timespace coordinates: 22nd century. two androids — Father and Mother — are tasked with raising human children on Kepler-22b after the Earth was destroyed by a great war.
Raised by Wolves is an American science fiction drama television series created by Aaron Guzikowski that premiered on HBO Max on September 3, 2020. The first two episodes were directed by Ridley Scott, who also serves as an executive producer for the show. In September 2020, the series was renewed for a second season. (wiki)
Scott responded to a question about the link between Alien and Raised By Wolvesduring a Reddit Ask Me Anything: “Interesting question but, no, the first Alien story feels like it may be some time before Raised By Wolves, in that the Nostromo was probably financed by an organized global economy. Wolves is about post-global war chaos.” (newsweek)
When announced in a press release by Adult Swim in May 2017, The Shivering Truth was described as “a delicately crafted, darkly surreal anthology comedy, a miniature propulsive omnibus cluster bomb of painfully riotous daymares all dripping with the orange goo of dream logic. A series of loosely-linked emotional parables about stories within tales that crawled out of the deepest caverns of your unconscious mind and became lovingly animated in breath-slapping stop motion – in other words, it is the TRUTH”.
The characters in the show are 10-inch (250 mm) puppets with wire-based armatures, created with silicon, wool, polystyrene, and resin. Chatman has noted several inspirations for his work on the show, including Terry Gilliam‘s work on Monty Python’s Flying Circus, stating that “I saw it when I was very young, so it scared me. I didn’t know when the animation was beginning or ending.” He also explained that “A lot of my influences are non-animated, primarily in short films, novels, even radio shows. A recent one is David Eagleman‘s books on the brain. He’s a neuroscientist and he gives you 40 different versions of the afterlife, and none of them can co-exist.” Solen has spoken on her inspirations as well, saying that “I loved the movie The Wizard of Speed and Time, which is a cautionary tale about making movies. Another film that I loved as a kid was Nicolas Roeg‘s [film] adaptation of Roald Dahl‘s The Witches, which featured both Anjelica Huston and Jim Henson‘s puppets. It scared me so much!” (wiki)
JU-ON: Origins is a Japanese horror web television series based on the Ju-On franchise. The series premiered on Netflix on July 3, 2020. (wiki)
A paranormal researcher searches obsessively for a cursed home where something terrible happened to a mother and her child long ago. The J-horror classic franchise Ju-On was actually based on real events that occurred over four decades — and the truth is even more terrifying. (rt)
timespace coordinates: The film is partially presented in a found footage format by featuring fictional interviews, news footage, and video from surveillance cameras. The story, which explores themes of humanity, xenophobia and social segregation, begins in an alternate1982, when an alien spaceship appears over Johannesburg, South Africa. When a population of sick and malnourished insectoid aliens are discovered on the ship, the South African government confines them to an internment camp called District 9. Twenty years later, during the government’s relocation of the aliens to another camp, one of the confined aliens named Christopher Johnson, who is about to try to escape from Earth with his son and return home, crosses paths with a bureaucrat leading the relocation named Wikus van der Merwe. The title and premise of District 9 were inspired by events in Cape Town‘s District Six, during the apartheid era.
timespace coordinates: In 1990, Johannesburg is home to a number of extraterrestrial refugees, whose large spaceships (estimated to be nearly one kilometre in length) can be seen hovering above the city. When the visitors first arrived, the human population was enamored with, among other aspects, the aliens’ advanced “bio-suits”, and welcomed them with open arms. However, the aliens later began moving into other areas of the city, committing crimes in order to survive and frequently clashing with police. Playing as a documentary, the film continues with interviews and footage taken from handheld cameras, which highlight the growing tension between Earth’s civilian population and the extraterrestrial visitors.
According to individuals “interviewed” in the film, the aliens were captive labour (slaves or indentured servants), forced to live in “conditions that were not good” and had escaped to Earth. Because the film takes place in 1990, while apartheid was still in effect in South Africa, the aliens were forced to live amongst the already-oppressed black population, causing conflict with them as well as the non-white and white populations.
All of the interview statements which do not explicitly mention extraterrestrials were taken from authentic interviews with many South Africans who had been asked their opinions of Zimbabwean refugees. (wiki)
Reviewed: Star Wars: The Rise of Skywalker (film, JJ Abrams, 2019) The Irishman (film, Martin Scorsese, 2019) Once Upon a Time in Hollywood (film, Quentin Tarantino, 2019)
‘ok boomer’ (meme, the New York Times, 2019)
The death of Jeffrey Epstein (hyperobject, Bill and Hillary Clinton, 2019)
YA fiction (genre, JK Rowling et al., 1997)
The 2010s (decade, Time, 2010)
Industrial capitalism (mode of production, the World-Spirit, 1760)
The Earth (planet, God, 4,543,000,000 BC)
Myself (imbecile, God, 1990)
“George Lucas was the Albert Speer of cinema. Everything he built had extraordinary ruin value; all those spaceships work far better as enormous wrecks than as active fantasies. They were destroyed from the very beginning.”
“Youth, in our era of exhaustion, is a phantom. It’s something dreamed up by old people; it belongs to them, and they’ll control it until they die; maybe afterwards.”
Peninsula (Korean: 반도; Hanja: 半島; RR: Bando; marketed in the United States as Train to Busan Presents: Peninsula) is a 2020 South Korean action horror film directed by Yeon Sang-ho.
It is a standalone sequel to the 2016 film Train to Busan and follows a soldier who is sent along with his team to retrieve a truck full of money from the wastelands of the Korean peninsula now inhabited by zombies, rogue militia and a nice family. (wiki)