time machine // database // travel guide
Night on Earth is a 1991 film written and directed by Jim Jarmusch. It is a collection of five vignettes, taking place during the same night, concerning the temporary bond formed between taxi driver and passenger in five cities. Jarmusch wrote the screenplay in about eight days, and the choice of certain cities was largely based on the actors with whom he wanted to work. The soundtrack of the same name is by Tom Waits.
saturday, august 28th 1931 paris, 11 p.m.
sunday, august 28th 1932 new york, 9 p.m.
monday, august 28th 1939 new york, 10 p.m.
wednesday, august 28th 1940 new york, 10 p.m.
friday, august 28th 1942 new haven, 8 p.m.
thursday, august 28th 1952 new york, 6 a.m.
tuesday, august 28th 1956 new york, 9 a.m.
wednesday, august 28th 1957 pacific palisades, 6 p.m.
friday, august 28th 1959 cape cod, 11 a.m.
monday, august 28th 1961 cape cod, 7 a.m.
wednesday, august 28th 1963 albany, 7 p.m.
thursday, august 28th 1963 albany, 9 a.m.
Faithfully reproducing 13 of Edward Hopper‘s tableaux three-dimensionally on set, the basis of the film is the story of an independent and opinionated New York actress (Stephanie Cumming) whose life we follow through three turbulent decades of American history, from 1931’s Great Depression to the Riots of 1963.
“Unconsciously, probably, I was painting the loneliness of a large city,” Edward Hopper once remarked of his masterpiece Nighthawks, the famous scene depicting a downtown diner late at night. In fact, many pieces in Hopper’s oeuvre, a sun-drenched yet grimly nostalgic memento of midcentury modern America, depict solitary figures engaged in an act of reflection. Whether we see them deep in thought in the morning sun or swallowing whisky at a bar after dark, Hopper’s paintings conjure a sense of curiosity for his subjects’ past – and indeed, Vienna-born director Gustav Deutsch was so inspired by this aura of mystery that he decided to create Shirley: Visions of Reality, an exquisite example of interdisciplinary cinema based on the imagery in Hopper’s paintings.
read more: www.anothermag.com
Carol is a 2015 British-American dreamy romantic drama film directed by Todd Haynes. The screenplay, written by Phyllis Nagy, is based on the 1952 semi-autobiographical romance novel The Price of Salt (also known as Carol) by Patricia Highsmith. The film stars Cate Blanchett, Rooney Mara, Sarah Paulson, Jake Lacy and Kyle Chandler. Set in New York City during the early 1950s, Carol tells the story of a forbidden affair between an aspiring female photographer and an older woman going through a difficult divorce.
Carol was shot on Super 16 millimeter film to resemble the look and feel of photographic film from the late 1940s/early 1950s. The cinematography was influenced by the photojournalism of Vivian Maier, Ruth Orkin, Helen Levitt, and Esther Bubley. Photography by Saul Leiter (known for shooting through windows and using reflection) was a key influence.
Prior to production, director Todd Haynes compiled a playlist of 79 songs and instrumental music that were popular during the period Carol is set in (including songs referenced in the novel “The Price of Salt”) to assist in further understanding the era and mood of the times.
Director Todd Haynes creates image books as a guide to the visual feel of his films, going back to his drama Safe (1995). The compendiums are culled from photographs, film stills, paintings, periodicals and other sources to generate ideas for the film’s style. They are meant initially for the cinematographer. (The books are not to be confused with storyboards, the shot-by-shot breakdowns he has made since his first feature, Poison(1991).) His image books are “a way of communicating beyond words that gets to the crux of what the mood, temperature and stylistic references would be.” For Carol “it becomes great reference for clothes, hair, makeup, the way women carry themselves in the period and the specificity of how they’re being created from the outside in.” The image book includes, for example, references to other films such as: Brief Encounter(1945) and Vertigo (1958) for their sense of period, and The Sugarland Express (1974) for its innovative cinematography by Vilmos Zsigmond; Lovers and Lollipops (1956) for the locations and The Pumpkin Eater (1964) for the interiors; and urban photography by Ernst Haas, Helen Levitt and Vivian Maier. Haynes assembles his image books almost as a kind of visual mixtape, pulling photos and movie screen grabs of his inspirations and laying them out in pages of collages to create a kind of virtual movie. Haynes created more than 80 pages of photo collages for “Carol” that served as a road map through the production. It took him two months to compile. [from N.Y.Times 1/28/2016 “Todd Haynes Collects Images to Guide the Feel of His Films”]
The X-Men is an American superhero film series based on the superhero team of the same name, who originally appeared in a series of comic books created by Stan Lee and Jack Kirby and published by Marvel Comics.
timeline: http://xmenmovies.wikia.com/wiki/Timeline
spacetime coordinate: 1944, in a German concentration camp in occupied Poland , 1962 during the Cuban Missile Crisis
The story focuses on the relationship between Professor Charles Xavier and Erik Lensherr / Magneto, and the origin of their groups—the X-Men and the Brotherhood of Mutants, respectively, as they deal with the Hellfire Club led by Sebastian Shaw (Kevin Bacon), who is bent on world domination.
spacetime coordinate: 1845 > Vietnam War >70’s Canada (Wolverine’s lumberjack period) > Three Mile Island, 1979
The film is a prequel/spin-off focusing on the violent past of the mutant Wolverine and his relationship with his half-brother Victor Creed. The plot details Wolverine’s childhood as James Howlett (Troye Sivan), his early encounters with Major William Stryker, his time with Team X, a group of mutants including Agent Zero, Wade Wilson, John Wraith, Fred Dukes, and Chris Bradley. and the bonding of Wolverine’s skeleton with the indestructible metal adamantium during the Weapon X program.
