1146 – Baraka (1992)

Baraka is a 1992 non-narrative documentary film directed by Ron Fricke. The film is often compared to Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio for which Fricke served as the cinematographer. It is also the most recent film to be photographed in the 70mm Todd-AO format, and the first film ever to be restored and scanned at 8K resolution. (wiki)

Named after a Sufi word that translates roughly as “breath of life” or “blessing,” Baraka is Ron Fricke‘s impressive follow-up to Godfrey Reggio‘s non-verbal documentary film Koyaanisqatsi. Fricke was cinematographer and collaborator on Reggio’s film, and for Baraka he struck out on his own to polish and expand the photographic techniques used on Koyaanisqatsi. The result is a tour-de-force in 70mm: a cinematic “guided meditation” (Fricke’s own description) shot in 24 countries on six continents over a 14-month period that unites religious ritual, the phenomena of nature, and man’s own destructive powers into a web of moving images. Fricke’s camera ranges, in meditative slow motion or bewildering time-lapse, over the Church of the Holy Sepulcher in Jerusalem, the Ryoan-Ji temple in Kyoto, Lake Natron in Tanzania, burning oil fields in Kuwait, the smoldering precipice of an active volcano, a busy subway terminal, tribal celebrations of the Maasai in Kenya, chanting monks in the Dip Tse Chok Ling monastery…and on and on, through locales across the globe. To execute the film’s time-lapse sequences, Fricke had a special camera built that combined time-lapse photography with perfectly controlled movements of the camera. In one evening sequence a desert sky turns black, and the stars roll by, as the camera moves slowly forward under the trees. The feeling is like that of viewing the universe through a powerful telescope: that we are indeed on a tiny orb hurtling through a star-filled void. The film is complemented by the hybrid world-music of Michael Stearns. ~ Anthony Reed, Rovi (rottentomatoes)

imdb   /   on YouTube

1142 – Planet Terror (2007)

timespace coordinates: 2000’s rural Texas / Mexico

! extreme violence and gore !

Planet Terror is a 2007 American independent zombie film directed by Robert Rodriguez and starring Rose McGowan, Freddy Rodriguez, Josh Brolin, Marley Shelton, Naveen Andrews, Michael Biehn, Jeff Fahey, Stacy Ferguson, and Bruce Willis. It follows a group of people attempting to survive an onslaught of zombie-like creatures as they feud with a military unit. It was released theatrically in North America as part of a double feature with Quentin Tarantino‘s Death Proof under the title Grindhouse, to emulate the experience of viewing exploitation films in a “grindhouse” theater. In addition to directing the film, Rodriguez wrote the script, directed the cinematography, wrote the musical score, co-edited, and produced it. (wiki)

imdb

1141 – Attack the Block (2011)

timespace coordinates: 2011 South London

Attack the Block is a 2011 British science fiction comedy horror film written and directed by Joe Cornish and starring John Boyega, Jodie Whittaker, and Nick Frost. It was the film debut of Cornish, Boyega, and composer Steven Price.

The film centres on a teenage street gang who have to defend themselves from predatory alien invaders on a council estate in South London on Guy Fawkes Night. (wiki)

imdb

1135 – Us (2019)

timespace coordinates: 1986 – 2019 Santa Cruz, California

Us is a 2019 American psychological horror thriller film written and directed by Jordan Peele, starring  Lupita Nyong’o, Winston Duke, Shahadi Wright Joseph, Evan Alex, Elisabeth Moss, and Tim Heidecker. The film follows a family who are confronted by murderous doppelgangers known as “the Tethered”.

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themes and interpretations

Critic Jim Vejvoda related the Tethered to “urban legends” and “xenophobic paranoia about the Other”, (…) Journalist Noel Ransome viewed the film as being about “the effects of classism and marginalization”, writing “the Tethered are effigies of this same situational classism. They’re trapped—mentally and physically—and ignored”. Joel Meares of Rotten Tomatoes also noted that the Tethered, referencing the “we’re Americans” line, are representatives of the duality of American society, how some citizens can afford to live on top of the class system, while others are stuck in illiterate poverty. He also noted the title Us could mean “U.S.”, or United States.

