movies

1196 – Pet Sematary (2019)

timespace coordinates: 2010’s Ludlow, Maine

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Pet Sematary is a 2019 American supernatural horror film directed by Kevin Kölsch and Dennis Widmyer and written by Jeff Buhler, from a screen story by Matt Greenberg. It is the second adaptation of the 1983 novel of the same name by Stephen King, after the 1989 film.

The film stars Jason ClarkeAmy Seimetz, and John Lithgow, and follows a family that discovers a mysterious graveyard in the woods behind their new home. Critics and audiences were both divided on the changes between the film and book, though many named it better than the 1989 adaptation. (wiki)

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music, radio, Uncategorized

1190

https://stream.nightride.fm/

https://nightride.fm/#News


Nightwave Plaza – https://plaza.one/

 

Nightwave Plaza is a free 24/7 online vaporwave radio station. The broadcast also includes some future funk and experimental genres.


http://air.radiorecord.ru


https://poolside.fm/


games

1186 – Journey (2012 video game)

WebJourney is a multiplayer / single-player indie adventure game developed by Thatgamecompany and published by Sony Computer Entertainment. It was released for the PlayStation 3 via PlayStation Network in March 2012 and ported to PlayStation 4 in July 2015. It was later ported to Microsoft Windows in June 2019.

In Journey, the player controls a robed figure in a vast desert, traveling towards a mountain in the distance. Other players on the same journey can be discovered, and two players can meet and assist each other, but they cannot communicate via speech or text and cannot see each other’s names until after the game’s credits. The only form of communication between the two is a musical chime, which transforms dull pieces of cloth found throughout the levels into vibrant red, affecting the game world and allowing the player to progress through the levels. The developers sought to evoke in the player a sense of smallness and wonder, and to forge an emotional connection between them and the anonymous players they meet along the way. The music, composed by Austin Wintory, dynamically responds to the player’s actions, building a single theme to represent the game’s emotional arc throughout the story.

Reviewers of the game praised the visual and auditory art as well as the sense of companionship created by playing with a stranger, calling it a moving and emotional experience, and have since listed it as one of the greatest video games of all time. (wiki)

http://thatgamecompany.com/journey/   /   EPIC store

movies, series

1185 – Serenity (2005)

timespace coordinates: In the 26th century, humanity has left an overpopulated Earth to colonize a new solar system. The central planets formed the Alliance and won a war against the outer planet Independents—those who resisted joining the Alliance.

9iuimSerenity is a 2005 American science fiction action film written and directed by Joss Whedon and stars Nathan FillionAlan TudykAdam BaldwinSummer Glau and Chiwetel Ejiofor.

It is a continuation of Whedon’s short-lived 2002 Fox television series Firefly and stars the same cast, taking place after the events of the final episode. Set in 2517Serenity is the story of the captain and crew of Serenity, a “Firefly-class” spaceship. The captain and first mate are veterans of the Unification War, having fought on the losing Independent side against the Alliance. Their lives of smuggling and cargo-running are interrupted by a psychic passenger who harbors a dangerous secret. (wiki)

Session 416   /  Cultural impact   /  Themes and cultural allusions   /  Cancelled sequel

Serenity_Web_v2

imdb


Fruity Oaty Bar! Commercial

documentary, Uncategorized

1179 – The Atomic Cafe (1982)

timespace coordinates: 1940s, 1950s and early 1960s United States, the Marshall Islands

The Atomic Cafe is a 1982 American documentary film produced and directed by Jayne LoaderKevin Rafferty and Pierce RaffertyIn 2016, the film was selected for preservation in the United States’ National Film Registry by the Library of Congress, being deemed “culturally, historically, or aesthetically significant”.

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The film covers the beginnings of the era of nuclear warfare, created from a broad range of archival material from the 1940s, 1950s and early 1960s including newsreel clips, television news footage, U.S. government-produced films (including military training films), advertisements, television and radio programs. News footage reflected the prevailing understanding of the media and public.

Though the topic of atomic holocaust is a grave matter, The Atomic Cafe approaches it with black humor. Much of the humor derives from the modern audience’s reaction to the old training films, such as the Duck and Cover film shown in schools.

The Atomic Cafe was released at the height of nostalgia and cynicism in America. By 1982, Americans lost much of their faith in their government following the Vietnam War, the Watergate scandal, and the seemingly never-ending arms race with the Soviet UnionThe Atomic Cafe reflects and reinforces this idea as it exposes how the atomic bomb’s dangers were downplayed and how the government used films to shape public opinion.

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Bob Mielke, in “Rhetoric and Ideology in the Nuclear Test Documentary” (Film Quarterly) discusses the release of The Atomic Cafe: “This satire feature was released at the height of the nuclear freeze movement (which was in turn responding to the Reagan administration’s surreal handling of the arms race.)”

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Patricia Aufderheide, in Documentary Film: A Very Short Introduction touches on the significance of The Atomic Cafe as a window into the past of government propaganda and disinformation during the years following the advent of the Atomic Bomb. “Propaganda, also known as disinformation, public diplomacy, and strategic communication, continues to be an important tool for governments. But stand-alone documentary is no longer an important part of public relations campaigns aimed at the general public.” (wiki)

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Bikini Atoll

Because the site bears direct tangible evidence of the nuclear tests conducted there amid the paradoxical tropical location, UNESCO determined that the atoll symbolizes the dawn of the nuclear age and named it a World Heritage Site on 3 August 2010.

Bikini Atoll has conserved direct tangible evidence … conveying the power of … nuclear tests, i.e. the sunken ships sent to the bottom of the lagoon by the tests in 1946 and the gigantic Bravo crater. Equivalent to 7,000 times the force of the Hiroshima bomb, the tests had major consequences on the geology and natural environment of Bikini Atoll and on the health of those who were exposed to radiation. Through its history, the atoll symbolises the dawn of the nuclear age, despite its paradoxical image of peace and of earthly paradise.

documentary, Uncategorized

1178 – Pandora’s Promise (2013 documentary)

Pandora’s Promise is a 2013 documentary film about the nuclear power debate, directed by Robert Stone. Its central argument is that nuclear power, which still faces historical opposition from environmentalists, is a relatively safe and clean energy source which can help mitigate the serious problem of anthropogenic global warming. Richard Branson is credited as an executive producer, as are Paul and Jody Allen, whose production company, Vulcan Productions, helped provide financial support.  A total of $1.2 million (US) was raised to finance the film, “particularly through Impact Partners, which provides documentary financing from individual investors. Mr. Stone said the money came mainly from wealthy “tech heads” who have worked in Silicon Valley.”

The title is derived from the ancient Greek myth of Pandora, who released numerous evils into the world, yet as the movie’s tagline recalls: “At the bottom of the box she found hope.” (wiki)


The New York Times: “You need to make an argument. A parade of like-minded nuclear-power advocates who assure us that everything will be all right just doesn’t cut it.” > Bulletin of the Atomic Scientists: “In the end, by dismissing the protesters and failing to engage them in significant debate about the pros and cons of nuclear energy, the film undermined its own message.” > Seattle Weekly: “But the doc’s bigger flaw is that no one is allowed to make a reasoned anti-nuclear argument. To the well-made film’s many statistics, graphics, and common-sense assertions, the lack of a rebuttal is deafening.”

imdb   / Q&A with Jeremy Rifkin   /  review