1158 – Juan of the Dead / Juan de los muertos (2011)

timespace coordinates: 2000’s Cuba

Juan of the Dead (Spanish: Juan de los Muertos) is a 2010 zombie comedy film written and directed by Alejandro Brugués. A Spanish-Cuban co-production between La Zanfoña Producciones (Spain) and Producciones de la 5ta Avenida (Cuba) involving the participation of the ICAIC, Canal Sur and Televisión Española, the film won the Goya Award for Best Spanish Language Foreign Film in 2012. (wiki)

A group of slackers face an army of zombies. The Cuban government and media claim the living dead are dissidents revolting against the government. (imdb)

1155 – Hancock (2008)

timespace coordinates: 2000’s Los AngelesHancock is a 2008 American superhero comedy film directed by Peter Berg and starring Will Smith, Charlize Theron, and Jason Bateman. It tells the story of a vigilante superhero, John Hancock (Smith) from Los Angeles whose reckless actions routinely cost the city millions of dollars. Eventually one person he saves, Ray Embrey (Bateman), makes it his mission to change Hancock’s public image for the better. (wiki)

imdb

1154 – The Mask (1994)

timespace coordinates: 1990’s Edge City

The Mask is a 1994 American superhero / screwball comedy directed by Charles Russell, produced by Bob Engelman, and written by Mike Werb, loosely based on the comic series of the same name published by Dark Horse Comics. The film stars Jim Carrey, Peter Greene, Amy Yasbeck, Peter Riegert, Richard Jeni, Ben Stein, Joely Fisher, and Cameron Diaz in her film debut.

It revolves around Stanley Ipkiss (Carrey), an unfortunate bank clerk who finds a magical mask that transforms him into a mischievous zoot-suited gangster.

The film was released on July 29, 1994, by New Line Cinema, becoming a critical and commercial success, grossing over $351 million over a $23 million budget. It cemented Carrey’s reputation as a dominant actor of the 1990s, and established Diaz long-term as a leading lady. (wiki)

imdb

1152 – Samsara (2011 documentary)

Samsara is a 2011 American non-narrative documentary film of international imagery directed by Ron Fricke and produced by Mark Magidson. Samsara was filmed over a period of five years in 25 different countries around the world.

The official website describes the film, “Expanding on the themes they developed in Baraka (1992) and Chronos (1985), Samsara explores the wonders of our world from the mundane to the miraculous, looking into the unfathomable reaches of humanity’s spirituality and the human experience. Neither a traditional documentary nor a travelogue, Samsara takes the form of a nonverbal, guided meditation.” (wiki)

imdb   /   fantasy_coffins   /   819 – Olivier de Sagazan

1151 – Captive State (2019)

timespace coordinates: 2019 / 2028 Chicago

Captive State is a 2019 American science fiction thriller film directed by Rupert Wyatt and co-written by Wyatt and Erica Beeney. The film stars John Goodman, Ashton Sanders, Jonathan Majors, Machine Gun Kelly, and Vera Farmiga, and follows a young man who participates in a conspiracy to rebel against an alien race that has invaded Earth, and enforced strict martial law on all humans. (wiki)

imdb

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Chicago is the real star of the surprisingly powerful Captive State  – For those of us who love the city, more than just the plot is familiar in this sly takedown of gentrification and authoritarianism.  review by Dmitry Samarov

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(Trivia) In one of the early shots of the Chicago skyline the Ryugyong Hotel was added. The Ryugyong Hotel isn’t in Chicago, it’s in Pyongyang, North Korea. It was started in 1987 and still sits unfinished. It’s in the Guinness Book of World Records as the tallest unused building.

1149 – LOVE DEATH + ROBOTS (TV series 2019– )

Love, Death & Robots (stylized as LOVE DEATH + ROBOTS) is an American adult animated anthology web television series on Netflix.  The 18-episode first season was released on March 15, 2019. The series is produced by Joshua Donen, David Fincher, Jennifer Miller, and Tim Miller. Each episode was animated by different crews from a range of countries. The series is a re-imagining of Fincher and Miller’s long in-development reboot of the 1981 animated science fiction film Heavy Metal. 

The cast includes Mary Elizabeth Winstead, Topher Grace, Gary Cole, Samira Wiley and Stefan Kapičić, with Grace and Winstead appearing in live-action roles, rather than animated.

In March 2019, Netflix revealed that it was experimenting with a new approach by including a different order of episodes to different users.  (*four unique episode orders, released to users at random.) (wiki)

imdb

1146 – Baraka (1992)

Baraka is a 1992 non-narrative documentary film directed by Ron Fricke. The film is often compared to Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio for which Fricke served as the cinematographer. It is also the most recent film to be photographed in the 70mm Todd-AO format, and the first film ever to be restored and scanned at 8K resolution. (wiki)

Named after a Sufi word that translates roughly as “breath of life” or “blessing,” Baraka is Ron Fricke‘s impressive follow-up to Godfrey Reggio‘s non-verbal documentary film Koyaanisqatsi. Fricke was cinematographer and collaborator on Reggio’s film, and for Baraka he struck out on his own to polish and expand the photographic techniques used on Koyaanisqatsi. The result is a tour-de-force in 70mm: a cinematic “guided meditation” (Fricke’s own description) shot in 24 countries on six continents over a 14-month period that unites religious ritual, the phenomena of nature, and man’s own destructive powers into a web of moving images. Fricke’s camera ranges, in meditative slow motion or bewildering time-lapse, over the Church of the Holy Sepulcher in Jerusalem, the Ryoan-Ji temple in Kyoto, Lake Natron in Tanzania, burning oil fields in Kuwait, the smoldering precipice of an active volcano, a busy subway terminal, tribal celebrations of the Maasai in Kenya, chanting monks in the Dip Tse Chok Ling monastery…and on and on, through locales across the globe. To execute the film’s time-lapse sequences, Fricke had a special camera built that combined time-lapse photography with perfectly controlled movements of the camera. In one evening sequence a desert sky turns black, and the stars roll by, as the camera moves slowly forward under the trees. The feeling is like that of viewing the universe through a powerful telescope: that we are indeed on a tiny orb hurtling through a star-filled void. The film is complemented by the hybrid world-music of Michael Stearns. ~ Anthony Reed, Rovi (rottentomatoes)

imdb   /   on YouTube