Tag: 2010’s
764
0761 – Jurassic World
timespace coordinates: 2010’s Isla Nublar, off the Pacific coast of Costa Rica / Northern California
Jurassic World (2015)

Jurassic World is a 2015 American science fiction adventure film, the fourth installment of the Jurassic Park film series, and the first film in a planned Jurassic World trilogy.

Set 22 years after the events of Jurassic Park, Jurassic World takes place on the same fictional Central American island of Isla Nublar, which is located off the Pacific coast of Costa Rica, where a theme park of cloned dinosaurs has operated for nearly a decade. The park plunges into chaos when a genetically-engineered dinosaur escapes from its enclosure and goes on a rampage.
Lego Jurassic World: The Indominus Escape (2016) / Lego Jurassic World: Employee Safety Video (2016)
Themes and analysis / Scientific accuracy / imdb
Jurassic World: Fallen Kingdom (2018)

Jurassic World: Fallen Kingdom is a 2018 American science fiction adventure film and the sequel to Jurassic World (2015). Directed by J. A. Bayona, it is the second installment of a planned Jurassic World trilogy. Derek Connolly and Jurassic World director Colin Trevorrow both returned as writers, with Trevorrow and the original Jurassic Park director Steven Spielberg as executive producers. (wiki)
760 – Detention (2011)
timespace coordinates: 2011 – 1992 California
An apocalyptic fantasy, horror, science fiction, action- thriller, body swapping, time-traveling teen romantic comedy starring Josh Hutcherson, Dane Cook, Shanley Caswell and Spencer Locke. Detention follows the local students of Grizzly Lake as they survive their final year of high school. Bringing even more angst to student life, a slasher killer has chosen their high school as his new home of slaughter. It becomes a race against time to stop the killer, which will in turn save the world – if only they can get out of detention. (rt)
“Insane, Hyperkinetic, Next Level Filmmaking.”
“(…) for pop-culture pilgrims intent on discovering an underground prize, look no further.”
“Smart, funny, and equally full of splatstick violence and heart, Detention isn’t just next-level horror–it’s next level everything, a senses-altering reaffirmation of cinema.“
“a shockingly meaningful, potent film about the nature of meaninglessness and its damning effects on the younger generation”
“manic throwback horror comedy for the Twitter generation.”
“time traveling teen pop culture comedy Detention is a runaway freight train of frenetic energy!”
“is Scream meets Scott Pilgrim with a dash or two of Kaboom, it makes for one wild cocktail.”
Post-irony
759 – The Retail Apocalypse: The Changing Landscape of American Retail
timespace coordinates: 2010’s America
Beginning in 2015, The Changing Landscape of American Retail is an ongoing documentation of the shift from traditional brick-and-mortar locations where we once socialized and interacted with our community to the stark and generic structures that house shipping, fulfillment, call, and server centers, now essential for e-commerce.
Like memories, familiar retail entities are fading away. Today, they stand as modern-day ruins and architectural artifacts that reach into the not-so-distant past of our own maturing interests and evolving identities.
Toys “R” Us brings back of memories of avoiding my brother’s aerial assaults of red dodge balls and Nerf guns while simultaneously ignoring my mother’s plea to stop tearing into brand-new boxes of Teenage Mutant Ninja Turtle action figures and Lego Pirate sets.
The Battlefield Mall was once a central meeting spot for my junior high peers—anchored by the food court and Aladdin’s Castle arcade. Here, a myriad of sights and smells trigger the memory to act as a roadmap for navigating the mall. Orange Julius produced the sweet scent of Florida citrus in Southern Missouri; there was the salty cheese sauce wafting from Potato Plus; and the fragrant cinnamon-sugar of Auntie Anne’s baked pretzels. The nearby arcade elicits a sensory transaction when I’m greeted by the flashing lights of Street Fighter II, manic electronic beeps, purple geometric carpet, and the oddly unique odor of stale popcorn mixed with the metallic scent of quarters, tucked into my front pocket. (read more here)
https://jesserieser.com/portfolio/
754 – The House of Tomorrow (2017)
The House of Tomorrow is a 2017 American independent drama film written and directed by Peter Livolsi and starring Asa Butterfield and Alex Wolff. The film is based on Peter Bognanni’s 2010 novel of the same name. It is Livolsi’s directorial debut. Co-stars Ellen Burstyn and Nick Offerman served as executive producers of the film.
16-year-old Sebastian Prendergast has spent most of his life with his Nana in their geodesic dome home tourist attraction where she raises him on the futurist teachings of her former mentor Buckminster Fuller in hopes that one day Sebastian will carry Fuller’s torch and make the world a better place. But when a stroke sidelines Nana, Sebastian begins sneaking around with Jared, a chain-smoking, punk-obsessed 16-year-old with a heart transplant who lives in the suburbs with his bible-thumping single father Alan and teenage sister Meredith. Sebastian and Jared form a band, and with his Nana’s dreams, his first real friendship, and a church talent show at stake, Sebastian must decide if he wants to become the next Buckminster Fuller, the next Sid Vicious, or something else entirely. (rottentomatoes)
0753 – Death Wish (2018)
timespace coordinates: 2016 Chicago

Death Wish is a 2018 American vigilante action thriller film directed by Eli Roth and written by Joe Carnahan. It is the sixth installment of the Death Wish series and a remake of the 1974 film of the same name starring Charles Bronson, based on Brian Garfield‘s 1972 novel. The film stars Bruce Willis as Paul Kersey, a Chicago doctor who sets out to get revenge on the men who attacked his family. Vincent D’Onofrio, Elisabeth Shue, Dean Norris, and Kimberly Elise also star.
