the Yanomami of the Brazilian Amazon. Representing a people whose very existence is in jeopardy, Davi Kopenawa paints an unforgettable picture of Yanomami culture, past and present, in the heart of the rainforest–a world where ancient indigenous knowledge and shamanic traditions cope with the global geopolitics of an insatiable natural resources extraction industry.

In richly evocative language, Kopenawa recounts his initiation and experience as a shaman, as well as his first encounters with outsiders: government officials, missionaries, road workers, cattle ranchers, and gold prospectors. He vividly describes the ensuing cultural repression, environmental devastation, and deaths resulting from epidemics and violence. To counter these threats, Davi Kopenawa became a global ambassador for his endangered people. The Falling Sky follows him from his native village in the Northern Amazon to Brazilian cities and finally on transatlantic flights bound for European and American capitals. These travels constitute a shamanic critique of Western industrial society, whose endless material greed, mass violence, and ecological blindness contrast sharply with Yanomami cultural values.

Bruce Albert, a close friend since the 1970s, superbly captures Kopenawa’s intense, poetic voice. This collaborative work provides a unique reading experience that is at the same time a coming-of-age story, a historical account, and a shamanic philosophy, but most of all an impassioned plea to respect native rights and preserve the Amazon rainforest. (amazon)

“When I come back from a trip among the white people, the dizziness leaves my eyes after a while and my thought be-comes clear again. I no longer hear cars, machines, or airplanes. I only lend an ear to the tooro toads and krouma frogs that call the rain in the forest. I only hear the rustling of the leaves in the wind and the rumbling of the thunders in the sky. The ignorant words of the city politicians gradually vanish in the quiet of my sleep. I become calm again by going to hunt and making my spirits dance.

The forest is very beautiful to see. It is cool and aromatic. When you move through it to hunt or travel, you feel joyful and your mind is slow-paced. You listen to the chirping of the cicadas in the distance, or the cries of the curassows and the agami herons, and the clamor of the spider monkeys in the trees. Your worries are eased. Your thoughts can then follow one another without getting obscured.”

0608 – Steamboy (2004)

spacetime coordinates: 1863 Russian Alaska // 1866 Manchester –  London

Steamboy (Japanese: スチームボーイ Hepburn: Suchīmubōi) is a 2004 Japanese animated steampunk action film produced by Sunrise, directed and co-written by Katsuhiro Otomo, his second major anime release, following Akira. The film was released in Japan on July 17, 2004. Steamboy is one of the most expensive Japanese animated movies made to date. Additionally, the film was in production for ten years and utilized more than 180,000 drawings and 440 CG cuts.

imdb