The Tethered’s red jump suits and single glove were an allusion to Michael Jackson along with the “Thriller” shirt seen on young Adelaide, and Peele has stated that Jackson was “the patron saint of duality”. Peele referenced many other instances of 1980s culture, including allusions to The Lost Boys and Hands Across America, stating “Everything in this movie was deliberate, that is one thing I can guarantee you. Unless you didn’t like something and that was a complete accident”.

The film contains numerous references to Jeremiah 11:11, which reads: “Therefore this is what the Lord says: ‘I will bring on them a disaster they cannot escape. Although they cry out to me, I will not listen to them'” (NIV). Critic Rosie Fletcher commented on the context, with Jeremiah warning Jerusalem was facing destruction due to false idols, and expressed the opinion that the film’s characters also “worshiped the wrong things”…  (wiki)

imdb   /   rottentomatoes

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LUNIZ — I GOT 5 ON IT

1132 – Upstream Color (2013)

“I love to be alone. / The sun is but a morning star. / The wildest sound ever
heard makes the woods ring far / and wide. / Faint tinkling sounds borne to my ear. / Their roots reaching quite under the house. / Fearing that they
would be light-headed. / For want of food and also sleep. / Prevailing blue mixed with yellow of the sand. / Sunshine is the color of the water. / I used to wonder at the halo /
of light around my shadow / And fancied myself one of the elect.”

Upstream Color is a 2013 American experimental science fiction film written, directed, produced, edited, composed, designed, cast by and starring Shane Carruth. The film is the second feature directed by Carruth, best known for his 2004 debut Primer. Upstream Color stars Amy Seimetz, Carruth, Andrew Sensenig, and Thiago Martins.

Upstream Color is about two people whose behaviors are affected by a complex parasite—without knowing it—that has a three-stage life cycle in which it passes from humans to pigs to orchids. (wiki)

themes   /   Walden   /   imdb

original soundtrack

1131 – Game Night (2018)

timespace coordinates: 2010’s Atlanta

Game Night is a 2018 American black comedy thriller film directed by John Francis Daley and Jonathan Goldstein and written by Mark Perez. It stars Jason Bateman and Rachel McAdams, and follows a group of friends whose game night turns into a real-life mystery after one of them is kidnapped by apparent burglars. The film’s supporting cast includes Billy Magnussen, Sharon Horgan, Lamorne Morris, Kylie Bunbury, Jesse Plemons, Michael C. Hall, and Kyle Chandler. (wiki)

imdb   /   rt

1130

Cold Pursuit (2019)

timespace coordinates: 2010’s  Colorado ski resort of Kehoe

Cold Pursuit (imdb) is a 2019 American black comedy action film directed by Hans Petter Moland (in his Hollywood debut) from a screenplay by Frank Baldwin. The film stars Liam Neeson, Laura Dern, Emmy Rossum, William Forsythe, and Tom Bateman. It is a remake of the 2014 Norwegian film In Order of Disappearance (Kraftidioten), also directed by Moland, and follows a snowplow driver who sets out for revenge on a local drug lord following the murder of his son. (wiki)

Kraftidioten (2014)

timespace coordinates: 2010’s Tyos, Norway

In Order of Disappearance (imdb) (Norwegian: Kraftidioten) is a 2014 Norwegian black comedy action film directed by Hans Petter Moland and starring Stellan Skarsgård.

The Battle of Kosovo (1389) was a battle between the combined army of Serbians and Bosnians against invading Turks of the Ottoman Empire. Both armies suffered heavy casualties, both being basically annihilated. The eventual outcome was the annexation of the Serbian provinces by the Ottomans. The Battle of Kosovo is significant in Serbian history and integral to Serbian national identity.

The symbol shown after Greve’s death is Humanist.