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Singularity began as a low-budget sci-fi film called Aurora, which was shot in 2013 in the Czech Republic and Switzerland. John Cusack was not involved in the original shoot. Years later, scenes with Cusack were shot and inserted into the new production, and extensive CGI effects were used to tie the new material to the original film.
The Russian Woodpecker is a 2015 documentary film written, produced and directed by Chad Gracia following Fedor Alexandrovich’s investigation into the Chernobyl disaster. It is Gracia’s directorial debut feature.
The films focuses on Fedor Alexandrovich’s research into the cause of the Chernobyl nuclear disaster in Ukraine and its potential connection to a Soviet Cold War-era structure, the Duga over-the-horizon radio antenna. His investigation is interrupted and impacted by the 2014 Euromaidan uprising, which eventually led to the ousting of the president Viktor Yanukovych.
spacetime coordinates: 1940 France
Dunkirk is a 2017 war film written, directed, and co-produced by Christopher Nolan that depicts the Dunkirk evacuation of World War II. The film is a British, American, French, and Dutch co-production, and was distributed by Warner Bros..
Dunkirk portrays the evacuation from three perspectives: land, sea, and air. It has little dialogue: Nolan sought to create suspense instead from cinematography and music.
Dunkirk has extensive practical effects, and employed thousands of extras as well as boats that participated in the evacuation, and period aeroplanes.
The film received praise for its generally realistic representation of the historical evacuation. It accurately depicts a few Royal Air Force planes dogfighting the Luftwaffe over the sea, limited to one hour of operation by their fuel capacity. In 1940, destroyers and fighter planes were indeed held back from battle, as the Royal Navy and Air Force would have been the sole defenders against invasion. Also praised were accurate depictions of how a small boat attempted to evade aerial attack, and how soldiers returning to England saw a civilian population largely unaware of or unaffected by the war. British officers did initially refuse to evacuate French soldiers, although Churchill later insisted that the French be evacuated alongside the British. The overall realism of the film was acknowledged by surviving Dunkirk veterans, although Branagh said that some thought it “was louder than the battle” (read more: Historical accuracy)
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spacetime coordinates: 2020 – 2025 Alaska // Hong Kong // Manila // San Francisco // Pacific Ocean // Tokyo
Pacific Rim is a 2013 American science fiction monster film directed by Guillermo del Toro and starring Charlie Hunnam, Idris Elba, Rinko Kikuchi, Charlie Day, Burn Gorman, Robert Kazinsky, Max Martini, and Ron Perlman. The screenplay was written by Travis Beacham and del Toro from a story by Beacham.
The film is set in the future, when Earth is at war with the Kaiju, colossal sea monsters which have emerged from an interdimensional portal on the bottom of the Pacific Ocean. To combat the monsters, humanity unites to create the Jaegers, gigantic humanoid mechas each controlled by at least two pilots, whose minds are joined by a mental link. Focusing on the war’s later days, the story follows Raleigh Becket, a washed-up Jaeger pilot called out of retirement and teamed with rookie pilot Mako Mori as part of a last-ditch effort to defeat the Kaiju.
Knifehead, the first Kaiju to appear in the film, is a tribute to the plodding kaiju of 1960s Japanese films, and is intended to look almost like a man in a rubber suit; its head was inspired by that of a goblin shark. Leatherback, the bouncer-like Kaiju which spews electro-magnetic charges, is a favorite of del Toro, who conceived it as a “brawler with this sort of beer belly”; the lumbering movements of gorillas were used as a reference. The Kaiju Otachi homages the dragons of Chinese mythology. The director called it a “Swiss army knife of a Kaiju”; with almost 20 minutes of screen time, it was given numerous features so the audience would not tire of it. The creature moves like a Komodo dragon in water, sports multiple jaws and an acid-filled neck sack, and unfurls wings when necessary. It is also more intelligent than the other Kaiju, employing eagle-inspired strategies against the Jaegers. Onibaba, the Kaiju that orphans Mako Mori, resembles a fusion of a Japanese temple and a crustacean. Slattern, the largest Kaiju, is distinguished by its extremely long neck and “half-horn, half-crown” head, which del Toro considered both demonic and majestic.
Gipsy Danger, the American Jaeger, was based on the shape of New York City’s Art Deco buildings, such as the Chrysler Building and the Empire State Building, but infused with John Wayne‘s gunslinger gait and hip movements. Cherno Alpha, the Russian Jaeger, was based on the shape and paint patterns of a T-series Russian tank, combined with a giant containment silo to give the appearance of a walking nuclear power plant with a cooling tower on its head. Crimson Typhoon, the three-armed Chinese Jaeger, is piloted by triplets and resembles a “medieval little warrior”; its texture evokes Chinese lacquered wood with golden edges. Striker Eureka, the Australian Jaeger, is likened by del Toro to a Land Rover; the most elegant and masculine Jaeger, it has a jutting chest, a camouflage paint scheme recalling the Australian outback, and the bravado of its pilots.
Rather than popular culture, the director drew inspiration from works of art such as The Colossus and George Bellows‘s boxing paintings.
The classic Japanese woodblock print The Great Wave off Kanagawa by Hokusai was a common motif in the ocean battles; Del Toro recalled, “I would say ‘Give me a Hokusai wave’… we use the waves and weather in the movie very operatically.” The director asked that Knoll not necessarily match the lighting from shot to shot: “It’s pretty unorthodox to do that, but I think the results are really beautiful and very artistically free and powerful, not something you would associate with a big sci-fi action movie.” Del Toro considers the film’s digital water its most exciting visual effect: “The water dynamics in this movie are technically beautiful, but also artistically incredibly expressive. We agreed on making the water become almost another character. We would time the water very precisely. I’d say ‘Get out of the wave [on this frame].'”
https://en.wikipedia.org/wiki/Pacific_Rim_(film)
http://www.imdb.com/title/tt1663662/
Monsters (IMDB) is a 2010 British science fiction monster film written and directed by Gareth Edwards in his feature film directorial debut. Edwards also served as the cinematographer, production designer, and visual effects artist. Monsters takes place years after a NASA probe crash in Mexico which led to the sudden appearance of giant tentacled monsters. It follows Andrew Kaulder (Scoot McNairy), an American photojournalist tasked with escorting his employer’s daughter Samantha Wynden (Whitney Able) back to the US by crossing through Mexico’s “Infected Zone” where the creatures reside.
Monsters: Dark Continent, a sequel, was released in the UK on 1 May 2015.
spacetime coordinates: near future. Gilead (former United States)
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The Handmaid’s Tale is an American television series created by Bruce Miller based on the 1985 novel of the same name by Canadian writer Margaret Atwood.
spacetime coordinates: 2054, Paris
Renaissance, also known as Paris 2054: Renaissance, is a 2006 animated tech noir science fiction film. The movie, which was co-produced in France, United Kingdom and Luxembourg, was directed by Christian Volckman.
Renaissance uses a style of motion capture animation in which almost all images are exclusively black-and-white; only occasional colour is used for detail. The film concerns a French policeman investigating the kidnapping of a scientist who may hold the key to eternal life in a futuristic and slightly dystopian Paris.
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