timespace coordinates: 1940s, 1950s and early 1960s United States, the Marshall Islands
The Atomic Cafe is a 1982 American documentary film produced and directed by Jayne Loader, Kevin Rafferty and Pierce Rafferty. In 2016, the film was selected for preservation in the United States’ National Film Registry by the Library of Congress, being deemed “culturally, historically, or aesthetically significant”.
The film covers the beginnings of the era of nuclear warfare, created from a broad range of archival material from the 1940s, 1950s and early 1960s including newsreel clips, television news footage, U.S. government-produced films (including military training films), advertisements, television and radio programs. News footage reflected the prevailing understanding of the media and public.
Though the topic of atomic holocaust is a grave matter, The Atomic Cafe approaches it with black humor. Much of the humor derives from the modern audience’s reaction to the old training films, such as the Duck and Cover film shown in schools.
The Atomic Cafe was released at the height of nostalgia and cynicism in America. By 1982, Americans lost much of their faith in their government following the Vietnam War, the Watergate scandal, and the seemingly never-ending arms race with the Soviet Union. The Atomic Cafe reflects and reinforces this idea as it exposes how the atomic bomb’s dangers were downplayed and how the government used films to shape public opinion.
Bob Mielke, in “Rhetoric and Ideology in the Nuclear Test Documentary” (Film Quarterly) discusses the release of The Atomic Cafe: “This satire feature was released at the height of the nuclear freeze movement (which was in turn responding to the Reagan administration’s surreal handling of the arms race.)”
Patricia Aufderheide, in Documentary Film: A Very Short Introduction touches on the significance of The Atomic Cafe as a window into the past of government propaganda and disinformation during the years following the advent of the Atomic Bomb. “Propaganda, also known as disinformation, public diplomacy, and strategic communication, continues to be an important tool for governments. But stand-alone documentary is no longer an important part of public relations campaigns aimed at the general public.” (wiki)
Because the site bears direct tangible evidence of the nuclear tests conducted there amid the paradoxical tropical location, UNESCO determined that the atoll symbolizes the dawn of the nuclear age and named it a World Heritage Site on 3 August 2010.
Bikini Atoll has conserved direct tangible evidence … conveying the power of … nuclear tests, i.e. the sunken ships sent to the bottom of the lagoon by the tests in 1946 and the gigantic Bravo crater. Equivalent to 7,000 times the force of the Hiroshima bomb, the tests had major consequences on the geology and natural environment of Bikini Atoll and on the health of those who were exposed to radiation. Through its history, the atoll symbolises the dawn of the nuclear age, despite its paradoxical image of peace and of earthly paradise.
Yellow Submarine (also known as The Beatles: Yellow Submarine) is a 1968 British animated musical Fantasy film inspired by the music of the Beatles, directed by animation producer George Dunning, and produced by United Artists and King Features Syndicate.
The film received widespread acclaim from critics and audiences alike, in contrast to some of the Beatles’ previous film ventures. Pixar co-founder and former chief creative officer John Lasseter has credited the film with bringing more interest in animation as a serious art form. Time commented that it “turned into a smash hit, delighting adolescents and aesthetes alike”. Half a century after its release, it is still regarded as a landmark of animation. (wiki)
early Japanese animations from the collection of national film center, tokyo
Hedgehog in the Fog (Russian: Ёжик в тумане, tr. Yozhik v tumane, IPA: [ˈjɵʐɨk f tʊˈmanʲɪ]) is a 1975 Soviet animated film directed by Yuriy Norshteyn, produced by the Soyuzmultfilm studio in Moscow. The script was written by Sergei Kozlov, who also published a book under the same name. In 2006, Norshteyn published a book titled Hedgehog in the Fog, listing himself as an author alongside Kozlov.
Hedgehog in the Fog was ranked #1 in a poll at the 2003 Laputa Animation Festival where 140 animators from around the world voted for the best animated films of all time.