timespace coordinates: 2092 > 1983, 1989, 2008, England / Canada
Mr. Nobody is a 2009 science fiction drama film written and directed by Jaco Van Dormael and starring Jared Leto, Sarah Polley, Diane Kruger, Linh Dan Pham, Rhys Ifans, Natasha Little, Toby Regbo and Juno Temple. The film tells the life story of Nemo Nobody, a 118-year-old man who is the last mortal on Earth after the human race has achieved quasi-immortality. Nemo, memory fading, refers to his three main loves and to his parents’ divorce and subsequent hardships endured at three critical junctions in his life: at age nine, fifteen, and thirty-four. Alternate life paths branching out from each of those critical junctions are examined. The speculative narrative often changes course with the flick of a different possible decision at each of those ages. The film uses nonlinear narrative and the multiverse hypothesis style.
The film was mostly funded through European financiers and was released in Belgium on 13 January 2010. Since its original release, Mr. Nobody has become a cult film, noted for its philosophy and cinematography, personal characters and Pierre Van Dormael‘s soundtrack. (wiki)
themes / chaos theory, string theory, butterfly effect / Eternalism (philosophy of time) / Big Crunch
Koyaanisqatsi (English: ), also known as Koyaanisqatsi: Life Out of Balance, is a 1982 American documentary / experimental film directed by Godfrey Reggio with music composed by Philip Glass and cinematography by Ron Fricke.
The film consists primarily of slow motion and time-lapse footage of cities and many natural landscapes across the United States. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and music. Reggio explained the lack of dialogue by stating “it’s not for lack of love of the language that these films have no words. It’s because, from my point of view, our language is in a state of vast humiliation. It no longer describes the world in which we live.” In the Hopi language, the word Koyaanisqatsi means “unbalanced life”/ “crazy life”.
The film is the first in the Qatsi film trilogy: it is succeeded by Powaqqatsi (1988) and Naqoyqatsi (2002). The trilogy depicts different aspects of the relationship between humans, nature and technology. Koyaanisqatsi is the best known of the trilogy and is considered a cult film. (wiki)
timespace coordinates: 1891 – 1893 France – Tahiti / French Polynesia Gauguin – Voyage de Tahiti is a 2017 biopic / period drama directed by Edouard Deluc The film stars Vincent Cassel and Tuheï Adams,
In 1891 Gauguin settles down in Tahiti, where he hopes to find inspiration for his work as an artist and live as a free man in the wild, far from all the moral, political and aesthetic codes of civilized Europe. In the jungle, he faces loneliness, poverty and disease, and he meets Tehura. She eventually becomes his wife and the main subject of his greatest paintings.
Fantastic Planet (French: La Planète sauvage, Czech: Divoká planeta, lit. The Wild Planet) is a 1973 animated science fiction film directed by René Laloux and written by Laloux and Roland Topor. Topor also completed the film’s production design and it was animated at Jiří Trnka Studio in Prague. The entire animation team was composed of women.
The film was an international co-production between companies from France and Czechoslovakia (The animation was started in Prague but had to be moved to Paris to avoid interference by the Communist authorities who were in power at the time).The allegorical story, about humans living on a strange planet dominated by giant humanoid aliens (blue Draags) who consider them animals, is based on the 1957 novel Oms en série by French writer Stefan Wul. (wiki) imdb Interpretations
“Don’t stay here. This boat is full of corpses.” // “It doesn’t matter. The whole world is full of corpses.”
Sweet Movie is a 1974 avant-garde comedy-drama film written and directed by Yugoslavian director Dušan Makavejev. An international co-production of companies from France, Canada, and West Germany, the film follows two women: a Canadian beauty queen, who represents a modern commodity culture, and a captain aboard a ship laden with candy and sugar, who is a failed communist revolutionary.
The film created a storm of controversy upon its release, with scenes of coprophilia, emetophilia, (a performance by Otto Muehl and his commune of Vienna Actionists) implied child molestation, and footage of remains of the Polish Katyn Massacre victims. The film was banned in many countries, including the United Kingdom – it is still banned in many countries to this day. Because of her role in the film, Anna Prucnal was exiled from her native Poland for 7 years.
Mühl later renounced the film in an interview as being “downright kitsch” :p
spacetime coordinates: 1951 – ’53 New York City – Interzone, a city somewhere in North AfricaNaked Lunch is a 1991 science fiction drama film co-written and directed by David Cronenberg and starring Peter Weller, Judy Davis, Ian Holm, and Roy Scheider. It is an adaptation of William S. Burroughs‘ 1959 novel of the same name, and an international co-production of Canada, Britain and Japan.The screenplay for Naked Lunch is based not only on Burroughs’ novel, but also on other fiction by him, and autobiographical accounts of his life. It can be seen as a metatextual adaptation, in that it depicts the writing of the novel itself. Several characters are loosely based on people that Burroughs knew: Hank and Martin are based on Jack Kerouac and Allen Ginsberg (who assisted Burroughs in compiling the original novel), and Tom and Joan Frost on Paul and Jane Bowles whom Burroughs befriended in Tangier, Morocco.
The shooting of Joan Lee is based on the 1951 death of Joan Vollmer, Burroughs’ common-law wife. Burroughs shot and killed Vollmer in a drunken game of “William Tell” at a party in Mexico City. He would later flee to the United States. Burroughs was convicted in absentia of homicide and sentenced to two years, which were suspended. Burroughs stated in the introduction to his book Queer that Joan’s death was the starting point of his literary career, saying: “I am forced to the appalling conclusion that I would have never become a writer but for Joan’s death”. (wiki)