movies

0993 – Repo Man (1984)

timespace coordinates: 1980s los angeles california

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Repo Man is a 1984 American science fiction comedy film written and directed by Alex Cox. It stars Harry Dean Stanton and Emilio Estevez.

The plot concerns a young punk rock enthusiast (Estevez) in Los Angeles who finds himself partnered with a jaded repossession agent (Stanton) and subsequently caught up in the pursuit for a mysterious car that might be connected to extraterrestrials. The soundtrack is noted as a snapshot of the early-’80s Los Angeles hardcore punk scene

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Repo Man received widespread acclaim, and was considered one of the best films of 1984. It has achieved cult status. (wiki)

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movies

0975 – The Favourite (2018)

timespace coordinates: early 18th century England

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The Favourite is a 2018 black comedy period film directed by Yorgos Lanthimos and written by Deborah Davis and Tony McNamara. It is a co-production by producers in Ireland, the United Kingdom, and the United States. Set in the early 18th century, the story examines the relationship between two cousins vying to be court favourites of Queen Anne. It stars Olivia ColmanEmma StoneRachel WeiszNicholas HoultJoe AlwynJames Smith, and Mark Gatiss.

In his review of the film, Anthony Lane comments on its anachronisms: “For Lanthimos and his screenwriters, Deborah Davis and Tony McNamara, all historical reconstruction is a game, and to pretend otherwise—to nourish the illusion that we can know another epoch as intimately as we do our own—is merest folly.” (read more: Historical accuracy)

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movies

0950 – The Captain / Der Hauptmann (2017)

timespace coordinates: 1945. Nazi Germany (the last moments of World War II)

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The Captain (German: Der Hauptmann) is a 2017 German Art House & war drama film directed by Robert Schwentke.

The film tells the story of German war criminal Willi Herold, who assumed a stolen identity as a German officer and orchestrated the killing of deserters and other prisoners at one of the Emslandlager camps. (wiki)

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Simultaneously a historical docudrama and sociological examination with undertones of the absurd, The Captain presents fascism as something of a game to be played by those most gullible and unscrupulous. (rt)

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movies

0924 – The Sisters Brothers (2018)

timespace coordinates: Oregon and California in 1851

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The Sisters Brothers is a 2018 revisionist western directed by Jacques Audiard from a screenplay he co-wrote with Thomas Bidegain, based on the novel of the same name by Patrick deWitt. The film stars John C. Reilly and Joaquin Phoenix as the two notorious assassin brothers Eli and Charlie Sisters, and together they get caught up in the California Gold Rush. (wiki)

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games, Uncategorized

916 – Nuclear Throne (2015 video game)

Nuclear_ThroneNuclear Throne is a post-apocalyptic roguelike-like top-down shooter. Not ‘the final hope of humanity’ post-apocalyptic, but ‘humanity is extinct and mutants and monsters now roam the world’ post-apocalyptic. Fight your way through the wastelands with powerful weaponry, collecting radiation to mutate some new limbs and abilities. All these things and more you could do if only you were good at this game. Can you reach the Nuclear Throne? (steam)

Nuclear Throne is a top-down shooter roguelike video game by Vlambeer. Early prototypes of the game were distributed through Steam’s early access program in 2013. Nuclear Throne was released on December 5, 2015, for Microsoft Windows, OS X, Linux, PlayStation 4 and PlayStation Vita platforms, with an Xbox One release due in the future. (wiki)

SYSTEM REQUIREMENTS – MINIMUM: OS: Windows XP / Processor: 1.2Ghz+ / Memory: 1024 MB RAM / Graphics: 256MB / Storage: 200 MB available space / Additional Notes: This game is locked to 30 frames per second.

 

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http://nuclearthrone.com/   /  Nuclear Throne Wiki

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games, movies, series, Uncategorized

0912 – Black Mirror: Bandersnatch (2018)

timespace coordinates:  England  July 1984

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Black Mirror: Bandersnatch is a 2018 interactive film in the science fiction anthology series Black Mirror. It was written by series creator Charlie Brooker and directed by David SladeNetflix released it on 28 December 2018 as a standalone film.  In Bandersnatch, viewers make decisions for the main character, the young programmer Stefan Butler (Fionn Whitehead) who adapts a fantasy novel into a video game in 1984.  Other characters include Mohan Thakur (Asim Chaudhry) and Colin Ritman (Will Poulter), both of whom work at a video game company, Butler’s father, Peter (Craig Parkinson) and Butler’s therapist, Dr. Haynes (Alice Lowe). The film is based on a planned Imagine Software video game of the same name which went unreleased after the company filed for bankruptcy. It also alludes to Lewis Carroll‘s own works that feature the bandersnatch creature. A piece of science fiction and horror, Bandersnatch incorporates meta-commentary and rumination on free will.

