As the world around us increases in technological complexity, our understanding of it diminishes. Underlying this trend is a single idea: the belief that our existence is understandable through computation, and more data is enough to help us build a better world.
In reality, we are lost in a sea of information, increasingly divided by fundamentalism, simplistic narratives, conspiracy theories, and post-factual politics. Meanwhile, those in power use our lack of understanding to further their own interests. Despite the apparent accessibility of information, we’re living in a new Dark Age.
From rogue financial systems to shopping algorithms, from artificial intelligence to state secrecy, we no longer understand how our world is governed or presented to us. The media is filled with unverifiable speculation, much of it generated by anonymous software, while companies dominate their employees through surveillance and the threat of automation.
In his brilliant new work, leading artist and writer James Bridle surveys the history of art, technology, and information systems, and reveals the dark clouds that gather over our dreams of the digital sublime. (VERSO)
For more than a century the great colonial powers put human beings, taken by force from their native lands, on show as entertainment just like animals in zoos. The story of the savage treatment of people who were considered sub-human.
In 1891 Gauguin settles down in Tahiti, where he hopes to find inspiration for his work as an artist and live as a free man in the wild, far from all the moral, political and aesthetic codes of civilized Europe. In the jungle, he faces loneliness, poverty and disease, and he meets Tehura. She eventually becomes his wife and the main subject of his greatest paintings.
This film contains clips from D. W. Griffith‘s silent movie The Birth of a Nation. While Spike Lee was a student at NYU Film School, he was so outraged that his NYU Film School professors taught The Birth of a Nation (1915) with no mention of its racist message or role in the Klan’s twentieth-century rebirth that he made a student short film titled The Answer (1980) as a response. The film so offended many of his professors that Lee was nearly expelled from NYU. He was ultimately saved by a faculty vote. (read more: trivia)