A PLASTIC OCEAN begins when journalist Craig Leeson, searching for the elusive blue whale, discovers plastic waste in what should be pristine ocean. In this adventure documentary, Craig teams up with free diver Tanya Streeter and an international team of scientists and researchers, and they travel to twenty locations around the world over the next four years to explore the fragile state of our oceans, uncover alarming truths about plastic pollution.
NOVA SEED is a 2016 sci-fi fantasy adventure 2D animation. a solo effort by Nick DiLiberto, the film is the product of four years’ work and is comprised of 60,000 hand-drawn frames. It is DiLiberto’s directorial debut feature.
Nova SEED is an action-packed, post-apocalyptic, Sci-fi adventure that follows a lion-man (a Neo-Animal Combatant or NAC) who must save the NOVA Seed, a mystic force of nature in the form of a girl, from Dr. Mindskull, an evil half-man bent on remaking the world in his image.
Nova SEED is written by Nick DiLiberto (who worked in the animation department for Asura’s Wrath, Sonic Chronicles: The Dark Brotherhood, Mass Effect) and Joe DiLiberto, and executive produced by Ricardo Curtis , Adele DiLiberto, John DiLiberto, Nick DiLiberto and Wes Lui . Music by Canadian musician, Stephen Verrall.
DiLiberto said, “I grew up with 2D animated shows like He-Man and Thunder Cats and I wanted to be a part of that, but as an adult I was disappointed that everything I saw and worked on was so slick and manufactured. I wanted to make something that made me feel like I did when I was a kid, and I was tired of waiting for Disney or DreamWorks to make it for me. So, I made it myself.” (read more)
About Gorgon Pictures: Gorgon Pictures Inc. is an Independent animation studio located in Fukuoka, Japan, established by Canadian filmmaker Nick DiLiberto, which is dedicated to creating fully 2D hand drawn animated films. With its first feature film NOVA SEED (2016), an award-winning Sci-fi adventure, Gorgon Pictures has become an inspiration to artists and filmmakers around the world and continues to push the envelope in its approach and techniques to the medium.
Thelma is a Norwegian supernatural thriller film directed by Joachim Trier and starring Eili Harboe.
Thelma, a Norwegian student with a religious background, moves to Oslo, where she falls in love with another girl, and soon discovers that her feelings trigger inexplicable powers.
Living at the limits of our ordinary perception, mosses are a common but largely unnoticed element of the natural world. “Gathering Moss” is a beautifully written mix of science and personal reflection that invites readers to explore and learn from the elegantly simple lives of mosses.
In this series of linked personal essays, Robin Kimmerer leads general readers and scientists alike to an understanding of how mosses live and how their lives are intertwined with the lives of countless other beings. Kimmerer explains the biology of mosses clearly and artfully, while at the same time reflecting on what these fascinating organisms have to teach us.
Drawing on her experiences as a scientist, a mother, and a Native American, Kimmerer explains the stories of mosses in scientific terms as well as in the framework of indigenous ways of knowing. In her book, the natural history and cultural relationships of mosses become a powerful metaphor for ways of living in the world.
“the tiny pool of water held in a spoon-shaped leaf is the perfect resting place for a waterbear, as plump and gelatinous as a candy gummy bear. the moisture in a moss mat is as vital to the moss as it is to the waterbear. but, since mosses are non-vascular, their water content fluctuates with the amount of water in the environment. the moss leaves shrivel and contort as water evaporates, leaving them crisp and dry. the waterbears too, simply shrink when desiccated to as little as one-eight of their size forming barrel- shaped miniatures of themselves called tuns. metabolism is reduced to near zero and the tun can survive in this state for years. the tuns blow around in the dry winds like specks of dust, landing on new clumps of moss and dispersing farther than their short waterbear legs could ever carry them.”
Carved idol from the Urals shatters expert views on birth of ritual art – “Only the freak conditions of the peat bog of Yekaterinburg permitted the idol’s survival.” read more
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Dunkirk is a 2017 war film written, directed, and co-produced by Christopher Nolan that depicts the Dunkirk evacuationof World War II. The film is a British, American, French, and Dutch co-production, and was distributed by Warner Bros..
Dunkirk portrays the evacuation from three perspectives: land, sea, and air. It has little dialogue: Nolan sought to create suspense instead from cinematography and music.
Dunkirk has extensive practical effects, and employed thousands of extras as well as boats that participated in the evacuation, and period aeroplanes.
The film received praise for its generally realistic representation of the historical evacuation. It accurately depicts a few Royal Air Force planes dogfighting the Luftwaffe over the sea, limited to one hour of operation by their fuel capacity. In 1940, destroyers and fighter planes were indeed held back from battle, as the Royal Navy and Air Force would have been the sole defenders against invasion. Also praised were accurate depictions of how a small boat attempted to evade aerial attack, and how soldiers returning to England saw a civilian population largely unaware of or unaffected by the war. British officers did initially refuse to evacuate French soldiers, although Churchill later insisted that the French be evacuated alongside the British. The overall realism of the film was acknowledged by surviving Dunkirk veterans, although Branagh said that some thought it “was louder than the battle” (read more: Historical accuracy)