Memory: The Origins of Alien is a 2019 documentary film that traces the origin of Ridley Scott’s Alien franchise. Directed and written by Alexandre O. Philippe, it focuses on the idea that film is “a collective art form – not just the wider circle of writers, performers and technicians beyond the director, but in the case of the truly great films, serendipitous access to a deeper collective unconscious …”, tracing the connections from H. P. Lovecraft to Francis Bacon to the Greek Furies. (wiki) / imdb / rt
Atari: Game Over is a 2014 documentary film directed by Zak Penn about the North American video game crash of 1983, using the Atari video game burial excavation as a starting point. Eurogamer called it “one of the best films about gaming this year and should be seen by anyone with an interest in the medium’s early wild west years.” (wiki)
timespace coordinates: 70’s Oregon – Morningside Cemetery
Phantasm is a 1979 American science fantasy horror film directed, written, photographed, and edited by Don Coscarelli. “a truly bizarre mix of outlandish horror, cheapo gore, and psychological mindgames that purposefully blur the line between waking and dreaming.” Marc Savlov
The first film in the Phantasm franchise, it introduces the Tall Man (Angus Scrimm), a supernatural and malevolent undertaker who turns the dead of Earth into dwarf zombies to be sent to his planet and used as slaves. He is opposed by a young boy, Mike (Michael Baldwin), who tries to convince his older brother Jody (Bill Thornbury) and family friend Reggie (Reggie Bannister) of the threat.
Phantasm was a locally financed independent film; the cast and crew were mostly amateurs and aspiring professionals. Though initial reviews were mixed in regards to the dream-like, surreal narrative and imagery, later reception was more positive and the film became a cult classic. (wiki)
Last year, the astrophysicist Adam Frank implored an audience at Google that we see climate change – and the newly baptised geological age of the Anthropocene – against this cosmological backdrop. The Anthropocene refers to the effects of humanity’s energy-intensive activities upon Earth. Could it be that we do not see evidence of space-faring galactic civilisations because, due to resource exhaustion and subsequent climate collapse, none of them ever get that far? If so, why should we be any different?
A few months after Frank’s talk, in October 2018, the Intergovernmental Panel on Climate Change’s update on global warming caused a stir. It predicted a sombre future if we do not decarbonise. And in May, amid Extinction Rebellion’s protests, a new climate report upped the ante, warning: “Human life on earth may be on the way to extinction.”
… apocalyptic prophecies are designed to reveal the ultimate moral meaning of things. It’s in the name: apocalypse means revelation. Extinction, by direct contrast, reveals precisely nothing and this is because it instead predicts the end of meaning and morality itself – if there are no humans, there is nothing humanly meaningful left.
Your dogs have been dognapped by a beaked lunatic named Glorkon who stuffed them into his eye holes and is using their life essence to destroy the universe. You’re partnered with Trover, a little purple eye-hole monster who isn’t a huge fan of working or being put in the position of having to save the universe. He’s also not that big a fan of you quite frankly, and neither am I. (Jk, you’re great)
- A comedy adventure filled with combat, platforming, puzzles, and morally questionable choices. See how the best intentions can go horribly awry.
- You control Trover’s movements, but not his mouth. He’s got a lot to say about what’s going on in the game.
- Travel the cosmos to experience a variety of weird alien planets and bizarre characters with big personalities.
- Upgrade Trover AND YOURSELF with new abilities to (hopefully) defeat Glorkon while evading awkward situations.
- You’ll be immersed in weirdness, no matter which display you use — play on TV, monitor or VR headset displays.
SYSTEM REQUIREMENTS (MINIMUM): Requires a 64-bit processor and operating system / OS: Windows 7/8.1/10 (64-bit versions) / Processor: Intel Core i5-2400/AMD FX-8320 or better / Memory: 8 GB RAM / Graphics: NVIDIA GTX 670 2GB/AMD Radeon HD 7870 2GB or better / Storage: 25 GB available space
Cosmos is the debut feature film for directing brothers Elliot & Zander Weaver, who were inspired to make a movie about space scientists after several years of producing broadcast documentaries on the Apollo Program. Cosmos had no funding or budget – all equipment was either owned prior to filming or borrowed, all locations were lent and all cast and crew worked on the project without a fee.
With the exception of scoring the film, directing brothers Elliot & Zander Weaver, took on all major production roles including: screenwriting, prop making, lighting and camerawork, sound recording, editing, sound designing and sound mixing, VFX, poster art and trailers creation. (imdb) – rt
timespace coordinates: 2040’s – Aurora Mars Mission 2. The Last Days on Mars is a 2013 science fiction-horror film directed by Ruairí Robinson with a screenplay by Clive Dawson, based on the short story “The Animators” by Sydney J. Bounds. Scored by Max Richter.
It stars Liev Schreiber, Elias Koteas, Romola Garai, Goran Kostić, Johnny Harris, Tom Cullen, Yusra Warsama, and Olivia Williams. It is an international co-production between Ireland and the UK. (wiki)