The Most Honest Book About Climate Change Yet
“Vollmann’s undertaking is in the vanguard of the coming second wave of climate literature, books written not to diagnose or solve the problem, but to grapple with its moral consequences.”
Tag: countryside
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‘The country blooms – a garden, and a grave’, Oliver Goldsmith ‘The Deserted Village’.
Nick Groom – ‘Let’s discuss over country supper soon’ – Rural Realities and Rustic Representations
“The whole ambition of the picturesque was to rework the natural world into a ‘landscape’ – a word that came to England at the end of the sixteenth century
from the German, via the Dutch. Early English uses of ‘landskip’ are strongly cultural – the word is used to describe paintings,
particularly the backgrounds of paintings, and thereby any view that could conceivably be painted.”
“The picturesque encouraged the critical appreciation of nature as a spectacle. Observers of a scene – the word ‘scene’ itself reveals the implicit theatricality of viewing – became an audience, by turns appreciative or critical.
Hence natural landscapes became part of culture, and were understood, judged, and painted according to artistic conventions and aesthetic theories.
For a growing proportion of the increasingly urban population, initial encounters with natural landscapes would be through the medium of art: representations delivered either by pastoral poetry or in picturesque images.”
‘In grand scenes, even the peasant cannot be admitted, if he be employed in the low occupations of his profession: the spade, the scythe, and the rake are all excluded.’ What was allowed was pastoral idleness: the lazy cowherd resting on his pole . . . the peasant lolling on a rock’, an angler rather than a fisherman, and gypsies, banditti, and the occasional individual soldier in antique armour. The image of the countryside presented therefore looked very much in need of improvement – slack, inefficient, indigent, lawless, and archaic. Moreover, once ‘improved’ the landscape was likely to be as empty of agricultural labour as the picturesque depicted it since nearly all the peasantry would have been forced off the land.
857 – The More You Ignore Me (2018)
timespace coordinates: rural northern England in the late Seventies and early Eighties
“Combining bittersweet comedy with mental illness can’t be easy but Jo Brand, making her feature-film debut as a writer and drawing on her years as a psychiatric nurse, does an impressive job with The More You Ignore Me.” Matthew Bond Director: Keith English
851 – The Little Stranger (2018)
timespace coordinates: 1947/’48 > 1919 England
(sad and spooky) The Little Stranger is a 2018 Irish/British/french gothic drama film directed by Lenny Abrahamson and written by Lucinda Coxon, based on the novel of same name by Sarah Waters. The film stars Domhnall Gleeson, Ruth Wilson, Will Poulter, and Charlotte Rampling.
THE LITTLE STRANGER tells the story of Dr Faraday, the son of a housemaid, who has built a life of quiet respectability as a country doctor. During the long hot summer of 1948, he is called to a patient at Hundreds Hall, an 18th-century estate,, where his mother once worked. The Hall has been home to the Ayres family for more than two centuries. But it is now in decline and its inhabitants – mother, son and daughter – are haunted by something more ominous than a dying way of life. When he takes on his new patient, Faraday has no idea how closely, and how disturbingly, the family’s story is about to become entwined with his own. (rt)
0849 – The Haunting of Hill House (2018 TV series)
timespace coordinates: 1992 – 2018 Massachusetts
The Haunting of Hill House is an American supernatural horror web television series created by Mike Flanagan for Netflix, produced by Amblin Television and Paramount Television. The series is based on the 1959 novel of the same name by Shirley Jackson. The plot alternates between two timelines, following five adult siblings whose paranormal experiences at Hill House continue to haunt them in present day. The series also features flashbacks to 1992, depicting the events in Hill House leading up to the eventful night the family departed. The ensemble cast features Michiel Huisman, Elizabeth Reaser, Oliver Jackson-Cohen, Kate Siegel, Victoria Pedretti, Lulu Wilson, Carla Gugino, Henry Thomas and Timothy Hutton. (wiki)
“No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.”
― The Haunting of Hill House
0844 – Outlaw King (2018)
timespace coordinates: 1304 – 1307 AD. Kingdom of Scotland / England
Outlaw King is a 2018 historical action drama film about Robert the Bruce, the 14th-century Scottish king who launched a guerilla war against the larger English army. It is co-written, produced and directed by David Mackenzie. It stars Chris Pine, Aaron Taylor-Johnson, Florence Pugh, Billy Howle, Tony Curran, Callan Mulvey and Stephen Dillane. (wiki)
0839 – Gauguin – Voyage de Tahiti (2017)
timespace coordinates: 1891 – 1893 France – Tahiti / French Polynesia
Gauguin – Voyage de Tahiti is a 2017 biopic / period drama directed by Edouard Deluc The film stars Vincent Cassel and Tuheï Adams,
In 1891 Gauguin settles down in Tahiti, where he hopes to find inspiration for his work as an artist and live as a free man in the wild, far from all the moral, political and aesthetic codes of civilized Europe. In the jungle, he faces loneliness, poverty and disease, and he meets Tehura. She eventually becomes his wife and the main subject of his greatest paintings.
TimeSpace Warps 