Stryker activates Wade, now known as Weapon XI/Deadpool, a “mutant killer” with the powers of multiple mutants.
The film focuses on the mutants Wolverine and Rogue as they are brought into a conflict between two groups that have radically different approaches to bringing about the acceptance of mutant-kind
spacetime coordinate: usa, 2003
inspired by the graphic novel God Loves, Man Kills, pits the X-Men and their enemies, the Brotherhood, against the genocidal Colonel William Stryker . He leads an assault on Professor Xavier’s school to build his own version of Xavier’s mutant-tracking computer Cerebro, in order to destroy every mutant on Earth and to save the human race from them.
The film’s script is loosely based on two X-Men comic book story arcs: “The Dark Phoenix Saga” by writer Chris Claremont and artist John Byrne, and “Gifted” by writer Joss Whedon and artist John Cassaday, with a plot that revolves around a “mutant cure” that causes serious repercussions among mutants and humans, and on the resurrection of Jean Grey.
based on the 1982 limited series Wolverine by Chris Claremont and Frank Miller. In the film, which follows the events of X-Men: The Last Stand, Logan travels to Japan, where he engages an old acquaintance in a struggle that has lasting consequences. Stripped of his healing factor, Wolverine must battle deadly samurai while struggling with guilt.
antihero Deadpool hunts Ajax, the man who nearly destroyed his life while also trying to reunite with his lost love. featuring Angel Dust, Colossus and Negasonic Teenage Warhead
The story, inspired by the 1981 Uncanny X-Men storyline “Days of Future Past” by Chris Claremont and John Byrne, focuses on two time periods, with Wolverine traveling back in time to 1973 to change history and prevent an event that results in doom for both humans and mutants.
spacetime coordinate: ancient Egypt, 1983 Cairo, East Berlin, New York, Communist Poland
The ancient mutant En Sabah Nur awakens in 1983 and plans to wipe out modern civilization and take over the world, leading the X-Men to try to stop him and defeat his team of renegade mutants.
the twelfth installment of the X-Men film series, and the sequel to 2016’s X-Men: Apocalypse.
imdb / rottentomatoes / wiki
It is the tenth installment in the X-Men film series, as well as the third and final Wolverine solo film following X-Men Origins: Wolverine (2009) and The Wolverine (2013). The film, which takes inspiration from “Old Man Logan” by Mark Millar and Steve McNiven, based in an alternate bleak future, follows an aged Wolverine and an extremely ill Professor X defending a young mutant named Laura from the villainous Reavers and Alkali-Transigen led by Donald Pierce and Zander Rice, respectively.
The film takes visual, tonal and thematic inspiration from classic western and noir cinema, with director James Mangold having stated that Logan’s influences included “visual reference points” of cinema, citing Shane (1953), The Cowboys (1972), Paper Moon (1973), The Gauntlet (1977), Little Miss Sunshine (2006), and The Wrestler (2008).
Mangold spoke of cinematography-based framing, while noting that he does not necessarily think about the “comic-book” related sort, instead highlighting the variety of stylistic influences that went into Logan. These influences include film noir framings and classic Hollywood filmmaking styles, as well as the Germanic expressionist filmmaking style of the early part of the last century, which Mangold stated has a commonality with comic-book art. Mangold highlighted “Strong foregrounds, playing things in depth: you have to make an image say more within that one image.” Using the image of Logan at a funeral as an example of his stylistic logic, Mangold concluded by mentioning the aspects within modern filmmaking, primarily everything in close-up format. For Logan, his aim was to set frames that are descriptive, and evocative of comic-book panels and classical filmmaking
On April 29, 2017, James Mangold announced via Twitter that a black-and-white version of the film entitled Logan Noir would have a limited theatrical run in U.S. theaters, an event set to begin on May 16, 2017. Mangold stated that it was shot as a color film, with awareness that it would play well as a black and white film. The film was re-graded and timed shot by shot for the Noir edition. This version of the film is included on the Digital HD release and also included in the DVD and Blu-ray Combo Pack. (wiki)
A group of Boston-bred gangsters set up shop in balmy Florida during the Prohibition era, facing off against the Italian Mafia and the Ku Klux Klan.
Donnie Darko is a 2001 science fiction film written and directed by Richard Kelly. It stars Jake Gyllenhaal, Jena Malone, Drew Barrymore, Mary McDonnell, Katharine Ross, Patrick Swayze, Noah Wyle, and Maggie Gyllenhaal. The film follows the adventures of the troubled title character as he seeks the meaning behind his Doomsday-related visions.
– Ah, a wormhole with an Einstein-Rosen bridge, which is, theoretically,
a wormhole in space…
controlled by man.
So, according to Hawking, a wormhole may be able to provide a shortcut…
forjumping between two distant regions of space-time.
So in order to travel back in time, you have to have…
– A big spaceship or something that can travel faster than the speed of light?
– Theoretically.
– And be able to find one of these wormholes?
– The basic principles of time travel are there. You’ve got your vessel
and your portal, and your vessel could be just about anything,
most likely a spacecraft.
– Like a Delorean?
– Metal craft of any kind.
– You know, I love that movie, the way they shot it.
It’s so, um, like, futuristic, you know?
– Listen, um, don’t tell anybody that I gave you this.
about love fear and looking beyond the mirror
http://www.rudolfsteineraudio.com/cosmosophyvol11921/cosmosophyone1921.html
http://wn.rsarchive.org/Lectures/GA207/English/AP1985/Cosmo1_index.html
TimeSpace Warps 