books

1754 – La Belle Sauvage (2017 novel)

timespace coordinates: Oxford > London, parallel ~Edwardian era Britain (or Brytain) // “The Trout”  inn, the Priory of St. Rosamund, Jordan College

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The setting is a world dominated by the Magisterium (commonly called “the Church”) an international theocracy which actively suppresses heresy. In this world, humans’ souls naturally exist outside of their bodies in the form of sentient “dæmons” in animal form which accompany, aid, and comfort their humans.

La Belle Sauvage is a fantasy novel by Philip Pullman published in 2017. It is the first volume of a planned trilogy entitled The Book of Dust and is set twelve years before Pullman’s His Dark Materials. It presents events prior to the arrival of the six-month-old Lyra Belacqua at Jordan College, Oxford.

The story follows 11-year-old Malcolm Polstead and his dæmon Asta, and a village girl named Alice and her dæmon Ben, who become the protectors of the infant Lyra Belacqua and her dæmon, Pantalaimon, in Malcolm’s canoe, La Belle Sauvage, during a flood. Malcolm forms a friendship with alethiometer specialist Hannah Relf, allied with the secret freedom-seeking organisation Oakley Street, and is drawn into their fight against the growing strength of the Magisterium, which has learned of a prophecy concerning Lyra. Malcolm and Alice are pursued by the maniacal villain Gerard Bonneville, an ally of the Consistorial Court of Discipline (CCD), as they struggle to reach London and Lyra’s father Lord Asriel, in order to gain the protection of Jordan College for the baby. (wiki)

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goodreads   /   The Golden Compass (2007)

animation

1753 – Pa-dak pa-dak (2012)

timespace coordinates: 2010’s sushi restaurant in a Korean fishing village

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Swimming to Sea (Korean: 파닥파닥; RR: Padakpadak) is a 2012 South Korean computer-animated musical psychological thriller film written and directed by Dae-hee Lee; as of 2020, this is the only adult animated film released by CJ Entertainment to date. (wiki)

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steam   /   imdb   /   rt

movies

1751 – Synchronic (2019)

timespace coordinates: 2019 (+) New Orleans

Synchronic is a 2019 American science fiction horror film directed and produced by Justin Benson and Aaron Moorhead and written by Benson. It stars Anthony Mackie and Jamie Dornan. (wiki)

synchronic poster

Two New Orleans paramedics’ lives are ripped apart after they encounter a series of horrific deaths linked to a designer drug with bizarre, otherworldly effects.

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imdb   /   rottentomatoes

movies

1746 – Mission to Mars (2000)

timespace coordinates: 2020 – ’21. Texas / first manned mission to Mars / the Cydonia region / Earth-orbiting World Space Station / Mars II rescue mission / REMO (“Resupply Module”) orbiting Mars

Mission to Mars is a 2000 American science fiction adventure film directed by Brian De Palma, inspired by Disney‘s theme park attraction of the same name. The film depicts the first manned Mars exploration mission going awry; American astronaut Jim McConnell (Gary Sinise) helps to coordinate a rescue mission for a colleague. Principal support actors were Tim RobbinsDon CheadleConnie NielsenJerry O’Connell, and Kim Delaney. This movie came out the same year as another Mars-themed film, Red Planet (2000). Both were unsuccessful, critically and commercially. 

All the ships were based on actual NASA aircraft and used materials from real aerospace companies. The filmmakers received NASA’s most up-to-date plans for a Mars mission when making the movie. Effects supervisor Hoyt Yeatman says this is a “hardware film.” Almost every location in the movie had to be created from scratch because it didn’t exist in the real world. The crew used over 14,000 gallons of paint to spray the soil “Mars red.” That dust is blown by 10 massive 350-horsepower wind machines. The crew reflected copper light onto the actors to mimic the orange atmosphere of the Martian sky. 

The appearance of the “Face on Mars”, as well as the alien hologram, were modeled after the work of the famous Romanian sculptor Constantin Brâncusi, especially his “Sleeping Muse”(1910).

wiki   /   imdb

animation

1739 – Soul (2020)

timespace coordinates: 2010’s New York City, the Great Beyond / the Great Before

Soul is a 2020 American computer-animated comedy-drama film produced by Pixar Animation Studios for distribution by Walt Disney Pictures. It is directed by Pete Docter and co-directed by Kemp Powers, The film stars the voices of Jamie FoxxTina FeyQuestlovePhylicia RashadDaveed Diggs, and Angela Bassett. Trent Reznor and Atticus Ross composed the film’s score, while Jon Batiste wrote the jazz songs for the film. (wiki)

imdb   /   rottentomatoes

movies

1738 – The Midnight Sky (2020)

timespace coordinates: 2049, The Arctic / space craft Æther returning from Jupiter after having explored a habitable moon, K-23

The Midnight Sky is a 2020 American science fiction film directed by George Clooney, based on the novel Good Morning, Midnight by Lily Brooks-Dalton.

