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spacetime coordinates: 1975 – 1979 Cambodia
First They Killed My Father (Khmer: មុនដំបូងខ្មែរក្រហមសម្លាប់ប៉ារបស់ខ្ញុំ Moun dambaung Khmer Krahm samleab ba robsa khnhom) is a 2017 biographical historical thriller film directed by Angelina Jolie and written by Jolie and Loung Ung, based on Ung’s memoir of the same name. Set in 1975, the film depicts 7-year-old Ung who is forced to be trained as a child soldier while her siblings are sent to labor camps during the Socialist Khmer Rouge regime.
spacetime coordinates: 1901 New York (state) // Cumbria
Crimson Peak is a 2015 American gothic romance film directed, co-produced and co-written by Guillermo del Toro, co-produced by Callum Greene, Jon Jashni and Thomas Tull and co-written by Matthew Robbins. It stars Mia Wasikowska, Tom Hiddleston, Jessica Chastain, Charlie Hunnam and Jim Beaver.
Drowning by Numbers is a 1988 British-Dutch film directed by Peter Greenaway.
The film’s plot centres on three married women — a grandmother, her daughter, and her niece — each named Cissie Colpitts. As the story progresses, each woman successively drowns her husband. The three Cissie Colpittses are played by Joan Plowright, Juliet Stevenson and Joely Richardson, while Bernard Hill plays the coroner, Madgett, who is cajoled into covering up the three crimes.
The structure, with similar stories repeated three times, is reminiscent of a fairy tale, most specifically ‘The Billy Goats Gruff‘, because Madgett is constantly promised greater rewards as he tries his luck with each of the Cissies in turn. The link to folklore is further established by Madgett’s son Smut, who recites the rules of various unusual games played by the characters as if they were ancient traditions. Many of these games are invented for the film, including:
In Drowning by Numbers, number-counting, the rules of games and the repetitions of the plot are all devices which emphasise structure and symmetry. Through the course of the film each of the numbers 1 to 100 appear, the large majority in sequence, often seen in the background, sometimes spoken by the characters.
The film is set and was shot in and around Southwold, Suffolk, England, with key landmarks such as the Victorian water tower, Southwold Lighthouse, and the estuary of the River Blyth clearly identifiable.
spacetime coordinates: 2020 – 2025 Alaska // Hong Kong // Manila // San Francisco // Pacific Ocean // Tokyo
Pacific Rim is a 2013 American science fiction monster film directed by Guillermo del Toro and starring Charlie Hunnam, Idris Elba, Rinko Kikuchi, Charlie Day, Burn Gorman, Robert Kazinsky, Max Martini, and Ron Perlman. The screenplay was written by Travis Beacham and del Toro from a story by Beacham.
The film is set in the future, when Earth is at war with the Kaiju, colossal sea monsters which have emerged from an interdimensional portal on the bottom of the Pacific Ocean. To combat the monsters, humanity unites to create the Jaegers, gigantic humanoid mechas each controlled by at least two pilots, whose minds are joined by a mental link. Focusing on the war’s later days, the story follows Raleigh Becket, a washed-up Jaeger pilot called out of retirement and teamed with rookie pilot Mako Mori as part of a last-ditch effort to defeat the Kaiju.
Knifehead, the first Kaiju to appear in the film, is a tribute to the plodding kaiju of 1960s Japanese films, and is intended to look almost like a man in a rubber suit; its head was inspired by that of a goblin shark. Leatherback, the bouncer-like Kaiju which spews electro-magnetic charges, is a favorite of del Toro, who conceived it as a “brawler with this sort of beer belly”; the lumbering movements of gorillas were used as a reference. The Kaiju Otachi homages the dragons of Chinese mythology. The director called it a “Swiss army knife of a Kaiju”; with almost 20 minutes of screen time, it was given numerous features so the audience would not tire of it. The creature moves like a Komodo dragon in water, sports multiple jaws and an acid-filled neck sack, and unfurls wings when necessary. It is also more intelligent than the other Kaiju, employing eagle-inspired strategies against the Jaegers. Onibaba, the Kaiju that orphans Mako Mori, resembles a fusion of a Japanese temple and a crustacean. Slattern, the largest Kaiju, is distinguished by its extremely long neck and “half-horn, half-crown” head, which del Toro considered both demonic and majestic.
Gipsy Danger, the American Jaeger, was based on the shape of New York City’s Art Deco buildings, such as the Chrysler Building and the Empire State Building, but infused with John Wayne‘s gunslinger gait and hip movements. Cherno Alpha, the Russian Jaeger, was based on the shape and paint patterns of a T-series Russian tank, combined with a giant containment silo to give the appearance of a walking nuclear power plant with a cooling tower on its head. Crimson Typhoon, the three-armed Chinese Jaeger, is piloted by triplets and resembles a “medieval little warrior”; its texture evokes Chinese lacquered wood with golden edges. Striker Eureka, the Australian Jaeger, is likened by del Toro to a Land Rover; the most elegant and masculine Jaeger, it has a jutting chest, a camouflage paint scheme recalling the Australian outback, and the bravado of its pilots.
Rather than popular culture, the director drew inspiration from works of art such as The Colossus and George Bellows‘s boxing paintings.
The classic Japanese woodblock print The Great Wave off Kanagawa by Hokusai was a common motif in the ocean battles; Del Toro recalled, “I would say ‘Give me a Hokusai wave’… we use the waves and weather in the movie very operatically.” The director asked that Knoll not necessarily match the lighting from shot to shot: “It’s pretty unorthodox to do that, but I think the results are really beautiful and very artistically free and powerful, not something you would associate with a big sci-fi action movie.” Del Toro considers the film’s digital water its most exciting visual effect: “The water dynamics in this movie are technically beautiful, but also artistically incredibly expressive. We agreed on making the water become almost another character. We would time the water very precisely. I’d say ‘Get out of the wave [on this frame].'”
https://en.wikipedia.org/wiki/Pacific_Rim_(film)
http://www.imdb.com/title/tt1663662/
spacetime coordinates: 2010s West Texas
Hell or High Water is a 2016 American neo-Western crime thriller film directed by David Mackenzie and written by Taylor Sheridan, whose script was on the 2012 Black List. The film follows two brothers (Chris Pine and Ben Foster) who carry out a series of bank robberies to save their family ranch, while being pursued by two Texas Rangers (Jeff Bridges and Gil Birmingham).
spacetime coordinates: 2016 New York City
Good Time is a 2017 American crime-drama film directed by Ben and Josh Safdie and written by Josh Safdie and Ronald Bronstein. The film stars Robert Pattinson, Barkhad Abdi and Jennifer Jason Leigh. Its original soundtrack was composed by electronic musician Oneohtrix Point Never.
Pattinson described the film as a “really hardcore kind of Queens, New York, mentally damaged psychopath, bank robbery movie.”
spacetime coordinates: 2267 – 2270 aboard cargo ship Kassandra
Cargo is a 2009 science fiction film, the first from Swiss production and the first major feature film by Ivan Engler.
After the earth has become uninhabitable due to an ecological collapse, the remaining people live on overcrowded space stations in Earth’s orbit. The young doctor Laura Portmann (Anna Katharina Schwabroh) is one of them. She hopes for a better future alongside her sister on the distant planet Rhea, but to get there, she needs money. She signs up with Kuiper Enterprises for a job on the decrepit cargo ship Kassandra, heading for an eight-year flight to unmanned Station #42 and back.
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