Louis Theroux visits three American cities and examines a uniquely devastating human crisis in each – opioid and heroin addiction in Huntington, sex trafficking in Houston, and murder in Milwaukee.
Tag: childhood
0292 – Never Let Me Go (2010)
spacetime coordinates: 1978 – 1985 – 1994 Sussex, England

Never Let Me Go is a 2010 British dystopian romantic drama film based on Kazuo Ishiguro‘s 2005 novel of the same name. The film was directed by Mark Romanek from a screenplay by Alex Garland. Never Let Me Go is set in an alternative history and centres on Kathy, Ruth and Tommy portrayed by Carey Mulligan, Keira Knightley and Andrew Garfield respectively, who become entangled in a love triangle.
http://www.imdb.com/title/tt1334260/
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291 – Upside Down (2012)
Upside Down (French: Un monde à l’envers) is a 2012 Canadian-French romantic fantasy written and directed by Juan Diego Solanas, starring Jim Sturgess and Kirsten Dunst.
0278 – Mongol (2007)
spacetime coordinates: 1172 – 1206 Mongolia

Mongol (Монгол), also known as Mongol: The Rise of Genghis Khan is a 2007 Russian semi-historical epic film directed by Sergei Bodrov, about the early life of Temüjin (inspired by The Secret History of the Mongols), who later came to be known as Genghis Khan. The storyline was conceived from a screenplay written by Bodrov and Arif Aliev. It was produced by Bodrov, Sergei Selyanov and Anton Melnik and stars Tadanobu Asano, Sun Honglei and Chuluuny Khulan in the main roles. Mongol explores abduction, kinship and the repercussions of war.
The film was a co-production between companies in Russia, Germany and Kazakhstan, intended to be the first part of a trilogy about Genghis Khan. (Sequel)

247 – The Road (2009)

The Road is a 2009 American post-apocalyptic drama film directed by John Hillcoat from a screenplay written by Joe Penhall, based on the Pulitzer Prize-winning 2006 novel of the same name by the American author Cormac McCarthy. Principal photography took place in Pennsylvania, Louisiana, West Virginia, and Oregon. The film stars Viggo Mortensen and Kodi Smit-McPhee as a father and his son in a post-apocalyptic wasteland.
Hillcoat preferred to shoot in real locations, saying “We didn’t want to go the CGI world.” Pennsylvania, where most of the filming took place, was chosen for its tax breaks and its abundance of locations that looked abandoned or decayed: coalfields, dunes, and run-down parts of Pittsburgh and neighboring boroughs. Filming was also done at the 1892 amusement resort (Conneaut Lake Park) after one of the park’s buildings (the Dreamland Ballroom) was destroyed in a fire in February 2008. The beaches of Presque Isle State Park in Erie, Pennsylvania were also used. Hillcoat also said of using Pittsburgh as a practical location, “It’s a beautiful place in fall with the colors changing, but in winter, it can be very bleak. There are city blocks that are abandoned. The woods can be brutal.” Filmmakers also shot scenes in parts of New Orleans that had been ravaged by Hurricane Katrina and on Mount St. Helens in Washington. The Abandoned Pennsylvania Turnpike, a stretch of abandoned roadway between Hustontown and Breezewood, Pennsylvania, was used for much of the production.
237 – My Beautiful Girl, Mari (2002)

My Beautiful Girl, Mari (Hangul: 마리이야기; RR: Mariiyagi; lit. “The Story of Mari”) is a 2002 South Korean animated film. It follows the story of a young boy during summer vacation and ascends into flights of surrealistic fantasy, which may or may not be dream sequences.
0225 – Kuky se vrací (2010)

Kooky (Czech: Kuky se vrací, literally “Kuky returns”, a pun on Lassie se vrací) is a 2010 Czech action comedy film directed by Jan Svěrák. The film combines techniques of puppet animation, stop motion and live action. It tells the story of a six-year-old asthmatic boy whose parents throw him away his favorite toy, an old teddy bear named Kooky. The boy, however, secretly sneaks out of the house at night to retrieve Kooky from the garbage can and bring him back home. Due to that, the boy gets ill. In his feverish dreams, Kooky comes to life in the landfill, escapes into a mysterious forest and begins its journey amongst the rough-and-ready creatures of the forest.
The film was inspired by the works of the Czech sculptor and painter František Skála, who refused to participate in the production. Svěrák offered collaboration on the technical development of puppets and visual effects to Jakub Dvorský from the video game company Amanita Design. The puppets in the film were manipulated by the members of the ensemble Buchty a loutky. During the post-production process, Svěrák and his team concentrated on removing the strings and wires with the help of computer animation. Kooky is technically the most complicated film by Svěrák; it contains three times more visual effects than Dark Blue World, the most expensive Czech film up to that point. In addition to fictional puppet figures, the film makes use of real animals (fox, butterfly, snail, frog etc.)