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Presentation – Bandersnatch is presented as an interactive film. A brief tutorial, specific to the device being streamed on, explains to the viewer how to make choices. They have ten seconds to make choices, or a default decision is made. Once a playthrough ends, the viewer is given an option of going back and making a different choice. The average viewing is 90 minutes, though the quickest path ends after 40 minutes, and at least one path results in a 2.5 hour viewing experience. There are 150 minutes of unique footage divided into 250 segments.  IGN reports that according to Netflix, there are five “main” endings, with variants within each ending; such endings may be intercut with credits, similar to other Black Mirror episodes. Producer Russell McLean said there are between ten and twelve endings, some of which are more vague as endings compared to others, and according to director David Slade, there are a few “golden eggs” endings that may take a long time before viewers figure out how to achieve them.  No ending is considered “prescribed” over any other, according to executive producers Charlie Brooker and Annabel Jones, particularly as they felt some endings were not truly endings in the traditional sense. In most cases, when the viewer reaches an ending, the interactive film gives the player the option to redo a last critical choice as to be able to explore these endings, or they can alternatively view the film’s credits. In some cases, the same segment is reachable in multiple different ways, but will present the viewer with different choices based on the way they reached the segment. In other cases, certain loops guide viewers to a specific narrative regardless of the choices they make. Some endings may become impossible to reach based on choices made by the viewer, unless they opt to restart the film. This action will erase all stored information about which options they had selected while watching the episode on that device.

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Analysis – The term “bandersnatch” originates from a fictional creature created by Lewis Carroll, which appear in his 1870s poems “Jabberwocky” and “The Hunting of the Snark“. The film makes several allusions to Carroll’s works. Part of Butler’s motivation is to find his stuffed rabbit toy which leads him to discover deeper secrets, comparable to Alice‘s quest to find the White Rabbit in Alice’s Adventures in Wonderland. Ritman and his girlfriend Kitty lead Butler into a psychedelic experience in their flat, correlating to the Mad Hatter‘s tea party from the same story, with Kitty’s appearance even similar to that of the Hatter. At one point, Butler travels through a mirror, or literally following the action suggested by the title of Carroll’s Through the Looking-Glass. The design of the Pax is similar to Carroll’s own drawing of the Bandersnatch. 

The “bandersnatch” term also relates to Bandersnatch, a planned video game by Imagine Software. One of several expensive “megagames” which Imagine Software worked on, Bandersnatch was never released as the company went bankrupt in 1984. Imagine’s closure was widely publicised as the events leading to it occurred at the time the BBC were featuring the company in its 1984 “Commercial Breaks” documentary series, and had cascading effects on the video game development industry in the United Kingdom. As an allusion, the film opens on 9 July 1984, the day Imagine was closed, and the cover of Crash with this news is featured in the film. The video game was mentioned in an Easter egg in series three episode “Playtest“, on the front cover of a magazine which is briefly shown onscreen.  

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Additionally, the story shares elements of the works of Philip K. Dick, who frequently wrote on alternate realities and timelines. The Davies character is an allusion to Dick, who had frequently used recreational drugs throughout his life, and at one point attempted to kill his wife. Dick’s work Ubik is visually referenced in the film. Brooker also compares the story to the 1993 comedy fantasy Groundhog Day, about a character who re-lives the same day repeatedly.  Some of the themes of lack of free will, monitoring, and control, as well as the 1984 setting, led to comparisons to George Orwell‘s novel, Nineteen Eighty-Four. 

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Bandersnatch has elements of comedy, horror, pathos, science fiction and a 1980s period piece. David Griffin of IGN compares it to the adventure video game series The Walking Dead, whose first instalment was released in 2012, and the 2018 adventure game Detroit: Become Human.  At one point, Thakur mentions that Butler’s game has no need to type in “get lamp”, which is the first necessary command that the player must use in the first text adventure game, Colossal Cave Adventure, and the title of a documentary about the onset of interactive fiction.  (wiki)

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animation, movies, Uncategorized

0905 – Under the Silver Lake (2018)

timespace coordinates: 2011 Los Angeles

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Under the Silver Lake is a 2018 American neo-noir mystery film written, produced and directed by David Robert Mitchell. Set in Los Angeles, it stars Andrew Garfield as a young man who sets out on a quest to investigate the sudden disappearance of his neighbour (Riley Keough), only to stumble upon an elusive and dangerous large-scale conspiracy.

Joshua Rothkopf of Time Out gave the film a perfect five rating, calling it “Hypnotic, spiraling and deliriously high” and stating “the ambition of Under the Silver Lake is worth cherishing. It will either evaporate into nothingness or cohere into something you’ll want to hug for being so wonderfully weird.” Eric Kohn of IndieWire gave a positive review, calling it “a bizarre and outrageous drama grounded in the consistency of Garfield’s astonishment at every turn. […] Aided by cinematographer Mike Gioloukas’ sunny visuals and a searching Disasterpiece score, the movie becomes a bittersweet ode to wanting answers from an indifferent world overwhelmed by superficial distractions. The homage can be irritating and some of the transitions work better than others across an unwieldy running time — but even the flaws speak to the movie’s beguiling raison d’être. It’s fascinating to watch Mitchell grasp for a bigger picture with the wild ambition of his scruffy protagonist.” 

Owen Gleiberman of Variety gave a positive review, calling it “a down-the-rabbit-hole movie, at once gripping and baffling, fueled by erotic passion and dread but also by the code-fixated opacity of conspiracy theory. The movie is impeccably shot and staged, with an insanely lush soundtrack that’s like Bernard Herrmann-meets-Angelo-Badalamenti-on-opioids. When it’s over, though, you feel like you’ve seen a meta-mystery made by someone who spent too much time scrawling notes in the margins of his frayed copy of Infinite Jest. (wiki)

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