movies

1077 – Gräns / Border (2018)

timespace coordinates: 2010’s Sweden

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Border (Swedish: Gräns) is a 2018 Swedish fantasy film directed by Ali Abbasi with a screenplay by Abbasi, Isabella Eklöf and John Ajvide Lindqvist based on the short story of the same name by Ajvide Lindqvist from his anthology Let the Old Dreams Die.

imdb   /   rottentomatoes   /   OST   /   Troll


http://liminal.earth/ (Liminal Cartography)

movies, series

1071 – Unbreakable (2000 – 2019 film series)

DvhNGtvUwAEPh7LThe Unbreakable trilogy, also known as the Eastrail 177 Trilogy, is an American superhero thriller and psychological horror film series. The films were written, produced, and directed by M. Night Shyamalan. The trilogy consists of Unbreakable (2000), Split (2016), and Glass (2019).

All of the films feature the character David Dunn. The series has been noted for its differences to more traditional superhero movies, with Shyamalan’s work referred to as “the first auteur shared superhero universe”. It is the first superhero franchise that is written and directed by one person, in comparison to other popular films in the genre.  Shyamalan has noted that while it is based on comic book superheroes, and refers to comic books, it is not actually derived from comic book material itself. In contrast to most superhero films, the series is also generally grounded in reality, and is seen as a deconstruction of the superhero genre. The series is thus considered to be a unique take on the superhero genre. 

The filmmaker has stated that the films are origin stories, of people with unique gifts, with the intent being to acknowledge that every person has something special about them. Unbreakable has been labeled the first grounded superhero film, while Split has been called the first solo supervillain origin story, and Hollywood’s first stealth sequel. Although the series is slated as a trilogy, Shyamalan mentioned that he would be open to a continuation if the inspiration came to him. (wiki)

split-2017-poster

imdb:  UnbreakableSplitGlass

animation, music, series

1064 – Ну, погоди! / Nu, pogodi! (TV Series 1969–)

Well, Just You Wait! (Russian: Ну, погоди!tr. Nu, pogodi!IPA: [ˈnu pəɡɐˈdʲi]) is a Soviet, later Russian, animated series produced by Soyuzmultfilm. The series debuted in 1969 and became popular in the Soviet Union and Eastern Bloc countries. The latest episode was produced in 2012. (wiki) – imdb


Alla Pugacheva – Arlekino

Ala Pugachiova Milion Alych Roz 1983


animation, Uncategorized

1059 – Mutafukaz (2017)

timespace coordinates: 2010’s Dark Meat City / New California

MFKZ poster

Mutafukaz (Japanese: ムタフカズ -MUTAFUKAZ- Hepburn: Mutafukazu, released as MFKZ in some markets)  is a 2017 adult animated science fiction film based on the comic series of the same name.

The film is a French-Japanese co-production between Ankama Animations and Studio 4°C  and is directed by Shōjirō Nishimi and Guillaume “Run” Renard.

The comic was published in English as Mutafukaz by Titan Comics with only one volume released on October 27, 2015.  Mutafukaz was released in France on May 23, 2018 and in Japan on October 12, 2018. (wiki)

Angelino is just one of thousands of deadbeats living in Dark Meat City. But an otherwise unremarkable scooter accident caused by a beautiful, mysterious stranger is about to transform his life… into a waking nightmare! He starts seeing monstrous forms prowling around all over the city… Is Angelino losing his mind, or could an alien invasion really be happening this quietly…? (imdb)

MFKZ poster 3

THE ART OF MUTAFUKAZ – THE MOVIE

movies

1057 – The Gods Must Be Crazy (1980)

timespace coordinates: South Africa / Botswana 1980 –  the Kalahari Desert

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The Gods Must Be Crazy is a 1980 South African comedy film written and directed by Jamie Uys. Financed only from local sources, it is the most commercially successful release in the history of South Africa’s film industry. Originally released in 1980, the film is the first in The Gods Must Be Crazy series. It is followed by one official sequel, The Gods Must Be Crazy II, released by Columbia Pictures.

Set in Botswana, it follows the story of Xi, a San of the Kalahari Desert (played by Namibian San farmer Nǃxau ǂToma) whose tribe has no knowledge of the world beyond, Andrew Steyn (Marius Weyers), a biologist who analyzes manure samples for his PhD dissertation, and Kate Thompson (Sandra Prinsloo), a newly hired village school teacher.

The final scene was filmed at God’s Window, a site located at the edge of the escarpment between the Highveld and Lowveld, in the province of Mpumalanga, South Africa.

imdb   /   rt

animation, series, Uncategorized

1056 – Les mondes engloutis (TV Series 1985–1987)

Spartakus and the Sun Beneath the Sea (French: Les Mondes Engloutis, “The Engulfed Worlds”) is a French animated series created by Nina Wolmark. The series consists of 52 episodes, each between 20 and 25 minutes in length, divided into two 26-episode seasons.

The lost city of Arkadia (named for Arcadia) resembles a small Alderson Disk, and is home to an ancient civilization which escaped a Great Cataclysm in the ancient past by relocating deep within the Earth’s crust. Unaware that life continued on the Earth’s surface, and hoping to keep their people safe, the elders sealed all records of their past in the city’s Archives.

Arkadia survives by the light of an artificial sun, the Tehra (Shagma), which is dying. A group of young Arkadian kids and teens defy the law and enter the Archives. With information about the world above, they create a messenger, Arkana, and send her above to find help.

Arkana encounters two children from the surface, Matt and his sister Rebecca, and brings them back through the underground strata (which seem more like separate worlds or dimensions, with one strata even being the distant future) to save Arkadia. They travel in a living turtle type spaceship called Tehrig, along with Spartakus (a mysterious wanderer) and Bic and Bac (a pair of pangolin-like creatures), Arkadia’s mascots. (wiki)

imdb

quotes, Uncategorized

1055

“As in the 16th century Tupinambá bellico­sociological cannibalism as well as in  the Araweté funerary cannibalism, the crucial question is “What is it that is eaten?”. Because it is neither the objectified body nor the subject of the enemy that is being eaten, but the enemy’s  point of view.”

The Second Body and the Multiple Outside (PDF)