documentary

1115 – Koyaanisqatsi (1982)

Koyaanisqatsi (English: /kjɑːnɪsˈkɑːts/), also known as Koyaanisqatsi: Life Out of Balance, is a 1982 American documentary / experimental film directed by Godfrey Reggio with music composed by Philip Glass and cinematography by Ron Fricke.

The film consists primarily of slow motion and time-lapse footage of cities and many natural landscapes across the United States. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and music. Reggio explained the lack of dialogue by stating “it’s not for lack of love of the language that these films have no words. It’s because, from my point of view, our language is in a state of vast humiliation. It no longer describes the world in which we live.”  In the Hopi language, the word Koyaanisqatsi means “unbalanced life”/ “crazy life”.

The film is the first in the Qatsi film trilogy: it is succeeded by Powaqqatsi (1988) and Naqoyqatsi (2002). The trilogy depicts different aspects of the relationship between humans, nature and technology. Koyaanisqatsi is the best known of the trilogy and is considered a cult film. (wiki)

imdb

movies

1114 – Cube (1997)

MV5BNGIyZmEzODgtMGRlMi00Y2JhLThjZmYtNzY1MmU1NmQ3ZWQ5XkEyXkFqcGdeQXVyMjUyNDk2ODc@._V1_SY1000_CR0,0,1489,1000_AL_Cube is a 1997 Canadian science-fiction horror film directed and co-written by Vincenzo Natali. A product of the Canadian Film Centre’s First Feature Project, the film follows a group of people as they cross industrialized cube-shaped rooms, some rigged with various traps designed to kill.

Cube has gained notoriety and a cult following, for its surreal atmosphere and Kafkaesque setting and concept of industrial, cube-shaped rooms. The film received generally positive reviews, and was followed by two sequels. A remake is in development at Lionsgate. (wiki)

imdb

movies

1113 – Cyborg (1989)

timespace coordinates: 21st Century (2010’s ?) New York City >  Atlanta, Georgia

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Cyborg also known as Slinger is a 1989 American martial-arts cyberpunk film directed by Albert PyunJean-Claude Van Damme stars as Gibson Rickenbacker, a mercenary who battles a group of murderous marauders led by Fender Tremolo (Vincent Klyn) along the East coast of the United States in a post-apocalyptic future. The film is the first in Pyun’s Cyborg Trilogy. It was followed by 1993’s Knights (originally entitled The Kingdom of Metal: Cyborg Killer) and Omega Doom in 1997.  Cyborg was followed by sequels Cyborg 2 and Cyborg 3: The Recycler. (wiki)

The film was shot for less than $500,000 and was filmed in 23 days. Jean-Claude Van Damme re-edited the film, much as he did with Bloodsport (1988), to make the fight scenes more exciting and trim down the drama. Van Damme spent two months editing the film. He would do the same on Hard Target (1993) (imdb)


Cyborg Nemesis: The Dark Rift

movies, series, Uncategorized

1111 – Tales from the Crypt: Demon Knight (1995)

timespace coordinates: 1990’s decommissioned church converted into a boarding house on a desert road in New Mexico

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Tales from the Crypt presents Demon Knight is a 1995 American religious horror comedy film directed by Ernest Dickerson based on Tales from the Crypt, an American horror anthology television series that ran from June 10, 1989 to July 19, 1996, / based on the 1950s EC Comics series of the same name, starring Billy ZaneWilliam Sadler and Jada PinkettBrenda BakkeC. C. H. PounderDick Miller and Thomas Haden Church co-star.

wiki   /   imdb

movies

1110 – Iron Sky

timespace coordinates: 2018 – 2038 New York City, Washington, D.C.,  the far side of the MoonAntarctica

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Iron Sky (imdb) is a 2012 Finnish-German-Australian comic-science-fiction action film directed by Timo Vuorensola and written by Johanna Sinisalo and Michael Kalesniko. It tells the story of a group of Nazi Germans who, having been defeated in 1945, fled to the Moon, where they built a space fleet to return in 2018 and conquer Earth. (wiki)

As The Hollywood Reporter noted, “the score by Laibach adds character, mixing pastiche pop with symphonic elements“. (www.laibach.org/iron-sky-soundtrack)

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Iron Sky: The Coming Race (imdbis a Finnish-German comic science fiction action film directed by Timo Vuorensola, released on 16 January 2019 in Finland. It is the sequel to Vuorensola’s 2012 film Iron Sky. The film was crowdfunded through Indiegogo.

Like its predecessor, the movie refers to several motifs of post-war Esoteric Nazism, such as the Hollow Earth theory. The movie’s title is most likely a reference to Edward Bulwer-Lytton‘s novel The Coming Race (1871) that is commonly regarded as the origin of the so-called Vril myth. The film teaser features the Vril symbol that was designed by the Tempelhofgesellschaft in the 1990s. (wiki)


Götterdämmerung   /  Fourth Reich   /  helium-3   /  Reptilians   /   Agartha   /   Nuclear holocaust   /  Moon Nazis   /   Jobists   /   ironsky.net

animation, music, Uncategorized

1108

Sepultura – Arise [OFFICIAL VIDEO]



Helloween “-Walls Of Jericho” full album   /   judas   /   guardians


Obituary – The End Complete


Megadeth – Train of Consequences


Paradise Lost – Shades Of God (Full Album)


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Holy War

The Crown and the Ring / Kingdom Come

Mountains

Guyana (Cult Of The Damned)


“Achilles, Agony and Ecstasy in Eight Parts” is the longest (28 minutes and 38 seconds) and most complex Manowar song, and probably an anticipation of a concept album that was never accomplished. Because of its Homeric content, “Achilles, Agony and Ecstasy in Eight Parts” has recently attracted the attention of a group of scholars at Bologna University in Italy. Mrs. Eleonora Cavallini, Professor in Classics, has written about this song:

Joey DeMaio’s lyrics imply a careful and scrupulous reading of the Iliad. The songwriter has focused his attention essentially on the crucial fight between Hector and Achilles, has paraphrased some passages of the poem adapting them to the melodic structure with a certain fluency and partly reinterpreting them, but never altering or upsetting Homer’s storyline. The purpose of the lyrics (and of the music as well) is to evoke some characteristic Homeric sceneries: the raging storm of the battle, the barbaric, ferocious exultance of the winner, the grief and anguish of the warrior who feels death impending over him. The whole action hinges upon Hector and Achilles, who are represented as specular characters, divided by an irreducible hatred and yet destined to share a similar destiny. Both are caught in the moment of the greatest exaltation, as they savagely rejoice for the blood of their killed enemies, but also in the one of the extreme pain, when the daemon of war finally pounces on them. Furthermore, differently than in the irreverent and iconoclastic movie Troy, in “Achilles, Agony and Ecstasy in Eight Parts”, the divine is a constant and ineluctable presence, determining human destinies with inscrutable and steely will, and, despite the generic reference to ‘the gods’, the real master of human lives is Zeus, the only God to whom both Hector and Achilles address their prayers