animation, quotes

579 – Dayu haitang / Big Fish & Begonia (2016)

“In ancient history there was a tree called Ta-khun, whose spring (Chun) was 8000 years, and its autumn (Qiu) the same.”

lHZudyyWKD57j4DpyYBqKMPJgaVBig Fish & Begonia (original title: Da Yu Hai Tang), is a 2016 Chinese animated epic fantasy film written, produced and directed by Liang Xuan and Zhang Chun.

The story was inspired by a myth from the ancient Chinese Taoist classic Zhuangzi. The film also integrates many stories from other Chinese classics such as Classic of Mountains and Seas and In Search of the Supernatural.

imdb

games, movies, music, Uncategorized

572 – Jazzpunk (2014 video game)

spacetime coordinates:  year 1959B Americasia: The “United Prefectures of Japanada”

076c242ec3071cf7a8ae3820006f1294Jazzpunk is a comedy Environmental Narrative Game set in an alternate reality Cold War World, plagued with corporate espionage, CyberCrime, and sentient martinis. Gameplay is inspired by spoof comedy films and cartoons of yesteryear, with a focus on weird gadgets, exotic locales, and open-world style exploration.

Now, we want you to take on the task of describing this electronic first-person game by the name of Jazzpunk. (read)

tons of references * fourth wall breaks * easter eggs * mini games within mini games

SYSTEM REQUIREMENTS (MINIMUM)OS: Windows XP SP2 or higher // Processor: 1.80GHz Processor // Memory: 2 GB RAM // Graphics: Video card with 512MB of VRAM // Storage: 2 GB available space

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http://store.steampowered.com/app/250260/Jazzpunk_Directors_Cut/

books, quotes, Uncategorized

558 – Synthetic Worlds: Nature, Art and the Chemical Industry by Esther Leslie

“Through coal’s carbon chemistry, and its waste product of coal-tar, a realm of synthetic colours and substances is unlocked from a dense and primitive blackness. The first magic act is coal-tar becoming colour, the first of thousands of substitutions. This magic is a black force. Gravity’s Rainbow lets loose its narrative strands amongst a world of acronyms and neologisms, fictional and actual. spqr, arf, mmpi, soe, spog,
cios, bafo, nta, shaef, pwd, cns, pisces, viam, tsagi, niso, bafo, okw, achtung, Kryptosam, Hexeszüchtigung, ctenophile, Oneirine. These clatter like the evil spells from a necromancer’s manual. These clotted words spell out the coordinates of military, economic and technological power. The most important of these cryptic formulae, the acronyms that generate the rainbow and allow the tracing of its arc,are the colour factory ig Farben and the German Second World War rocket weaponry known as v-1, v-2 or a4. Pynchon brings these two industrial-technological forces into proximity with magic, mysticism and alchemy.”

“Inside the arcades, the ur-architectural phenomenon of the nineteenth century, transitional colours, twinkle, glimmer and reflection danced, and all the more charmingly as night fell. In the early days the gas lighting, whose illumination was an uneven flickering, cast a sparkly sheen over everything. In the arcades, their historian Walter Benjamin claimed, ‘falser colours are possible’, and everything is doused in a special ‘glaucous gleam’, which is reminiscent of aquariums, as Friedrich Gerstäcker imagined in a fictional transposition and, after him, Aragon made so vivid in Paris Peasant. In Gerstäcker’s The Sunken City, the hero sees, to his amazement, that
with the gradual infusion of twilight, these undersea corridors just as gradually lit up by themselves. For everywhere in the bushes of coral and sponge were sitting broad-brimmed, glassy-looking medusas, which already at the outset had given off a weak,greenish phosphorescent light that quickly picked up strength at the approach of darkness and now was shining with great intensity.
The arcades are zones of special effects where optical illusions, tricks of the light and transformations readily occur. This is why the arcades appear so magical, but it also intimates something of their propensity to deception and delusion. The very magic of the space colludes with the commodity promises on sale.”

