time machine // database // travel guide
timespace coordinates: Kree Empire’s capital planet of Hala, 8K1M.YY67A47+58E698L / planet C-53 Terran Homeworld CO53.FR45887+125X47 (1995 California, Louisiana)
imdb / Roy Thomas‘s 1971 “Kree–Skrull War” / 149
Captain Marvel is the name of several superheroes appearing in American comic books published by Marvel Comics. Most of these versions exist in Marvel’s main shared universe, known as the Marvel Universe. (read more)
timespace coordinates: 2011 South London
Attack the Block is a 2011 British science fiction comedy horror film written and directed by Joe Cornish and starring John Boyega, Jodie Whittaker, and Nick Frost. It was the film debut of Cornish, Boyega, and composer Steven Price.
The film centres on a teenage street gang who have to defend themselves from predatory alien invaders on a council estate in South London on Guy Fawkes Night. (wiki)
timespace coordinates: 1993 Mogadishu amid the civil war in Somalia
“Only the dead have seen the end of war.”
Black Hawk Down is a 2001 war film produced and directed by Ridley Scott from a screenplay by Ken Nolan. It is based on the 1999 non-fiction book of the same name by journalist Mark Bowden. As an embedded journalist, he covered the 1993 raid in Mogadishu by the U.S. military, aimed at capturing faction leader Mohamed Farrah Aidid. The ensuing firefight became known as the Battle of Mogadishu. The film features a large ensemble cast, including Josh Hartnett, Ewan McGregor, Eric Bana, Tom Sizemore, William Fichtner, and Sam Shepard. (wiki)
timespace coordinates: 2162 Lost Angeles / the NAG > 3491 AD, Damnation Island
Season two picks up in 2162, and Josh, Wolf, and Tiger learn that their season one mission to stop the cure from getting out didn’t work. In this timeline, Stu Camillo is now in power, having created the cure, and launched a plan to relocate humanity to Mars. A shadowy organization called the Pointed Circle seeks to recruit Josh to take Stu down — but are they the good guys, or is Stu? As Wolf quickly acclimates to the strange customs of this time, Tiger struggles with her Biotic identity and searches for an escape. Josh unites the team in an epic plan to save the world, but their time-traveling catches up to them, and they must reckon with their choices and what to do next. (rottentomatoes)
timespace coordinates: 2035, subterranean compound / ruins of Philadelphia (after a deadly virus released in 1996 wipes out almost all of humanity, forcing survivors to live underground) > 1990 / 1996 Baltimore + battlefield during ww1
12 Monkeys, also known as Twelve Monkeys, is a 1995 American neo-noir science fiction film directed by Terry Gilliam, inspired by Chris Marker‘s 1962 short film La Jetée, and starring Bruce Willis, Madeleine Stowe, and Brad Pitt, with Christopher Plummer and David Morse in supporting roles.
References to time, time travel, and monkeys are scattered throughout the film, including the Woody Woodpecker cartoon “Time Tunnel” playing on the TV in a hotel room, the Marx Brothers film Monkey Business (1931) on TV in the asylum, and the subplots involving monkeys (drug testing, news stories and animal rights). The film is also intended to be a study of people’s declining ability to communicate in modern civilization due to the interference of technology. (Memory,_time,_and_technology)
12 Monkeys is inspired by the French short film La Jetée (1962); as in La Jetée, characters are haunted by the images of their own deaths. Like La Jetée, 12 Monkeys contains references to Alfred Hitchcock‘s Vertigo (1958). Toward the end of the film, Cole and Railly hide in a theater showing a 24-hour Hitchcock marathon and watch a scene from Vertigo. Railly then transforms herself with a blonde wig, as Judy (Kim Novak) transforms herself into blonde Madeleine in Vertigo; Cole sees her emerge within a red light, as Scottie (James Stewart) saw Judy emerge within a green light. Brief notes of Bernard Herrmann‘s film score can also be heard. Railly also wears the same coat Novak wore in the first part of Vertigo. The scene at Muir Woods National Monument, where Judy (as Madeleine) looks at the growth rings of a felled redwood and traces back events in her past life, resonates with larger themes in 12 Monkeys. Cole and Railly later have a similar conversation while the same music from Vertigo is repeated. The Muir Woods scene in Vertigo is also reenacted in La Jetée. In a previous scene in the film, Cole wakes up in a hospital bed with the scientists talking to him in chorus. This is a direct homage to the “Dry Bones” scene in Dennis Potter‘s The Singing Detective. James Cole is a notable Christ figure in film. The film is significant in the genre of science-fiction film noir, and it alludes to various “canonical noir” films.
After the release of The Zero Theorem in 2013, claims were made that Gilliam had meant it as part of a trilogy. A 2013 review for The Guardian newspaper said, “Calling it [The Zero Theorem] the third part of a trilogy formed by earlier dystopian satires Brazil and Twelve Monkeys [sic]”; but in an interview with Alex Suskind for Indiewire in late 2014, Gilliam said, “Well, it’s funny, this trilogy was never something I ever said, but it’s been repeated so often it’s clearly true [laughs]. I don’t know who started it but once it started it never stopped”(wiki)
timespace coordinates: dystopian 1984. war-torn London ruled by Oceania, a totalitarian superstate
“Under the spreading chestnut tree / I sold you and you sold me”
Nineteen Eighty-Four, also known as 1984, is a 1984 British dystopian science fiction film written and directed by Michael Radford, based upon George Orwell‘s novel of the same name (published in June 1949). Starring John Hurt, Richard Burton, Suzanna Hamilton, and Cyril Cusack,
the film follows the life of Winston Smith, a low-ranking civil servant in a war-torn London ruled by Oceania, a totalitarian superstate. Smith (Hurt) struggles to maintain his sanity and his grip on reality as the regime’s overwhelming power and influence persecutes individualism and individual thinking on both a political and personal level. The film, which features Burton’s last screen appearance, is dedicated to him. (wiki)
Koyaanisqatsi (English: /koʊjɑːnɪsˈkɑːtsiː/), also known as Koyaanisqatsi: Life Out of Balance, is a 1982 American documentary / experimental film directed by Godfrey Reggio with music composed by Philip Glass and cinematography by Ron Fricke.
The film consists primarily of slow motion and time-lapse footage of cities and many natural landscapes across the United States. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and music. Reggio explained the lack of dialogue by stating “it’s not for lack of love of the language that these films have no words. It’s because, from my point of view, our language is in a state of vast humiliation. It no longer describes the world in which we live.” In the Hopi language, the word Koyaanisqatsi means “unbalanced life”/ “crazy life”.
The film is the first in the Qatsi film trilogy: it is succeeded by Powaqqatsi (1988) and Naqoyqatsi (2002). The trilogy depicts different aspects of the relationship between humans, nature and technology. Koyaanisqatsi is the best known of the trilogy and is considered a cult film. (wiki)
TimeSpace Warps 