timespace coordinates: (S01) “Star Wars” 1977 – / “Barbie” 1959 – / “He-Man” 1982 – / “G.I. Joe” 1964 – // (S02) “Star Trek” 1966 – / “Transformers” 1983 – / “LEGO” 1949 – / “Hello Kitty” 1960 – // USA – Japan – Denmark
The Toys That Made Us is an American documentary web television series created by Brian Volk-Weiss. The first four episodes of the series began streaming on Netflix on December 22, 2017, and the next four were released in May 25, 2018.
“The minds behind history’s most iconic toy franchises discuss the rise — and sometimes fall — of their billion-dollar creations.” rottentomatoes
imdb / toy culture / netflix
timespace coordinates: 1945 – 1975 Cleveland / New York CityPredestination is a 2014 Australian science fiction thriller film written and directed by Michael and Peter Spierig. The film stars Ethan Hawke, Sarah Snook, and Noah Taylor, and is based on the short story “—All You Zombies—” by Robert A. Heinlein. (wiki)
imdb / hard science fiction / intersex / predestination paradox
timespace coordinates: Yorkshire 1974 / 1980 / 1983
Red Riding (2009) is a three-part television adaptation of English author David Peace‘s Red Riding Quartet (1999–2002). The quartet comprises the novels Nineteen Seventy-Four (1999), Nineteen Seventy-Seven (2000), Nineteen Eighty (2001) and Nineteen Eighty-Three (2002) and the first, third, and fourth of these books became three feature-length television episodes: Red Riding 1974, Red Riding 1980, and Red Riding 1983. They aired in the UK on Channel 4 beginning on 5 March 2009 and were produced by Revolution Films. The three films were released theatrically in the US in February 2010.
Set against a backdrop of serial murders from 1974 to 1983, including the Yorkshire Ripper killings, the books and films follow several recurring fictional characters through a bleak and violent world of multi-layered police corruption and organised crime. Although there are allusions to real-life crimes, the plot is fictional rather than a documentary or factual account of events. Both the books and films mix elements of fact, fiction, and conspiracy theory – a confection dubbed “Yorkshire Noir” by some critics – and are notable for a chronologically fractured narrative and for defying neat or trite endings and resolutions. The name of the series is a reference to the murders and to their location, the historic county of Yorkshire being traditionally divided into three areas known as ridings.
imdb – 74 80 83 / Historical basis / Theatrical film adaptation
(…) What do we think of when we hear the word “meaning ether?” Probably not nearly enough — myself included! — for it is difficult to grasp what the term “meaning” signifies here. With respect to the chemical ether we had to refer to the numerical laws and to the Harmony of the Spheres. To the meaning ether, however, belongs the general and great harmony of the universe (as Kepler has expressed it). It can help us yet further if we consider a word which was used by the profound translator of many works of Chinese literature, Richard Wilhelm. He has chosen to translate the word “tao,” as used in the “Tao te Ching,” (“Tao” is translated into English as “way.”) with the German word “Sinn” (sense, or meaning). He points out that it had something of the same meaning as did the Greek word “logos” at the turning point of time, the beginning of the Christian era. If you consult a Greek dictionary, you will find a long list of meanings for the term “logos” — word, speech, computation, relationship, reason, etc. The mathematicians of 400 B.C. used the word “logos” when they stated a ratio, as 3:4. And when in the time of Plato it was established that there was no “logos,” or integral proportionality, between the diagonal and the side of a square, that was called an “a-logon,” or something without logos. Translated into Latin, logos became “ratio,” and something without “ratio” (or proportion) was something “irrational.” The discovery of the irrational in the time of Plato consisted in the proof that “irrationality” exists in the world of measure. That gives a faint indication of the paradox inherent in the deepest “sense of the word ‘sense’.”
But now you must understand that the negative mirror image of a mastery of the world of meaning, of the logos, must appear in our time, and where this negative image appears it is today called “information.” The “Science of Information” can only measure the quantitative aspect of information, and not that which is its true meaning.
by Georg Unger, 1978 (online)
timespace coordinates: 1973 bank heist and hostage crisis in Stockholm (the Norrmalmstorg robbery)
Stockholm is a 2018 American crime film written, produced and directed by Robert Budreau. It stars Ethan Hawke, Noomi Rapace, Mark Strong, Christopher Heyerdahl, Bea Santos and Thorbjorn Harr. (wiki)
Ambient 1: Music for Airports is the sixth studio album by Brian Eno, released by Polydor Records in 1978. The album consists of four compositions created by layering tape loops of differing lengths, and was designed to be continuously looped as a sound installation, with the intent of defusing the tense, anxious atmosphere of an airport terminal.
Music for Airports was the first of four albums released in Eno’s Ambient series, a term which he coined to describe music “as ignorable as it is interesting” that would “induce calm and a space to think.” Although it is not the earliest entry in the genre, it was the first album ever to be explicitly created under the label “ambient music“.
The album was installed at the Marine Air Terminal of New York’s LaGuardia Airport in mid-1980. (wiki)
timespace coordinates: 2000’s rural Texas / Mexico
! extreme violence and gore !
Planet Terror is a 2007 American independent zombie film directed by Robert Rodriguez and starring Rose McGowan, Freddy Rodriguez, Josh Brolin, Marley Shelton, Naveen Andrews, Michael Biehn, Jeff Fahey, Stacy Ferguson, and Bruce Willis. It follows a group of people attempting to survive an onslaught of zombie-like creatures as they feud with a military unit. It was released theatrically in North America as part of a double feature with Quentin Tarantino‘s Death Proof under the title Grindhouse, to emulate the experience of viewing exploitation films in a “grindhouse” theater. In addition to directing the film, Rodriguez wrote the script, directed the cinematography, wrote the musical score, co-edited, and produced it. (wiki)