It is the first stop-motion film to use a 3D color printer to create character faces, and only the second to be shot in 3D. In the film, Norman, a young boy who can communicate with ghosts, is given the task of ending a 300 year-old witch’s curse on his Massachusetts town, despite being grounded by his father. (wiki)
Since its release, Saving Private Ryan has been widely lauded as an influential film in the war film genre. It has been credited for renewing interest in old and new World War II films, video games, and novels. In 2014, the film was selected for preservation in the National Film Registry by the Library of Congress, being deemed “culturally, historically, or aesthetically significant.” (wiki)
Staying Connected: How to Continue Your Relationships with Those Who Have Died is a collection of selected talks and meditations (1905-1924) by Rudolf Steiner, edited by Christopher Bamford.
“We are the books the dead read. Our thoughts and feelings are the works of art that brighten and instruct their lives.”
Lord and Miller wanted the film to feel like “you walked inside a comic book”, and were excited to tell the story in a way that the live-action films could not. Persichetti concurred, feeling that animation was the best medium with which to honor the style of the comics, allowing the production team to adapt 70-year-old techniques seen in comic artwork into the film’s visual language. Completing the animation for the film required up to 140 animators, the largest crew ever used by Sony Pictures Animation for a film to date.
The CGI animation for the film was combined with “line work and painting and dots and all sorts of comic book techniques” to make it look like it was created by hand, which was described as “a living painting”. This was achieved by artists taking rendered frames from the CGI animators and working on top of them in 2D, with the goal of making every frame of the film “look like a comic panel”. Lord described this style of animation as “totally revolutionary”, and explained that the design combines the in-house style of Sony Pictures Animation with the “flavor” of comic artists such as Sara Pichelli (who co-created Miles Morales) and Robbi Rodriguez. To make it feel more like a comic book, it was animated without motion blur, and rather than using animation principles like squash and stretch they came up with substitute versions of them; “so that in texture and feel it felt different, but it still achieved the same goal — to either feel weight or anticipation or impact or things like that”.
The film’s directors all felt that the film would be one of the few that audiences actually “need” to watch in 3D due to the immersive nature of the animated world created, and the way that the hand-drawn animation elements created specifically for the film create a unique experience; Persichetti described this experience as a combination of the effects of an old-fashioned hand-drawn multiplane camera and a modern virtual reality environment. (read more)
The Double is a 2013 British black comedy thriller film written and directed by 
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