timespace coordinates: the near future, British Columbia – remotely located home in an old-growth forest during a massive, continent-wide power outage that appears to be part of an overall technological collapse.
There is also a one-shot comic book, published by Dark Horse Comics, titled Van Helsing: From Beneath the Rue Morgue, that follows Van Helsing on a self-contained adventure that occurs during the events of the film, just after the death of Jekyll/Hyde in Paris but before Van Helsing returned to Rome. In the adventure, Van Helsing deals with Doctor Moreau and his hybrid mutants.
In May 2012, Universal Pictures announced that they would be rebooting the film with Alex Kurtzman and Roberto Orci as a two-year deal to produce a modern reimagining and Tom Cruise to star as the title character and also produce the film.Rupert Sanders is in talks to direct the film. Orci spoken to IGN that he has hinted that both The Mummy and Van Helsing reboots will have a shared universe. On November 11, 2015, Variety reports that Jon Spaihts and Eric Heisserer will write the reboot, but Cruise left the film. However, in 2016, Cruise signed back on to star in Kurtzman’s The Mummy, which was released in theaters on June 9, 2017. (wiki)
The Happening is a 2008 psychological horror-thriller film written, co-produced and directed by M. Night Shyamalan and starring Mark Wahlberg, Zooey Deschanel, John Leguizamo and Betty Buckley. The film follows a man, his wife, his best friend and his friend’s daughter as they try to escape from an inexplicable natural disaster.
Shyamalan told the New York Daily News: “We’re making an excellent B movie, that’s our goal”. Some critics enjoyed it because of this. Glenn Whipp said, “Tamping down the self-seriousness in favor of some horrific silliness, M. Night Shyamalan’s The Happening plays as a genuinely enjoyable B-movie for anyone inclined (or able) to see it that way”.
Joseph J. Foy, professor of politics and popular culture, describes Shyamalan’s film as an expression of “post-environmentalism” in which traditional paradigmatic politics are replaced with a call for the world to “embrace a revolutionary reevaluation of wealth and prosperity not in terms of monetary net worth or material possessions, but in terms of overall well-being”. (wiki)
The Endless is a 2017 American science fiction horror film directed by Justin Benson and Aaron Moorhead and written by Benson. The film stars Benson, Moorhead, Callie Hernandez, Tate Ellington, Lew Temple and James Jordan. The Endless is a partial sequel to the Benson and Moorhead’s earlier film, Resolutionas it shares the same creative universe and some plot points.
Blood Tea and Red String is a stop-motion-animated feature film, directed by Christiane Cegavske. It was released on February 2, 2006 after a production time of 13 years, having been filmed in various places in the West Coast and in two studios. The musical score was composed and performed by Mark Growden. Cegavske says in the audio commentary to the DVD for this film that it is to be the first in a trilogy.
“A handmade stop-motion fairy tale for adults that tells the tale of the struggle between the aristocratic White Mice and the rustic Oak Dwellers over the doll of their heart’s desire.” imdb
Speaking of the political and social commentary the film encouraged, director Krasinskisaid, “The best compliment you can get on any movie is that it starts a conversation. The fact that people are leaving and talking about anything is really fun—but certainly about deep stuff like that, is awesome.”Krasinski, who did not grow up with horror films, said that prior films of the genre such as Don’t Breathe (2016) and Get Out (2017) that had societal commentary were part of his research. In addition to considering his film a metaphor for parenthood, he compared the premise to US politics in 2018, “I think in our political situation, that’s what’s going on now: You can close your eyes and stick your head in the sand, or you can try to participate in whatever’s going on.” He cited Jaws (1975) as an influence, with how the protagonist police officer moved from New York to an island to avoid frightening situations, and was forced to encounter one in his new location with shark attacks.
Matthew Monagle of Film School Rejects said A Quiet Place seemed to be “the early frontrunner for the sparsely intellectual horror movie of the year”, like previous films The Babadook (2014) and The Witch (2015). Monagle said Krasinski, who had directed two previous films, was “making an unusual pivot into a genre typically reserved for newcomers”, and considered it to be part of a movement toward horror films layered “in storytelling, [with] character beats not typically found in a horror movie”. Tatiana Tenreyro, writing for Bustle, said while A Quiet Place was not a silent film, “It is the first of its kind within the modern horror genre for how little spoken dialogue it actually has.” She said the rare moments of spoken dialogue “give depth to this horror movie, showing how the narrative defies the genre’s traditional films even further”.
Bishop Robert Barron was surprised by strikingly religious themes in the film. He likened the family’s primitive, agrarian life of silence to monasticism, and commends their self-giving love. Barron noted the pervasivepro-life themes, especially in the choices of the parents, as Mrs. Abbott risks everything to give birth to a child, and her husband lays down his own life so that the children can live: what Barron sees as the ultimate expression of parental love. Sonny Bunch of the Washington Post also commented and expanded on a pro-life message.
Krasinski, who had recently become a new father, said in a conference interview “I was already in a state of terror about whether or not I was a good enough father,” and added that the meaning of parenthood had been elevated for him by imagining being a father in a nightmare world, struggling to simply keep his children alive. Jonathan Hetterly, writing in Shrinktank, saw the film’s whole premise as a commentary on modern American paranoid parenting, saying that Krasinski “viewed the premise as a metaphor for a parent’s worst fears”.
Krasinski himself has told CBS News “The scares were secondary to how powerful this could be as an allegory or metaphor for parenthood. For me, this is all about parenthood.” (wiki)