Exodus: Gods and Kings is a 2014 epic biblical film directed and produced by Ridley Scott. An international co-production between the United States, the United Kingdom, and Spain.
It is inspired by the biblical episode of the exodus of the Hebrews from Egypt led by Moses and related in the Book of Exodus.
In an interview for Access Hollywood, Scott claimed there was a “final” cut of the film that was 4 hours, implying that the version released in theaters was reduced by 90 minutes. (wiki)
The film’s plot was inspired by the 1877 Satsuma Rebellion led by Saigō Takamori, and the westernization of Japan by foreign powers, though in the film the United States is portrayed as the primary force behind the push for westernization. To a lesser extent it is also influenced by the stories of Jules Brunet, a French army captain who fought alongside Enomoto Takeaki in the earlier Boshin War and Frederick Townsend Ward, an American mercenary who helped Westernize the Chinese army by forming the Ever Victorious Army. (wiki)
Percival, about the Maid of Orleans:
The girl is of appealing beauty and manly bearing; she speaks little and shows remarkable sagacity; when she speaks she has a pleasing, delicately feminine voice. :{…} her tears often overflow; she loves a happy face, endures unheard of toil, and is so assiduous in the manipulation and bearing of weapons that she remains uninterruptedly for six days — day and night — in full armour.
The Messenger portrays the story of St. Joan of Arc, the French war heroine and religious martyr of the 15th century. The story begins with young Joan as she witnesses the atrocities of the English against her family, and she is portrayed as having visions that inspire her to lead the French in battle against the occupying English forces. Her success in routing the English allows Charles VII to take the throne. Eventually Joan is captured by the English, tried and executed for heresy.
Luc Besson stated that he was not interested in narrating the history of Joan of Arc; rather, he wanted to pull a message out of history that is relevant for today. (read more: Themes)
“Regardless of what Joan of Arc said about the appearance of the higher beings in her visions, the occultist who is able to investigate these things knows that it was always the genius of the French nation who stood behind them.” (rs)
The film depicts the adventures of Lyra Belacqua, an orphan living in a parallel universe where a dogmatic ruling power called the Magisterium opposes free inquiry. Children in that universe are being kidnapped by an unknown group called the Gobblers who are supported by the Magisterium. Lyra joins a tribe of sea-farers on a trip to the far North, the land of the armoured polar bears, in search of the missing children.
Before its release, the film received criticism from secularist organisations and fans of the His Dark Materials trilogy for the dilution of elements of the story which were critical of religion, as well as from some religious organisations for the source material’s anti-religious themes. The studio ordered significant changes late in post-production, which Weitz later called a “terrible” experience. Although the film’s visual effects won both a BAFTA and an Academy Award, critical reception was mixed and revenue lower than anticipated. The film trilogy has not been continued, prompting actor Sam Elliott to blame censorship and the Catholic Church.(wiki)
Video gameThe game was released prior to the film and features a slightly different sequence of events towards the end of the story, as well as additional footage at the end of the game not seen in the film. (playthrough)
Dead Cells is a roguelike–metroidvania video game developed and published by Motion Twin. Following about a year in early access, Dead Cells was released for Microsoft Windows, macOS, Linux, Nintendo Switch, PlayStation 4, and Xbox One on August 7, 2018.
In the game, the player takes the role of a slime-like creature that takes control of a corpse in a dungeon, through which they must fight their way out. The player gains various weapons, treasure and other tools through exploration of the procedurally-generated levels to fight undead creatures within it. At times, the player may gain “cells”, a type of in-game currency that can be used to purchase permanent upgrades or unlock new items for the player if they reach the vendor between each level. Dead Cells uses a permadeath system, causing the player to lose all cells and other currencies or items upon each instance of death.
The plot of Dead Cells is minimalistic, only giving bits of information to the player. Taking place on an unnamed island, the player character is referred to as the Prisoner, a humanoid with a pile of gelee or plantmatter in place of a head. The Prisoner is immortal, as every time he dies his “head” manages to lurch its way back to the starting prison. According to a guard, the Prisoner is said to have been executed for some crime, but the nature of the crime is never specified.
Every time the Prisoner dies, the island reconfigures itself, which serves as an explanation for the rogue-like mechanics. In the game, the reason for this is specified as the island being a living organism that evolves over time. In the end, he kills the Hand of the King and stabs the real king only to explode and wind up back at the start like nothing happened. (wiki)
SYSTEM REQUIREMENTS (MINIMUM): OS: Windows 7+ / Processor: Intel i5+ / Memory: 2 GB RAM / Graphics: Nvidia 450 GTS / Radeon HD 5750 or better / Storage: 500 MB available space / Additional Notes: DirectX 9.1+ or OpenGL 3.2+
Starchaser: The Legend of Orin is a 1985 animated science fantasy film directed and produced by Steven Hahn, and written by Jeffrey Scott. It was originally released in 3D by Atlantic Releasing. Starchaser: The Legend of Orin was one of the first animated movies to mix traditional and computer animation, as well as one of the first to be released in 3D.