Your avatar is a brave warrior who has fallen in battle. But instead of finding well-deserved peace in Asgard, his soul is trapped in the harsh world of Niffelheim. Survive in this hostile world, ransack the neighboring lands, explore dangerous dungeons and find your way to Valhalla.
“The Great Climate Shift” struck at end of the 21st century. Ninety six percent of the earth’s surface is underwater. Human civilization has fallen. Machines have adopted the shape and form of marine animals.
The ocean is full of creature-machine hybrid monsters. You are a “Hunter” and the new journey begins…
Wolfenstein®: The New Order reignites the series that created the first-person shooter genre. Under development at MachineGames, a studio comprised of a seasoned group of developers recognized for their work creating story-driven games, Wolfenstein offers a deep game narrative packed with action, adventure and first-person combat.
Intense, cinematic and rendered in stunning detail with id® Software’s id Tech® 5 engine, Wolfenstein sends players across Europe on a personal mission to bring down the Nazi war machine. With the help of a small group of resistance fighters, infiltrate their most heavily guarded facilities, battle high-tech Nazi legions, and take control of super-weapons that have conquered the earth – and beyond.
SYSTEM REQUIREMENTS (MINIMUM): Requires a 64-bit processor and operating system / OS: 64-bit Windows 7/Windows 8 / Processor: Intel Core i7 or equivalent AMD / Memory: 4 GB RAM / Graphics: GeForce 460, ATI Radeon HD 6850 / Storage: 50 GB available space
Lord and Miller wanted the film to feel like “you walked inside a comic book”, and were excited to tell the story in a way that the live-action films could not. Persichetti concurred, feeling that animation was the best medium with which to honor the style of the comics, allowing the production team to adapt 70-year-old techniques seen in comic artwork into the film’s visual language. Completing the animation for the film required up to 140 animators, the largest crew ever used by Sony Pictures Animation for a film to date.
The CGI animation for the film was combined with “line work and painting and dots and all sorts of comic book techniques” to make it look like it was created by hand, which was described as “a living painting”. This was achieved by artists taking rendered frames from the CGI animators and working on top of them in 2D, with the goal of making every frame of the film “look like a comic panel”. Lord described this style of animation as “totally revolutionary”, and explained that the design combines the in-house style of Sony Pictures Animation with the “flavor” of comic artists such as Sara Pichelli (who co-created Miles Morales) and Robbi Rodriguez. To make it feel more like a comic book, it was animated without motion blur, and rather than using animation principles like squash and stretch they came up with substitute versions of them; “so that in texture and feel it felt different, but it still achieved the same goal — to either feel weight or anticipation or impact or things like that”.
The film’s directors all felt that the film would be one of the few that audiences actually “need” to watch in 3D due to the immersive nature of the animated world created, and the way that the hand-drawn animation elements created specifically for the film create a unique experience; Persichetti described this experience as a combination of the effects of an old-fashioned hand-drawn multiplane camera and a modern virtual reality environment. (read more)
“and you,” she went on, addressing me, “have received more than others, see that you also give more!”
The Chymical Wedding of Christian Rosenkreutz (German: Chymische Hochzeit Christiani Rosencreutz anno 1459) is a German book edited in 1616 in Strasbourg. Its anonymous authorship is attributed to Johann Valentin Andreae. The Chymical Wedding is often described as the third of the original manifestos of the mysterious “Fraternity of the Rose Cross” (Rosicrucians), although it is markedly different from the Fama Fraternitatis and Confessio Fraternitatis in style and in subject matter.
It is an allegoric romance (story) divided into Seven Days, or Seven Journeys, like Genesis, and recounts how Christian Rosenkreuz was invited to go to a wonderful castle full of miracles, in order to assist the Chymical Wedding of the king and the queen, that is, the husband and the bride.
This manifesto has been a source of inspiration for poets, alchemists (the word “chymical” is an old form of “chemical” and refers to alchemy—for which the ‘Sacred Marriage’ was the goal) and dreamers, through the force of its initiation ritual with processions of tests, purifications, death, resurrection, and ascension and also by its symbolism found since the beginning with the invitation to Rosenkreutz to assist this Royal Wedding. (read more: wiki)
Hogwarts exteriors, like some interiors, were shot in the historic Lacock Abbey, dating from 1229. This abbey, located in Wiltshire, England, had already been used for the same purpose for the first films of the Harry Potter saga .
As with the first film, animal making required months of graphic, pattern, and animation testing to determine the appearance, behavior, movements, attitude, and personality of each creature. J.K. Rowling was inspired, for many of them, by legendary creatures from different cultures, such as the Chinese Zouwu, the Scottish Kelpie and the French Matagot.
The year is 1987. Calvin Barr (a too-great-for-words Sam Elliott) is not a violent man. But he is more than capable of violence if sufficiently provoked. What many don’t realize about the thoughtful, elderly bloke regularly seen at the neighbourhood tavern is that he’s a legendary WW2 veteran who many years ago assassinated Adolf Hitler, an incredible secret that he’s frustratingly unable to share. One day, just as he’s coming to terms with rounding out his life, Calvin gets a visit from the FBI and the RCMP. They know what he’s done, and what he can be capable of. They have a mission for him. After discovering that it harbours a disease capable of eradicating humanity… they need him to take out Bigfoot.
A wondrous feature debut from writer/director Robert D. Krzykowski, featuring visual effects by celebrated two-time Academy Award Winner Douglas Trumbull (2001: A SPACE ODYSSEY, BLADE RUNNER), who also co-produced alongside the great John Sayles and Lucky McKee, and a supporting cast that includes Aidan Turner(THE HOBBIT trilogy), Caitlin FitzGerald(ALWAYS SHINE), Ron Livingston (THE CONJURING), Sean Bridgers(ROOM) and Rizwan Manji(PATERSON), this is one special film. A fantastical discourse on the melancholia of old age and a singular blast of entertaining wit, THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT bubbles with imagination and poignancy. It’s a work that stands as staunchly alone as the weather-beaten hero at its core. It will bowl you over like a forgotten beast deep in the Northern wilderness. – Mitch Davis //fantasiafestival
TimeSpace Warps 