movies

0948 – A Private War (2018)

timespace coordinates: 2001- 2012 / Sri Lanka, Iraq, Afghanistan, Libya (Arab Spring), Syria

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A Private War is a 2018 American biographical drama film directed by Matthew Heineman and starring Rosamund Pike as journalist Marie Colvin. The film is based on the 2012 article “Marie Colvin’s Private War” in Vanity Fair by Marie Brenner. The film was written by Arash Amel and features Jamie DornanTom Hollander and Stanley Tucci. (wiki)

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movies

0942

timespace coordinates: 2010s Norway


Bølgen / The Wave (2015)

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The Wave (NorwegianBølgen) is a 2015 Norwegian disaster film directed by Roar Uthaug. The movie depicts a future event in Møre og Romsdal in which the Åkerneset crevasse collapses, creating an avalanche resulting in an 80 meter tall tsunami that destroys everything in its path. (wiki) imdb

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Skjelvet / The Quake (2018)

(Sequel to The Wave, directed by John Andreas Andersen.)

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In 1904 an earthquake with a 5.4 magnitude on the Richter scale shook Oslo. Its epicenter was in the Oslo Rift which runs directly through the Norwegian capital. There are recorded quakes from the rift on a daily basis and geologists cannot be sure, but arguments indicate that we can expect major future earthquakes in this area. When – nobody can say for certain – but we know that the density of people and infrastructure in Oslo is significantly more vulnerable today than in 1904. What if a massive earthquake is looming? (rottentomatoes) imdb

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Stars: Kristoffer JonerAne Dahl TorpEdith Haagenrud-SandeJonas Hoff OftebroKathrine Thorborg Johansen

movies

0936 – Room in Rome (2010)

timespace coordinates: 2010, Room in Rome

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Room in Rome (Spanish: Habitación en Roma, Russian: Комната в Риме Komnata v Rime) is a 2010 Spanish erotic lesbian romantic comedy-drama film, depicting the emotional and sexual relations of two women throughout a single night in a hotel room in Rome. The plot is loosely based on another film, In BedRoom in Rome was Julio Medem‘s (Lucía y el sexo) first English language film. (wiki)

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movies

0921 – Pandora (2016)

timespace coordinates: 2010’s small South Korean town

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Pandora (Hangul판도라RRPandora) is a 2016 South Korean disaster film written and directed by Park Jung-woo. Jae-Hyeok (Kim Nam-Gil) struggles to save his family and country from a nuclear meltdown. (rt   /   wiki)   imdb


“watching the safety of (the) nuclear power plant with my big eyes” — captioning a picture of a small boy making pretend-binoculars with his hands. Fukushima Prefectural Nuclear Power Public Relations Association, 1986, in response to the Chernobyl accident   868

movies

0918 – The Drop (2014)

timespace coordinates: 2010s Brooklyn

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The Drop is a 2014 American crime film directed by Michaël R. Roskam, from a screenplay written by Dennis Lehane. The film is based on Lehane’s 2009 short story “Animal Rescue”. Lehane also adapted the script into a 2014 novel of The Drop. The film stars Tom HardyNoomi Rapace and James Gandolfini (in his final film role), with Matthias SchoenaertsJohn Ortiz and James Frecheville in supporting roles. (wiki)

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animation, movies, Uncategorized

0905 – Under the Silver Lake (2018)

timespace coordinates: 2011 Los Angeles

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Under the Silver Lake is a 2018 American neo-noir mystery film written, produced and directed by David Robert Mitchell. Set in Los Angeles, it stars Andrew Garfield as a young man who sets out on a quest to investigate the sudden disappearance of his neighbour (Riley Keough), only to stumble upon an elusive and dangerous large-scale conspiracy.

Joshua Rothkopf of Time Out gave the film a perfect five rating, calling it “Hypnotic, spiraling and deliriously high” and stating “the ambition of Under the Silver Lake is worth cherishing. It will either evaporate into nothingness or cohere into something you’ll want to hug for being so wonderfully weird.” Eric Kohn of IndieWire gave a positive review, calling it “a bizarre and outrageous drama grounded in the consistency of Garfield’s astonishment at every turn. […] Aided by cinematographer Mike Gioloukas’ sunny visuals and a searching Disasterpiece score, the movie becomes a bittersweet ode to wanting answers from an indifferent world overwhelmed by superficial distractions. The homage can be irritating and some of the transitions work better than others across an unwieldy running time — but even the flaws speak to the movie’s beguiling raison d’être. It’s fascinating to watch Mitchell grasp for a bigger picture with the wild ambition of his scruffy protagonist.” 

Owen Gleiberman of Variety gave a positive review, calling it “a down-the-rabbit-hole movie, at once gripping and baffling, fueled by erotic passion and dread but also by the code-fixated opacity of conspiracy theory. The movie is impeccably shot and staged, with an insanely lush soundtrack that’s like Bernard Herrmann-meets-Angelo-Badalamenti-on-opioids. When it’s over, though, you feel like you’ve seen a meta-mystery made by someone who spent too much time scrawling notes in the margins of his frayed copy of Infinite Jest. (wiki)

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