Tag: electronic
1149 – LOVE DEATH + ROBOTS (TV series 2019– )
Love, Death & Robots (stylized as LOVE DEATH + ROBOTS) is an American adult animated anthology web television series on Netflix. The 18-episode first season was released on March 15, 2019. The series is produced by Joshua Donen, David Fincher, Jennifer Miller, and Tim Miller. Each episode was animated by different crews from a range of countries. The series is a re-imagining of Fincher and Miller’s long in-development reboot of the 1981 animated science fiction film Heavy Metal.
The cast includes Mary Elizabeth Winstead, Topher Grace, Gary Cole, Samira Wiley and Stefan Kapičić, with Grace and Winstead appearing in live-action roles, rather than animated.
In March 2019, Netflix revealed that it was experimenting with a new approach by including a different order of episodes to different users. (*four unique episode orders, released to users at random.) (wiki)
1142 – Planet Terror (2007)
timespace coordinates: 2000’s rural Texas / Mexico
! extreme violence and gore !
Planet Terror is a 2007 American independent zombie film directed by Robert Rodriguez and starring Rose McGowan, Freddy Rodriguez, Josh Brolin, Marley Shelton, Naveen Andrews, Michael Biehn, Jeff Fahey, Stacy Ferguson, and Bruce Willis. It follows a group of people attempting to survive an onslaught of zombie-like creatures as they feud with a military unit. It was released theatrically in North America as part of a double feature with Quentin Tarantino‘s Death Proof under the title Grindhouse, to emulate the experience of viewing exploitation films in a “grindhouse” theater. In addition to directing the film, Rodriguez wrote the script, directed the cinematography, wrote the musical score, co-edited, and produced it. (wiki)
1141 – Attack the Block (2011)
timespace coordinates: 2011 South London
Attack the Block is a 2011 British science fiction comedy horror film written and directed by Joe Cornish and starring John Boyega, Jodie Whittaker, and Nick Frost. It was the film debut of Cornish, Boyega, and composer Steven Price.
The film centres on a teenage street gang who have to defend themselves from predatory alien invaders on a council estate in South London on Guy Fawkes Night. (wiki)
1136 – yesterday evening [trans-surfing (friday_2nd* DECEMBER 2007 unofficial_youtube party) – sample]
You made me realise
The Beach Boys – Kokomo [Official Music Video]
VAST – Pretty When You Cry
Surfaris – Waikiki Run – 45 rpm
Suicide – Ghost Rider
Spacemen 3 – Suicide (Live)
Spacemen 3 – Hypnotized (Full Version)
1132 – Upstream Color (2013)
“I love to be alone. / The sun is but a morning star. / The wildest sound ever
heard makes the woods ring far / and wide. / Faint tinkling sounds borne to my ear. / Their roots reaching quite under the house. / Fearing that they
would be light-headed. / For want of food and also sleep. / Prevailing blue mixed with yellow of the sand. / Sunshine is the color of the water. / I used to wonder at the halo /
of light around my shadow / And fancied myself one of the elect.”
Upstream Color is a 2013 American experimental science fiction film written, directed, produced, edited, composed, designed, cast by and starring Shane Carruth. The film is the second feature directed by Carruth, best known for his 2004 debut Primer. Upstream Color stars Amy Seimetz, Carruth, Andrew Sensenig, and Thiago Martins.
Upstream Color is about two people whose behaviors are affected by a complex parasite—without knowing it—that has a three-stage life cycle in which it passes from humans to pigs to orchids. (wiki)
themes / Walden / imdb
original soundtrack
1129 – Jacaszek
Michał Jacaszek (born 1972) is a Polish electroacoustic musician, often credited on albums simply as Jacaszek.
“Penteal (2009) is an attempt to describe a gothic church interior by means of sounds. A temple owes its special atmosphere not only to visual elements but also to characteristic acoustics – reverb, enhancing and prolonging a slightest whisper into infinity. i spent several days in three Gdańsk historic churches (Oliwa Cathedral, St. Nicolas’ church, St. Mary’s Basilica) recording chanting, organs, and also a broad spectrum of accidental noises. Source sounds were used only as a stimulus which releases the sound of the whole inside, and as such, they were consequently retouched in the post production process. Studio work and also the atmosphere of melody and arrangements were subordinate to the idea of portraying the church as a place filled with distant mysteries, a huge music instrument.”
TimeSpace Warps 