time machine // database // travel guide
“Hardware and software is culturally biased. Robotic epistemologies are caught in a 500-year bubble, a particular way of looking at the world,” Lewis says. “It gave us some good things, but it also gave us colonialism, slavery, and sustained environmental degradation. Do we really want those biases trained into future technologies and A.I.?”
timespace coordinates: 2691 – 1991 San Dimas, California
Bill & Ted’s Bogus Journey is a 1991 American science fiction comedy film, and the directing debut of Pete Hewitt. It is the second film in the Bill & Ted franchise, and a sequel to Bill & Ted’s Excellent Adventure (1989). Keanu Reeves, Alex Winter and George Carlin reprise their roles.
The film’s original working title was Bill & Ted Go to Hell and the film’s soundtrack featured the song “Go to Hell” by Megadeth, which Dave Mustaine wrote for the film. Despite mixed reviews from film critics, like its predecessor, the film has since gained a cult following thanks in large part to its spoof of Ingmar Bergman‘s 1950s classic film The Seventh Seal.
As was particularly common at the time, the soundtrack album focuses on the rock music heard throughout the film. An album of the full orchestral score by David Newman would not become available until 2007. The song Bill and Ted play for the battle of the bands is “Final Guitar Solo” by Steve Vai, which he wrote to help blend into “God Gave Rock ‘N’ Roll to You II” by Kiss, although they appear similar in appearance to Dusty Hill and Billy Gibbons from ZZ Top. There’s also a reference to the lyrics from “Every Rose Has Its Thorn” by Poison.
In 2010, Reeves indicated that Matheson and Solomon were working on a script for a third film, confirming in April 2011 that a draft was complete.Winter said in March 2012 that he and Reeves both like the finished script, which revisits the two characters after the changes of the past twenty years. Despite the script being finished and satisfied by both parties, no specific filming dates have been named. In April 2016, Winter said that he hoped the film would begin production in 2017. Reeves gave an update on the film in February 2017 and said a story has been written for the third film. “Basically, they’re supposed to write a song to save the world and they haven’t done that. The pressure of having to save the world, their marriages are falling apart, their kids are kind of mad at them, and then someone comes from the future and tells them if they don’t write the song it’s not just the world, it’s the universe. So they have to save the universe because time is breaking apart.” On May 8, 2018, The Hollywood Reporter confirmed that a third film, Bill & Ted: Face the Music, was officially in pre-production with Dean Parisot directing. No release date has been announced yet. (wiki)
Philip K. Dick’s Electric Dreams, or simply Electric Dreams, is a British anthology television series based on various writings from author Philip K. Dick, each of the 10 stand-alone episodes are set in a different and unique world — some that lay in the far reaches of the universe and others that are much closer to home. While the stories may be worlds apart, central to each is the exploration of the importance and significance of humanity. (rt)
timespace coordinates: near-future Melbourne
Upgrade is a 2018 science fiction body horror film written and directed by Leigh Whannell. A co-production between Australia and the United States, it stars Logan Marshall-Green, Betty Gabriel, and Harrison Gilbertson. The film follows a man who is implanted with a chip that allows him to control his body after a mugging leaves him paralyzed. Critics called it “one part The Six Million Dollar Man, one part Death Wish revenge fantasy.” (wiki)
Extinction is a 2018 American science fiction thriller film directed by Ben Young and written by Spenser Cohen, Eric Heisserer and Brad Kane. The film is about a father who has a recurring dream about the loss of his family while witnessing a force bent on destruction. The film stars Lizzy Caplan, Michael Peña, Mike Colter, Lilly Aspell, Emma Booth, Israel Broussard, and Lex Shrapnel. It was released on Netflix on July 27, 2018. (wiki)
timespace coordinates: 2022 – 2052 (unknown location/planet?)
spacetime coordinates: 2046 – 1960s Hong Kong – Singapore
Paragraph 201 in the Passengers’ Guide warns that Area 1224- 1225 is especially cold. The train heating won’t be strong enough. Passengers are advised to hug each other to keep warm.
2046 is a 2004 Hong Kong romantic drama film written and directed by Wong Kar-wai. It is a loose sequel to Wong’s films Days of Being Wild (1990) and In the Mood for Love (2000). It follows the aftermath of Chow Mo-wan’s unconsummated affair with Su Li-zhen in 1960s Hong Kong but also includes some science fiction elements and makes frequent references to the date of December 24 or Christmas Eve, on which many significant events in the film occur.
The main character (Tony Leung) writes science fiction stories, in which 2046 is a popular year and place to which people travel through time. The stories are titled 2046 and later 2047 (a collaboration with Faye Wong’s character). The year 2046 has its own significance for Hong Kong. It is 49 years after the handover of Hong Kong by the British on 1 July 1997. At the time of handover, the Mainland government promised fifty years of self-regulation for the former British colony. The year 2046 references the moment before Hong Kong’s special, self-regulated status ends.
The title may also be a reference to the Twilight Zone episode “The Lonely“, about a man sentenced to solitary confinement on a distant asteroid beginning in the year 2046. The isolated inmate falls in love with a gynoid that was delivered to keep him company. This plot structure parallels some of the science fiction motifs in Wong’s 2046. (wiki)
TimeSpace Warps 