The Role (Russian: РольRol) is a 2013 Russian drama film directed by Konstantin Lopushansky and starring Maksim Sukhanov. It tells the story of an actor who, influenced by the ideas of symbolism and the Silver Age, takes on the greatest role of his life – the role of another man (his doppelgänger), a revolutionary leader in the newly established Soviet Russia.
Based on true incidents in the lives of Russia’s symbolists
Journalists and reviewers have called Drive a “classic Los Angeles heist-gone-wrong story”, a “tribute to the genre of car films” in the vein of movies like Bullitt (1968). As a character study, Drive examines themes of “loyalty, loneliness and the dark impulses that rise up even when we try our hardest to suppress them.” It combines comic gore, film noir and B-movie style and Hollywood spectacle, resulting in “a bizarre concoction…reminiscent of David Lynch‘s Mulholland Drive…Quentin Tarantino‘s Pulp Fiction, and [with] angst-laden love scenes that would not be out of place in a Scandinavian drama”. – read more about Style and inspiration –
the film contains abundant, evocative, intense images of Los Angeles. from the little seen back streets of downtown LA to the dry arid outposts on the peaks of the desert landscape surrounding it, LA is re-imagined all the way down to the rocky cliffs by the sea.
While Drive is set in the present day, it carries a heavy 1980s atmosphere that is cautiously set from beginning to end and is underlined not only by the vehicles or music and clothes, but also by its architecture. The parts of the city seen in the Valley and by downtown Los Angeles are cheap stucco and mirrored glass. Refn avoided certain areas to preserve the gloomy atmosphere often leaving out more contemporary buildings. Drab background settings include the Southern California commercial strip. As the Los Angeles Times pointed out, whenever gleaming buildings are shown, it is because they are being seen from a distance. Refn shot those scenes from a helicopter at night in Bunker Hill, Los Angeles.
spacetime coordinates: 1963 New York (Coney Island, Brooklyn, Walden’s Pond)
Anger 97.f004 (a,b)_001 Ruben / Bentson Film and Video Study Collection: Film in the Cities FV2012_stills_0622_014 Film Title: Scorpio Rising Filmmaker: Kenneth Anger Production date: 1963 Still made from a 16mm print
Scorpio Rising is a 1963 American experimental short film by Kenneth Anger, starring Bruce Byron as Scorpio. Themes central to the film include the occult, biker subculture and homosexuality. the film also explores the worship of rebel icons of the era, such as James Dean and Marlon Brando. Like many of Anger’s films, the film does not contain any dialogue; it instead features a prominent soundtrack consisting of 1960’s pop music. (Scorpio Rising is considered by some to be the first drama film to feature a rock & roll soundtrack.)
An obscure janitor during his life, Darger is known for the posthumous discovery of his elaborate 15,145-page fantasy manuscript entitled The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glandeco-Angelinnian War Storm, Caused by the Child Slave Rebellion, along with several hundred watercolor paintings and other drawings illustrating the story.
The film’s style is atypical of a documentary. Because there are only three known photographs of Darger, and because of his reclusive lifestyle, the film is mostly a narrated biographical account, accompanied by animated versions of events from his magnum opus, which is also surveyed in detail. Interviews with his few neighbors and other acquaintances are included.
In the last entry in his diary, he wrote: “January 1, 1971. I had a very poor nothing like Christmas. Never had a good Christmas all my life, nor a good new year, and now… I am very bitter but fortunately not revengeful, though I feel should be how I am…”
The Poll Diaries (German: Poll) is a 2010 German drama film directed by Chris Kraus loose adaptation of the diaries written by poetess Oda Schaefer combining a coming-of-age story about a precocious 14 year-old girl with the apocalyptic end of an era.
In the summer of 1914, fourteen-year-old Oda von Siering (Paula Beer) leaves Berlin to join her family and an assortment of German and Russian aristocrats on an estate in Estonia. The von Siering family home is a character in its own right, a hulking, neoclassical manor that hovers on stilts above the sea.