movies

0980 – At Eternity’s Gate (2018)

timespace coordinates: 1888 – 1890 Arles – Saint-Rémy Auvers-sur-Oise

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At Eternity’s Gate is a 2018 biographical drama film about the final years of painter Vincent van Gogh‘s life. The film is directed by Julian Schnabel, from a screenplay by Schnabel, Louise Kugelberg and Jean-Claude Carrière. It stars Willem Dafoe as van Gogh, Rupert FriendOscar IsaacMads MikkelsenMathieu AmalricEmmanuelle Seigner and Niels Arestrup. (wiki)

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movies

0978 – Don’t Come Back from the Moon (2017)

timespace coordinates: – – Southern California’s Salton Sea community

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“An indie with one foot in the netting of social realism and another in the terrain of desolation fables, “Don’t Come Back From The Moon” offers up a tale of mass disappearance born of economic hardship: fathers in a depressed small town leaving their wives and children like something out of a Greek tragedy or a post-apocalyptic story. Or, as one could readily imagine, out of headlines from America’s rapidly dying, labor-driven towns.” (read review)

Don’t Come Back from the Moon is a 2017 American drama film featuring James Franco and Rashida Jones. It is based on Dean Bakopoulos‘ 2005 novel of the same name.

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movies

0977 – Mid90s (2018)

timespace coordinates: 1990s-era Los Angeles

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Mid90s (stylized as mid90s) is a 2018 American coming-of-age comedy-drama film written and directed by Jonah Hill, in his feature directorial debut. It stars Sunny SuljicLucas Hedges and Katherine Waterston, and follows a 13-year-old boy who begins spending time with a mostly older group of skateboarders while living in 1990s Los Angeles. Mid90s features an original score by Trent Reznor and Atticus Ross.

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movies

0976 – The Hole in the Ground (2019)

timespace coordinates: 2010’s Irish backwood rural town

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The Hole in the Ground is an 2019 horror thriller film directed by Lee Cronin, from a screenplay by Cronin and Stephen Shields. The film stars Seána KerslakeJames CosmoKati OutinenSimone Kirby, Steve Wall and James Quinn Markey. The story follows a young woman who begins to suspect that her son’s disturbing behaviour is linked to a mysterious sinkhole.

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movies

0975 – The Favourite (2018)

timespace coordinates: early 18th century England

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The Favourite is a 2018 black comedy period film directed by Yorgos Lanthimos and written by Deborah Davis and Tony McNamara. It is a co-production by producers in Ireland, the United Kingdom, and the United States. Set in the early 18th century, the story examines the relationship between two cousins vying to be court favourites of Queen Anne. It stars Olivia ColmanEmma StoneRachel WeiszNicholas HoultJoe AlwynJames Smith, and Mark Gatiss.

In his review of the film, Anthony Lane comments on its anachronisms: “For Lanthimos and his screenwriters, Deborah Davis and Tony McNamara, all historical reconstruction is a game, and to pretend otherwise—to nourish the illusion that we can know another epoch as intimately as we do our own—is merest folly.” (read more: Historical accuracy)

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movies

973 – Prospect (2018)

MV5BNzc5MjkzZWEtMjBmZS00NDJlLWI3N2UtNzgwYmI4ZGM5ODM5XkEyXkFqcGdeQXVyOTMwNjQ3Nzg@._V1_SY1000_SX675_AL_Prospect is a 2018 American science fiction film starring  Sophie Thatcher,  Jay Duplass, and Pedro Pascal. The film is written and directed by Christopher Caldwell and Zeek Earl. Based on the 15 minute short film of the same name.

Zeek Earl and Chris Caldwell: “PROSPECT originated from a desire to make the kind of sci-fi we wanted to see. We wanted to create a rich and detailed original universe and explore it from the perspective of relative nobodies on the fringe of civilization. It’s not a projection of earth’s near future or a new technological paradigm, nor does the fate of the universe hang in the balance. Rather, the focus is on the people no one cares about who struggle just to forge a palatable existence. People who push into the treacherous frontiers of space, driven by economic desperation to put their lives on the line for a shot at changing the status quo. This kind of expansive, fantastic world becomes the platform to tell a more intimate story, tethered to the experiences of one girl as we follow her strange, survival-induced coming of age. And we hope we’ve created a universe that feels deep and alive; a backdrop that feels incidental to the story, rather than purpose-built for it. Though the perspective is focused, we want the world to feel like it extends well beyond the edges of the film.” (PROSPECT Wiki)

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