1242 -Les glaneurs et la glaneuse (2000 documentary)

The Gleaners and I (French: Les glaneurs et la glaneuse; “The gleaners and the female gleaner”, a reference to the director herself) is a 2000 French documentary film by Agnès Varda that features various kinds of gleaning. It was entered into competition at the 2000 Cannes Film Festival (“Official Selection 2000”), and later went on to win awards around the world. In a 2014 Sight and Sound poll, film critics voted The Gleaners and I the eighth best documentary film of all time. In 2016, the film appeared at No. 99 on BBC’s list of the 100 greatest films of the 21st century.   /   Cinematic significance   (wiki)

imdb: Les glaneurs et la glaneuse (2000)   /   Les glaneurs et la glaneuse… deux ans après (2002)

1228 – Chad VanGaalen

“TARBOZ was planned as the first episode of “Translated Log of Inhabitants”, and was an experiment to see if i could make a long-form improvised animation and still get out alive. I barely did!

The “Translated Log of Inhabitants” was conceived as a guide to the origin story of many different species. I imagined myself doing dozens of these episodes, focusing on a new life form very time — very much like a page from “Barlowe’s Guide to Extraterrestrials“. It expands a universe that I had already been developing in my own music videos, as well as ones for other bands. The videos for “Peace on the Rise” as well as ones for Black Mountain and Shabazz Palaces all exist in the same world (at least in my head).

TARBOZ is stream of consciousness, dreams and friends. Alternate versions of my own reality. Coming to terms with the fact that I will never play freestyle disc professionally, but wanting to pay homage to the peaceful energy of that sport. It also reflects my needing to score a sci-fi film so badly that I ended up making my own.

I TARBOZed myself for 2 years, through software transitions and computer wastelands, and slowly the physical realm slipped away. I learned a lot about why you should get into something with a clear idea in mind. I would never make another animation in quite the same the way I made this again. After two years of working on it in solitude I just wanted my life back. Doing it alone was my biggest mistake. I was very lonely.

It didn’t really end up like any of these things, but I hope this might help people understand the spirt of the piece. Although I’m not sure i understand it entirely myself. Sometimes you need to just do it in order to know how to not to do it?”

---

1227 – GREEN HELL IS THE NEW HEAVEN (2012 documentary)

GREEN HELL IS THE NEW HEAVEN Timisoara city in the Anthropocene Remastered version of the 2012 movie about the Ailanthus tree also known as the Tree Of Heaven in a loud and overheated Timisoara. A project for Waiting Spaces #1 http://waiting-spaces.simultan.org/

1226

1211 – The Toys That Made Us (TV Series 2017– )

timespace coordinates: (S01) “Star Wars” 1977 – / “Barbie” 1959 – / “He-Man” 1982 – / “G.I. Joe” 1964 – // (S02) “Star Trek” 1966 – / “Transformers” 1983 – / “LEGO” 1949 – / “Hello Kitty” 1960 – //  USA – Japan – Denmark

The Toys That Made Us is an American documentary web television series created by Brian Volk-Weiss. The first four episodes of the series began streaming on Netflix on December 22, 2017, and the next four were released in May 25, 2018.

“The minds behind history’s most iconic toy franchises discuss the rise — and sometimes fall — of their billion-dollar creations.” rottentomatoes

imdb   /   toy culture   /   netflix

1178 – Pandora’s Promise (2013 documentary)

Pandora’s Promise is a 2013 documentary film about the nuclear power debate, directed by Robert Stone. Its central argument is that nuclear power, which still faces historical opposition from environmentalists, is a relatively safe and clean energy source which can help mitigate the serious problem of anthropogenic global warming. Richard Branson is credited as an executive producer, as are Paul and Jody Allen, whose production company, Vulcan Productions, helped provide financial support.  A total of $1.2 million (US) was raised to finance the film, “particularly through Impact Partners, which provides documentary financing from individual investors. Mr. Stone said the money came mainly from wealthy “tech heads” who have worked in Silicon Valley.”

The title is derived from the ancient Greek myth of Pandora, who released numerous evils into the world, yet as the movie’s tagline recalls: “At the bottom of the box she found hope.” (wiki)

---

The New York Times: “You need to make an argument. A parade of like-minded nuclear-power advocates who assure us that everything will be all right just doesn’t cut it.” > Bulletin of the Atomic Scientists: “In the end, by dismissing the protesters and failing to engage them in significant debate about the pros and cons of nuclear energy, the film undermined its own message.” > Seattle Weekly: “But the doc’s bigger flaw is that no one is allowed to make a reasoned anti-nuclear argument. To the well-made film’s many statistics, graphics, and common-sense assertions, the lack of a rebuttal is deafening.”

imdb   / Q&A with Jeremy Rifkin   /  review

1176 – The Battle of Chernobyl (2006 documentary)

On April 26, 1986, at 1:24am, a rainbow-colored flame shot 1,000 meters high into the Ukrainian sky. The fourth reactor of the Chernobyl nuclear power plant just exploded. A battle begins in which 500,000 men are engaged throughout the Soviet Union to “liquidate” the radioactivity, build the “sarcophagus“ of the damaged reactor and save the world from a second explosion that would have destroyed half of Europe.

This documentary combines testimonials, unseen original footage and documents to recreate the events of the great battle of Chernobyl day-by-day, as each development unfolded. imdb

---

on youtube