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Celestis offers space burials, with the ashes compacted in a capsule and sent into orbit (before re-entering) or fired to the moon or into deep space (for ever). That which is legally a ‘final deposition’ can be commodified further in an effort to afford a technologically guaranteed sublime.They also offer a star-naming service.   At the start of the twenty-first century, a Chicago company announced that it had created a new way to memorialize loved ones: by turning their charred remains into a gem. The ‘patent-pending’ LifeGem offers to press the cremated ashes of a lost one into a diamond. You can have your loved one with you whenever you choose, which is something that no other memorial product offers, remarks Greg Herro, LifeGem’s chief executive. ‘Nothing else quite offers that everlasting love.’ (…) ‘The proprietary LifeGem creation process creates diamonds from the true essence of our loved ones, the carbon.”

Synthetic Worlds: Nature, Art and the Chemical Industry by Esther Leslie

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Runge_M_80663

Der Bildungstrieb der Stoffe : veranschaulicht in selbstständig gewachsenen Bildern (Fortsetzung der Musterbilder)

by Runge, F. F., 1795-1867 (Includes 23 smaller chromatograms mounted on the title page surrounding the title, and 60 larger chromatograms mounted on 31 leaves. The chromatograms consist of concentric circles of color produced by applying a liquid chemical compound to filter paper.)

games, Uncategorized

555 – ABZÛ (2016 video game)

Abzû is an adventure video game developed by Giant Squid Studios and published by 505 Games for PlayStation 4, Xbox One and Microsoft Windows.

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“Immerse yourself in a vibrant ocean world full of mystery and bursting with color and life. Perform fluid acrobatics as the Diver using graceful swimming controls. Discover hundreds of unique species based on real creatures and form a powerful connection with the abundant sea life. Interact with schools of thousands of fish that procedurally respond to you, each other, and predators. Linger in epic seascapes and explore aquatic ecosystems modeled with unprecedented detail. Descend into the heart of the ocean where ancient secrets lie forgotten. But beware, dangers lurk in the depths. “ABZÛ” is from the oldest mythologies; AB, meaning water, and ZÛ, meaning to know. ABZÛ is the ocean of wisdom.”

The game’s title stems from Sumerian mythology, particularly the myth of the ocean goddess Tiamat and the fresh water god Abzu uniting to form all life: a reason this was chosen was that myths surrounding land-based life and their supposed origins in a cosmic ocean were a recurring theme in multiple world mythologies. The Middle Eastern influences extended to the game’s architecture, and incorporated Nava’s wish for structures to have meaning beyond being simple scenery or tools for player progression. (read more: https://en.wikipedia.org/wiki/Abz%C3%BB#Design)

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SYSTEM REQUIREMENTS (minimum) :  OS: Windows 7, 64-bit // Processor: 3.0GHz CPU Dual Core // Memory: 4 GB RAM // Graphics: Geforce GTX 750 / Radeon R7 260X // DirectX: Version 11 // Storage: 6 GB available space // Sound Card: DirectX compatible sound card
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documentary

546 – Cutie and the Boxer (2013)

Ushio Shinohara: “We are the ones suffering the most from art…”

CUTIE AND THE BOXER - American Poster

Cutie and the Boxer is a 2013 American documentary film produced, shot, and directed by Zachary Heinzerling. The film focuses on the chaotic 40-year marriage of the boxing painter Ushio Shinohara and his wife Noriko. The film features original artwork by Noriko Shinohara and Ushio Shinohara.

Heinzerling said of the couple: “When I first met [the Shinoharas], I was just struck by the raw spirit and beauty that emanates from their faces, their lifestyle, their art, everything about them has so much purpose and character. Even if you don’t speak Japanese, even if you have no previous knowledge of their artwork or who they are, you’re immediately captivated by their presence. They live in a world that’s kind of a time warp that hearkens back to the ‘70s New York SoHo art scene that is sort of canonized in history, certainly from my point of view.”

http://www.imdb.com/title/tt2355540/