Robin D. G. Kelley: What Is Racial Capitalism and Why Does It Matter? (YouTube)
“The purpose of racism is to control the behaviour of white people, not Black people. For Blacks, guns and tanks are sufficient” Otis Madison
Tag: ecosystem
870 – Botany: A Blooming History (Documentary | TV Mini-Series 2014)
868 – William T. Vollmann
The Most Honest Book About Climate Change Yet
“Vollmann’s undertaking is in the vanguard of the coming second wave of climate literature, books written not to diagnose or solve the problem, but to grapple with its moral consequences.”
No Immediate Danger: Volume One of Carbon Ideologies
No Good Alternative: Volume Two of Carbon Ideologies: 2
William_T._Vollmann
William T. Vollmann | Carbon Ideologies
|YouTube
0850 – The Meg (2018)
timespace coordinates: near future Mariana Trench, the Pacific Ocean/ Hainan, China, Thailand, Japan
The Meg is a 2018 US–Chinese science fiction action thriller film directed by Jon Turteltaub, loosely based on the 1997 book Meg: A Novel of Deep Terror by Steve Alten. The film stars Jason Statham, Li Bingbing, Rainn Wilson, Ruby Rose, Winston Chao, and Cliff Curtis. the film follows a group of scientists who encounter a 75-foot-long (23 m) megalodon shark while on a rescue mission at the floor of the Pacific Ocean. (wiki)
Sequel
0848 – New Dark Age: Technology and the End of the Future by James Bridle (2018 book)
As the world around us increases in technological complexity, our understanding of it diminishes. Underlying this trend is a single idea: the belief that our existence is understandable through computation, and more data is enough to help us build a better world.
In reality, we are lost in a sea of information, increasingly divided by fundamentalism, simplistic narratives, conspiracy theories, and post-factual politics. Meanwhile, those in power use our lack of understanding to further their own interests. Despite the apparent accessibility of information, we’re living in a new Dark Age.
From rogue financial systems to shopping algorithms, from artificial intelligence to state secrecy, we no longer understand how our world is governed or presented to us. The media is filled with unverifiable speculation, much of it generated by anonymous software, while companies dominate their employees through surveillance and the threat of automation.
In his brilliant new work, leading artist and writer James Bridle surveys the history of art, technology, and information systems, and reveals the dark clouds that gather over our dreams of the digital sublime. (VERSO)
James Bridle on New Dark Age: Technology and the End of the Future
man always makes it clear to himself: “You are using things which have the intention of not being penetrable.” 1180
0825 – The Forgotten Space (2010)
timespace coordinates: 2000’s Netherlands / United States / Belgium / China / Spain
The Forgotten Space (Allan Sekula & Noël Burch, 2010) follows container cargo aboard ships, barges, trains and trucks, listening to workers, engineers, planners, politicians, and those marginalized by the global transport system. We visit displaced farmers and villagers in Holland and Belgium, underpaid truck drivers in Los Angeles, seafarers aboard mega-ships shuttling between Asia and Europe, and factory workers in China, whose low wages are the fragile key to the whole puzzle. And in Bilbao, we discover the most sophisticated expression of the belief that the maritime economy, and the sea itself, is somehow obsolete.
A range of materials is used: descriptive documentary, interviews, archive stills and footage, clips from old movies. The result is an essayistic, visual documentary about one of the most important processes that affects us today. The Forgotten Space is based on Sekula’s Fish Story, seeking to understand and describe the contemporary maritime world in relation to the complex symbolic legacy of the sea.
The sea is forgotten until disaster strikes. But perhaps the biggest seagoing disaster is the global supply chain, which – maybe in a more fundamental way than financial speculation – leads the world economy to the abyss. (http://www.theforgottenspace.net/)
749 – Lucy (2014)
timespace coordinates: 2014 Taipei, Taiwan / Paris
Lucy is a 2014 English-language French Science-fantasy / Biopunk / Postcyberpunk action-thriller film written and directed by Luc Besson and produced by his wife Virginie Besson-Silla for his company EuropaCorp. The film was shot in Taipei, Paris, and New York City. It stars Scarlett Johansson, Morgan Freeman, Choi Min-sik, and Amr Waked. Johansson portrays the title character, a woman who gains psychokinetic abilities when a nootropic drug is absorbed into her bloodstream.Luc Besson once called this film as “one part Léon (1994), one part Inception (2010) and one part 2001: A Space Odyssey (1968)”. Many shots in the film were mirrored after these three films.
The 10 percent of the brain myth is a widely perpetuated urban legend that most or all humans only use 10 percent (or some other small percentage) of their brains. It has been misattributed to many people, including Albert Einstein. By extrapolation, it is suggested that a person may harness this unused potential and increase intelligence. (read more)
TimeSpace Warps 