movies

294 – Maximum Overdrive (1986)

spacetime coordinates: June 1987. at the Dixie Boy Truck Stop just outside Wilmington, North Carolina. as the Earth crosses the tail of a comet, previously inanimate machines suddenly spring to life.

Maximum Overdrive is a 1986 American comedy horror film written and directed by Stephen King. The film stars Emilio EstevezPat HingleLaura Harrington, and Yeardley Smith. The screenplay was inspired by and loosely based on King’s short story “Trucks“, which was included in the author’s first collection of short stories, Night Shift.

Maximum Overdrive is King’s only directorial effort, though dozens of films have been based on his novels or short stories. The film contained black humor elements and a generally campy tone, which contrasts with King’s sombre subject matter in books. The film has a mid-1980s hard rock soundtrack composed entirely by the group AC/DC, King’s favorite band. AC/DC’s album Who Made Who was released as the Maximum Overdrive soundtrack. (wiki)

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1922 (2017)

spacetime coordinates:  1922  Hemingford Home, Nebraska

1922 is a 2017 American horror-drama film written and directed by Zak Hilditch and based on Stephen King‘s novella of the same name.

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Cell (2016)

spacetime coordinates: 2010s New England 

Cell is a 2016 American science fiction horror film based on the 2006 novel of the same name by Stephen King. The film is directed by Tod Williams, produced by John Cusack, with a screenplay by King and Adam Alleca. The film stars Cusack, Samuel L. Jackson, and Isabelle Fuhrman.

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*ALL SK’s BOOKS TIE TOGETHER AND JOIN ANOTHER UNIVERSE, RUN BY AN ARCH ENEMY, NAMED Randall Flagg. Or other names

movies

0289 – The Day After Tomorrow (2004)

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The Day After Tomorrow is a 2004 American science-fiction disaster film co-written, directed, and produced by Roland Emmerich and starring Dennis QuaidJake GyllenhaalIan HolmEmmy Rossum, and Sela Ward. The film depicts catastrophic climatic effects following the disruption of the North Atlantic Ocean circulation in a series of extreme weather events that usher in global cooling and lead to a new ice age.

#Political_and_scientific_criticism

http://www.imdb.com/title/tt0319262/

movies, quotes

0280 – A Sound of Thunder (2005)

spacetime coordinates:  Chicago, 2055 > the cretaceous

A Sound of Thunder is a 2005 science fiction thriller film directed by Peter Hyams, and starring Edward BurnsCatherine McCormack and Ben Kingsley. It is a co-production film between the United Kingdom, the United States, Germany, and the Czech Republic.

http://www.imdb.com/title/tt0318081/

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a classic example of “failed return” or “no return” cautionary tales is A Sound of Thunder by Ray Bradbury published in 1952. on a personal level i love both the EC comic book adaptation with artwork by Al Williamson and the 2005 movie adaptation by Peter Hyams that was a box office flop and has receive mostly negative reviews by critics. the original story features one of the first instances of the butterfly effect, in particular as applied to time travel paradoxes and uncontrollable evolutionary/ political outcomes. this was way before it became a meteorologic mainstay of chaos theory after its use by Edward Lorenz to describe stormy ripple-like effects on nonlinear systems, seemingly very sensitive to minute initial conditions.

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the movie A Sound of Thunder features a time travel tourist agency from the year 2055. Time Safari Inc. is a chronocapitalist enterprise that organizes prehistoric retro-hunting expeditions to far-off epochs where dinosaurs roamed the earth. in order to do that, mankind is cheating on the big dinosaur mass extinction. long after humankind has killed most of the big game life on earth it tracks down other, more elusive and ferocious megafauna. the whole ‘hunting’ for the ultimate predator T-Rex (or an Allosaurus in the movie) turns out to be a very complex business. the paleo-poaching is based on hiding your acts under the cover of natural occurrences, trophy hunting pretending to be a mass extimction event. in order to fake the killing shot one must plan ahead every retro-killing move. practically Time Safari Inc. is cheating evolutionary history by trying to synchronize with ‘naturally’ occurring death events and extract entertainment value out of impossible inter-species encounters, normally separated by enormous gulfs of time. (…)

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geohistory becomes a perfect crime scene – where the time traveling expedition has to erase all traces – all influence that might otherwise impact the future with definite catastrophic (especially anthropic future) results. as often, humans are kind of role-playing hide and seek with natural selection. in this bizarre and strange inversion of the anthropocenic stratigraphic proof – masquerades as natural force, where a devious human causality is trying to hide behind a pre-human mass extinction event. it is almost the same principle guiding the climate denialist that pretends to hide behind previous catastrophic climate fluctuations.

