346 – Dunkirk (2017)

spacetime coordinates: 1940 France

Dunkirk is a 2017 war film written, directed, and co-produced by Christopher Nolan that depicts the Dunkirk evacuation of World War II.  The film is a British, American, French, and Dutch co-production, and was distributed by Warner Bros..

Dunkirk portrays the evacuation from three perspectives: land, sea, and air. It has little dialogue: Nolan sought to create suspense instead from cinematography and music.

Dunkirk has extensive practical effects, and employed thousands of extras as well as boats that participated in the evacuation, and period aeroplanes.

The film received praise for its generally realistic representation of the historical evacuation. It accurately depicts a few Royal Air Force planes dogfighting the Luftwaffe over the sea, limited to one hour of operation by their fuel capacity. In 1940, destroyers and fighter planes were indeed held back from battle, as the Royal Navy and Air Force would have been the sole defenders against invasion. Also praised were accurate depictions of how a small boat attempted to evade aerial attack, and how soldiers returning to England saw a civilian population largely unaware of or unaffected by the war. British officers did initially refuse to evacuate French soldiers, although Churchill later insisted that the French be evacuated alongside the British. The overall realism of the film was acknowledged by surviving Dunkirk veterans, although Branagh said that some thought it “was louder than the battle” (read more: Historical accuracy)

*by_jwolforange13

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http://www.imdb.com/title/tt5013056/

0336 – Trancers (1984)

spacetime coordinates: 2247 Angel City >> 1985  Los Angeles

Trancers (also released as Future Cop) is a 1984 American science fiction film directed by Charles Band and starring Tim Thomerson, Helen Hunt, and Art LaFleur.  It is the first film in the Trancers series.

The film revolves around Jack Deth (Thomerson), a Philip Marlowe-esque police detective from the 23rd century who travels to the 1980s in order to bring his old nemesis to justice. The film portrays a unique method of time travel: People can travel back in time by injecting themselves with a drug that allows them to take over the body of an ancestor.

Trancers – Main Theme

http://www.imdb.com/title/tt0090192/

Trancers: City of Lost Angels (2013)

0276 – Pain & Gain (2013)

spacetime coordinates: 1994 – 1995  Miami, Florida

Pain & Gain is a 2013 American dark comedy crime film directed by Michael Bay and starring Mark Wahlberg, Dwayne Johnson, and Anthony Mackie. The film reunites wrestlers Dwayne Johnson and Kurt Angle. The film is loosely based on a story Pete Collins published in a 1999 series of Miami New Times articles and compiled in the book Pain & Gain: This Is a True Story (2013), which details the kidnapping, extortion, torture, and murder of several victims by an organized group of criminals comprising bodybuilders affiliated with the Sun Gym. The film’s title is a play on the common adage, frequently used in fitness: “No pain, no gain“.

Comparisons between the film and actual events

http://www.imdb.com/title/tt1980209/

https://film.avclub.com/with-pain-gain-michael-bay-tackled-the-big-dumb-ame-1798246007

0255 – Lost (TV Series 2004–2010)

Lost is an American drama television series that originally aired on the American Broadcasting Company (ABC) from September 22, 2004, to May 23, 2010, over six seasons, comprising a total of 121 episodes. The show contains elements of supernatural and science fiction, and follows the survivors of a commercial jet airliner crash, flying between Sydney and Los Angeles, California, on a mysterious tropical island somewhere in the South Pacific Ocean. The story is told in a heavily serialized manner. Episodes typically feature a primary storyline set on the island, augmented by flashback or flashforward sequences which provide additional insight into the involved character(s).

The television show Lost includes a number of mysterious elements that have been ascribed to science fiction or supernatural phenomena, usually concerning coincidences, synchronicity, déjà vu, temporal and spatial anomalies, paradoxes, and other puzzling phenomena. The creators of the series refer to these as part of the mythology of the series. (read more: https://en.wikipedia.org/wiki/Mythology_of_Lost)

http://www.imdb.com/title/tt0411008/

https://en.wikipedia.org/wiki/Lost_(TV_series)

237 – My Beautiful Girl, Mari (2002)

My Beautiful Girl, Mari (Hangul: 마리이야기; RR: Mariiyagi; lit. “The Story of Mari”) is a 2002 South Korean animated film. It follows the story of a young boy during summer vacation and ascends into flights of surrealistic fantasy, which may or may not be dream sequences.

http://www.imdb.com/title/tt0302758/

228 – No. 5

https://en.wikipedia.org/wiki/Pirates_of_the_Caribbean_(film_series)

204 – Cloud Atlas (2012)

spacetime coordinates: Pacific Islands, 1849 // Cambridge/Edinburgh, 1936 // San Francisco, 1973 // London, 2012 // Neo Seoul, 2144 // Big Isle (Hawaii), 106 winters after the Fall (2321)

Cloud Atlas is a 2012 German-American science fiction film written and directed by The Wachowskis and Tom Tykwer. Adapted from the 2004 novel of the same name by David Mitchell, the film has multiple plots set across six different eras, which Mitchell described as “a sort of pointillist mosaic.”  The official synopsis describes it as “an exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.”  Tom Hanks, Halle Berry, and Jim Broadbent lead an ensemble cast.

Lana Wachowski stated “people will try to will Cloud Atlas to be rejected. They will call it messy, or complicated, or undecided whether it’s trying to say something New Agey-profound or not. And we’re wrestling with the same things that Dickens and Hugo and David Mitchell and Herman Melville were wrestling with. We’re wrestling with those same ideas, and we’re just trying to do it in a more exciting context than conventionally you are allowed to. … We don’t want to say, ‘We are making this to mean this.’ What we find is that the most interesting art is open to a spectrum of interpretation.”

imdb // wikipedia