timespace coordinates: 2020, Detroit / Georgia / New York City / Texas
Real Steel is a 2011 American science fiction sports film starring Hugh Jackman and Dakota Goyo and co-produced and directed by Shawn Levy for DreamWorks Pictures. The film is based on the short story “Steel”, written by Richard Matheson, which was originally published in the May 1956 edition of The Magazine of Fantasy & Science Fiction, and later adapted into a 1963 Twilight Zone episode. Real Steel was in development for several years before production began on June 24, 2010. Filming took place primarily in the U.S. state of Michigan. Animatronic robots were built for the film, and motion capture technology was used to depict the brawling of computer-generated robots and animatronics. (wiki)
timespace coordinates: In the future, the Sun has aged and is about to turn into a red giant, pushing the nations of the world to consolidate into the United Earth Government, a world government, to initiate a project to move the Earth out of the Solar System to the Alpha Centauri system, in order to preserve further human civilization. Enormous thrusters running on fusion power are built across the planet to propel the Earth. Human population is reduced severely due to catastrophic tides that occur after the planetary engines stop Earth’s rotation, and later as the planet moves away from the Sun, much of the surface is frozen due to lowered temperatures, forcing humans to live in vast underground cities built adjacent to the engines.
Asterix: The Secret of the Magic Potion (French: Astérix: Le Secret de la Potion Magique) is a 2018 French computer-animated adventure comedy film co-directed by Alexandre Astier and Louis Clichy. The screenplay by Astier is based on the Asterix comic book characters created by Goscinny and Uderzo. (wiki)
Exodus: Gods and Kings is a 2014 epic biblical film directed and produced by Ridley Scott. An international co-production between the United States, the United Kingdom, and Spain.
It is inspired by the biblical episode of the exodus of the Hebrews from Egypt led by Moses and related in the Book of Exodus.
In an interview for Access Hollywood, Scott claimed there was a “final” cut of the film that was 4 hours, implying that the version released in theaters was reduced by 90 minutes. (wiki)
Lord and Miller wanted the film to feel like “you walked inside a comic book”, and were excited to tell the story in a way that the live-action films could not. Persichetti concurred, feeling that animation was the best medium with which to honor the style of the comics, allowing the production team to adapt 70-year-old techniques seen in comic artwork into the film’s visual language. Completing the animation for the film required up to 140 animators, the largest crew ever used by Sony Pictures Animation for a film to date.
The CGI animation for the film was combined with “line work and painting and dots and all sorts of comic book techniques” to make it look like it was created by hand, which was described as “a living painting”. This was achieved by artists taking rendered frames from the CGI animators and working on top of them in 2D, with the goal of making every frame of the film “look like a comic panel”. Lord described this style of animation as “totally revolutionary”, and explained that the design combines the in-house style of Sony Pictures Animation with the “flavor” of comic artists such as Sara Pichelli (who co-created Miles Morales) and Robbi Rodriguez. To make it feel more like a comic book, it was animated without motion blur, and rather than using animation principles like squash and stretch they came up with substitute versions of them; “so that in texture and feel it felt different, but it still achieved the same goal — to either feel weight or anticipation or impact or things like that”.
The film’s directors all felt that the film would be one of the few that audiences actually “need” to watch in 3D due to the immersive nature of the animated world created, and the way that the hand-drawn animation elements created specifically for the film create a unique experience; Persichetti described this experience as a combination of the effects of an old-fashioned hand-drawn multiplane camera and a modern virtual reality environment. (read more)