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as one might expect, it’s a chronoclysm waiting to happen. all the clients of  Time Safari Inc. are prone to making mistakes, and not only do they leave marks (the absolute no 1 rule of time travel is non-intervention) but they also bring back something (the 2nd most important rule) basically invariably smuggling the prehuman past into the future. somehow a prehistoric dead butterfly makes it through the biofilter (a great example of what I would call New Wallace Lines) that is scanning every living reentry into the present, every possibility of warping the timelines. the alteration of the past produces a chronoclysm that manifests itself as a rhythmic, rapidly accelerating ‘time waves’ that transform the city and its denizens. more to the point in the Peter Hyams movie, the first divergence is a sudden appearance of teeming swarms of beetles and a gigantic strangler fig-like tree bursting through a Chicago high rise building, while the main characters Ryan and Rand make a narrow escape. it is by no means accidental that swarms and insect swarms in particular are associated with time waves. multiply proliferating and and highly distributed, swarms are chronoclysmic purveyors that help carry and suffer the radical effects of timeline distortion.

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there are reports of global increases in temperature and humidity and plant life seems to prosper, while this time warped climate change suddenly seems to be echoing sweltering hot pre-human conditions of long gone geological epochs and dead jungles. (…)

stefan tiron – Cosm/c Dr/ft & T3mporal D/vergence (2016)- EXIT THE PORTAL: The Strange Comeback to a Weird Earth

series

0255 – Lost (TV Series 2004–2010)

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Lost is an American drama television series that originally aired on the American Broadcasting Company (ABC) from September 22, 2004, to May 23, 2010, over six seasons, comprising a total of 121 episodes. The show contains elements of supernatural and science fiction, and follows the survivors of a commercial jet airliner crash, flying between Sydney and Los Angeles, California, on a mysterious tropical island somewhere in the South Pacific Ocean. The story is told in a heavily serialized manner. Episodes typically feature a primary storyline set on the island, augmented by flashback or flashforward sequences which provide additional insight into the involved character(s).

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The television show Lost includes a number of mysterious elements that have been ascribed to science fiction or supernatural phenomena, usually concerning coincidencessynchronicitydéjà vu, temporal and spatial anomaliesparadoxes, and other puzzling phenomena. The creators of the series refer to these as part of the mythology of the series. (read more: https://en.wikipedia.org/wiki/Mythology_of_Lost)

lost 5Lost, Evangeline Lilly Freckles Kate Austen, Matthew Fox Jack Shepard, Jorge Garcia Hurley Hugo Reyes, Elizabeth Mitchell Juliet Burke, Yunjin Kim Sun Kwon, Terry O Quinn John Locke, Josh Holloway Sawyer James Ford, Naveen Andrews Sayid Jarrah, Emilie de

http://www.imdb.com/title/tt0411008/

https://en.wikipedia.org/wiki/Lost_(TV_series)

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movies, series

254 – Planet of the Apes (Reboot film series 2011-2017)

01 Caesar

Written by Rick Jaffa and Amanda Silver, it is 20th Century Fox’s reboot of the Planet of the Apes series, intended to act as an origin story for a new series of films. Its premise is similar to the fourth film in the original series, Conquest of the Planet of the Apes (1972), but it is not a direct remake of that film.

1 war_for_the_planet_of_the_apes

https://en.wikipedia.org/wiki/Planet_of_the_Apes#Reboot_film_series

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movies, series

0230 – Three Flavours Cornetto trilogy

Shaun of the Dead 

is a 2004 British horror comedy film directed by Edgar Wright, written by Wright and Simon Pegg, and starring Pegg and Nick Frost. Pegg plays Shaun, a man attempting to get some kind of focus in his life as he deals with his girlfriend, his mother and stepfather.  At the same time, he has to cope with an apocalyptic zombie uprising.

Shaun of the Dead Poster Shaun - Simon PeggShaun of the Dead Poster Ed - Nick Frost

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The film is the first in Wright and Pegg’s Three Flavours Cornetto trilogy,

followed by 2007‘s Hot Fuzz and

Hot Fuzz is a 2007 buddy cop action comedy film directed by Edgar Wright, written by Wright and Simon Pegg, and starring Pegg and Nick Frost. Pegg and Frost play police officers attempting to solve a series of mysterious deaths in Sandford, a village in the West Country.

Over a hundred action films were used as inspiration for developing the script. Filming took place over eleven weeks in early 2006, and featured an extensive cast along with various uncredited cameos. Visual effects were developed by ten artists to expand on or add explosions, gore, and gunfire scenes.

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2013‘s The World’s End.

The World’s End is a 2013 comic science fiction film directed by Edgar Wright, written by Wright and Simon Pegg, and starring Pegg, Nick FrostPaddy ConsidineMartin FreemanEddie Marsan and Rosamund Pike. The film follows a group of friends who discover an alien invasion during an epic pub crawl in their home town.

Wright has described the film as “social science fiction” in the tradition of John Wyndham and Samuel Youd (John Christopher).

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