1146 – Baraka (1992)

Baraka is a 1992 non-narrative documentary film directed by Ron Fricke. The film is often compared to Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio for which Fricke served as the cinematographer. It is also the most recent film to be photographed in the 70mm Todd-AO format, and the first film ever to be restored and scanned at 8K resolution. (wiki)

Named after a Sufi word that translates roughly as “breath of life” or “blessing,” Baraka is Ron Fricke‘s impressive follow-up to Godfrey Reggio‘s non-verbal documentary film Koyaanisqatsi. Fricke was cinematographer and collaborator on Reggio’s film, and for Baraka he struck out on his own to polish and expand the photographic techniques used on Koyaanisqatsi. The result is a tour-de-force in 70mm: a cinematic “guided meditation” (Fricke’s own description) shot in 24 countries on six continents over a 14-month period that unites religious ritual, the phenomena of nature, and man’s own destructive powers into a web of moving images. Fricke’s camera ranges, in meditative slow motion or bewildering time-lapse, over the Church of the Holy Sepulcher in Jerusalem, the Ryoan-Ji temple in Kyoto, Lake Natron in Tanzania, burning oil fields in Kuwait, the smoldering precipice of an active volcano, a busy subway terminal, tribal celebrations of the Maasai in Kenya, chanting monks in the Dip Tse Chok Ling monastery…and on and on, through locales across the globe. To execute the film’s time-lapse sequences, Fricke had a special camera built that combined time-lapse photography with perfectly controlled movements of the camera. In one evening sequence a desert sky turns black, and the stars roll by, as the camera moves slowly forward under the trees. The feeling is like that of viewing the universe through a powerful telescope: that we are indeed on a tiny orb hurtling through a star-filled void. The film is complemented by the hybrid world-music of Michael Stearns. ~ Anthony Reed, Rovi (rottentomatoes)

imdb   /   on YouTube

1118 – Hardware (1990)

timespace coordinates: Christmastime in New York City  (21st century, a nuclear war has transformed the Earth into a radioactive wasteland where the sea has dried up leaving it as a post-apocalyptic desert.)

See these mighty buildings. It all shall
be thrown down and shattered to splinters.
The earth will shake, rattle and roll. The
masses will go hungry, their bellies bloat.
These are the birth pains.
No flesh shall be spared. MARK-13 (Read more)

Hardware is a 1990 British science fiction horror film starring Dylan McDermott and Stacey Travis. The film, which was written and directed by Richard Stanley, also features cameos from Iggy Pop and Lemmy. Since its release, it has become a cult film. The film is about a self-repairing robot that goes on a rampage in a post-apocalyptic slum. Fleetway Comics sued the film-makers over the screenplay because it plagiarised a short story entitled “SHOK!” that appeared in 1980 in the Judge Dredd Annual 1981, a spin-off publication of the popular British weekly anthology comic 2000 AD. (wiki)

imdb

1084

1054 – Staying Connected (a practical book)

Staying Connected: How to Continue Your Relationships with Those Who Have Died is a collection of selected talks and meditations (1905-1924) by Rudolf Steiner, edited by Christopher Bamford.

“We are the books the dead read. Our thoughts and feelings are the works of art that brighten and instruct their lives.”

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goodreads   /   rudolfsteineraudio

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1033 – Exodus: Gods and Kings (2014)

timespace coordinates: 1300 BC – ancient Egypt

Exodus: Gods and Kings is a 2014 epic biblical film directed and produced by Ridley Scott. An international co-production between the United States, the United Kingdom, and Spain.

It is inspired by the biblical episode of the exodus of the Hebrews from Egypt led by Moses and related in the Book of Exodus.

The film stars Christian Bale, Joel Edgerton, John Turturro, Aaron Paul, Ben Mendelsohn, María Valverde, Sigourney Weaver, Ghassan Massoud, Indira Varma, Golshifteh Farahani, and Ben Kingsley.

In an interview for Access Hollywood, Scott claimed there was a “final” cut of the film that was 4 hours, implying that the version released in theaters was reduced by 90 minutes. (wiki)

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imdb

1028 – The Notorious Bettie Page (2005)

timespace coordinates: 1936 – 1958 Tennessee / New York City / Miami

The Notorious Bettie Page is a 2005 biographical film directed by Mary Harron. The screenplay by Harron and Guinevere Turner focuses on 1950s pinup and bondage model Bettie Page, portrayed by Gretchen Mol.

imdb

1025 – Jeanne d’Arc (1999)

timespace coordinates: France 1429 – 1431 (Hundred Years’ War)

Percival, about the Maid of Orleans:
The girl is of appealing beauty and manly bearing; she speaks little and shows remarkable sagacity; when she speaks she has a pleasing, delicately feminine voice. :{…} her tears often overflow; she loves a happy face, endures unheard of toil, and is so assiduous in the manipulation and bearing of weapons that she remains uninterruptedly for six days — day and night — in full armour.

The Messenger: The Story of Joan of Arc (French: Jeanne d’Arc) is a 1999 French epic historical drama film directed by Luc Besson. The film stars Milla Jovovich, John Malkovich, Faye Dunaway and Dustin Hoffman. The screenplay was written by Besson and Andrew Birkin.

http://www.kommunicera.umea.se/hemma/mathias/

The Messenger portrays the story of St. Joan of Arc, the French war heroine and religious martyr of the 15th century. The story begins with young Joan as she witnesses the atrocities of the English against her family, and she is portrayed as having visions that inspire her to lead the French in battle against the occupying English forces. Her success in routing the English allows Charles VII to take the throne. Eventually Joan is captured by the English, tried and executed for heresy.

Luc Besson stated that he was not interested in narrating the history of Joan of Arc; rather, he wanted to pull a message out of history that is relevant for today. (read more: Themes)

Historical accuracy

imdb

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“Regardless of what Joan of Arc said about the appearance of the higher beings in her visions, the occultist who is able to investigate these things knows that it was always the genius of the French nation who stood behind them.” (rs)