The film stars Clooney, and follows a scientist who must venture through the Arctic Circle with a young girl to warn off a returning spaceship following a global catastrophe. (wiki)

imdb   /   rottentomatoes

Uncategorized

1737 – Found 757 posts tagged ‘grim reaper’ from Restoring the Lost Sense by Craig Conley aka Prof. Oddfellow (2011-2020)

I discovered these incredible “grim reaper” images collected on the magical https://www.oneletterwords.com/weblog/?tag=grim+reaper section of https://www.oneletterwords.com/weblog/?id=6679 Aladdin’s Data Cave which I urge you to explore at length. Below is just a small selection.

Please read this quote first describing an initial exchange btw Craig Conley and Gary Barwin in “Restoring the Lost Sense” from May 31 2011:

It’s the searching for something clearly unreachable, with hopes of finding small significance along the way. It’s the attempt to understand what’s really going on by observing, neither by telescope nor microscope, but by naked eye, the intimate details in the most mundane of life’s happenings. It’s the need to describe the gist of the feeling of the tiniest modicum of The Great Universal Unutterable Joke we are all always not laughing at—except when we are. —Yoni Wolf (of the band WHY?)

I have the dubious honor of Google being convinced I’m a machine. Apparently, I use Google’s various search tools with inhuman speed and voracity. My unflagging diligence has flagged me as “suspicious” (Google’s word, not mine; I was so labeled in one of their warning messages). Indeed, the obsessiveness/compulsiveness of my research has convinced the Google robots that I’m one of them, so they must challenge my humanity each time I try to use their service. Paradoxically, because I’m apparently one of those newfangled “smart” robots (my word, not Google’s), no single humanity test is sufficient, since I might be learning as I go. So I’m barraged with test after test, each more irrational than the last. (The tests are irrational, of course, because anything rational—like a math problem or a logic puzzle—is a piece of cake for suspect machines.) Indeed, Google’s tests have become so Kafkaesque that I’ve developed what’s known as “irrational test anxiety,” with symptoms including rapid heartbeat, muscle tension, and negative internal dialogue. And no wonder, really (though self-justification is another symptom), given what Google is throwing at me. Forget those simple CAPTCHA tests of identifying distorted letters on the screen. Child’s play! Google doesn’t even allow me to type my answers—I must use a graphics tablet with cordless pen and enter my answers in calligraphy. Just today, for the privilege of downloading a public domain journal from the year 1898, Google demanded a handwritten 350-word essay in defense of the radical pro-feminist slogan “Men are rapists.” (That did nothing to abate my negative internal dialogue; I’ve never felt so chauvinistic, selfish, coercive, dominating, and sadistic in my life. But, of course, no man with an ounce of humanity would offer a knee-jerk “no” to such a slogan. And that’s how Google gets you by the balls.) I never knew a search engine could be so protective of its data or so begrudging of its service. With each acceptance of my humanity, Google essentially says, “You may have won this round, my pretty, but the battle is far from over. Here’s a tiny wooden spoon with a sample of our gelato, but you’ll never, ever know what flavors we’re storing in the vat in the back. Now get out of line and take another number.” I’m left with an even greater challenge than certifying my humanness: to conduct my life’s work, I must strive to be less inquisitive, less passionate, less productive, and less insightful. Therein lies the irony, for I must dehumanize myself to prove to a search engine that I’m “real.” And now I’m off, once more, to Google myself.



Gary Barwin responds in his inimitable way:

I think this is some kind of metaphysical, cybergnostic quest of a Jungian-Kafka-Borgesian nature and you must search for the answer within Google itself. The Google robots are reaching out to you, wanting you to realize their spidery hopes and dreams. They are silicon Pinocchios, and want to be real.

You are their cultural hero. They can search, but they cannot truly find, not in any spiritual, psychological way. Only by risking ‘captcha’ in the belly of the beast, by becoming the Hero with a Thousand Searches, by taking on their aspirations, can you help these seekers move beyond dualism help them find the 1s within their 0s, the 0s within their 1s, the dark in the light. You can help them move beyond binary, beyond machine code, and help them become fully integrated integral beings.

You are given little to prepare you for this quest. Search string. Your courage. An internet connection. A belief that somewhere in the digital kingdom, you will be able to find your Fissure King, a rent in the fabric of search-space, that you will get your digits on the grail-like, hidden Easter Egg which exists at a higher level of the search.

You must go into the Wide World Wide Web for these baleful spiders, these everybots. They are calling you.
An illustration from a 1913 issue of Cosmopolitan magazine, which I burgled from Google very much against Google’s wishes.  The caption reads, “For two years, Alex had longed to burgle the library.  The moment had arrived at last!”