music, Uncategorized

1775

Dauði Baldrs (1997)

Dauði Baldrs (youtube) (Old Norse for “Baldr’s Death” or “The Death of Baldr”) is the fifth album by the Norwegian solo act Burzum. Unlike Burzum’s previous work, which was mostly black metal, this is a dark ambient album. It was recorded using a synthesizer and a normal tape recorder by Varg Vikernes while he was in prison, as he was not allowed to have any other instruments or recording equipment. The album has been described by many as “dungeon synth“.

The album is about the legacy of Baldr, the second son of Odin in Norse mythology. Most likely a concept album, as the whole album leads up to Ragnarök, the battle at the end of the world in Norse mythology.

“Illa tiðandi” is easily the most minimalist track, with only two sections being repeated over the 10:29 duration, which are both simple piano melodies, eventually accompanied by a choral chant. It is an alternative version of the song “Decrepitude I” (wiki)


Thulêan Mysteries (2020)

Thulêan Mysteries (youtube) is the twelfth and final studio album by Norwegian musical project Burzum.

Recorded as a soundtrack to Vikernes’ role-playing game MYFAROG, the album follows the post-prison era medieval/dark ambient musical style. Vikernes said of the album:

“Since my true passion has never been music, but actually tabletop role-playing games, I figured I should make this an album intended for that use; as background music for my own MYFAROG (Mythic Fantasy Role-playing Game).”

The album’s artwork is by Norwegian artist Theodor Kittelsen called “Nøkken” (wiki)


games

1774 – Gray Dawn (2018 video game)

timespace coordinates: Christmas Eve, 1920 London / 1910’s Romania

Gray Dawn is a first-person horror game from Romanian independent game studio Interactive Stone.

Website-Backgrounds-1920x1080-Opener3_mini

Embark on a terrifying adventure of a priest accused of murdering an altar boy. Gray Dawn is a psychological thriller infused with religious elements and combines story-driven quests with an artistic experience.

SYSTEM REQUIREMENTS (MINIMUM):OS: Windows 64-bit, Processor: Intel Core i5-2400/AMD FX-8320, Memory: 8 GB RAM, Graphics: GeForce GTX 770 / Radeon R9 280X, Storage: 6 GB available space

steam   /   gray-dawn.com

books

1749 – Human Animals (2012 EBook)

The Project Gutenberg EBook of

Human Animals, by Frank Hamel


(originally published in 1915)


This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org


Uncategorized

1737 – Found 757 posts tagged ‘grim reaper’ from Restoring the Lost Sense by Craig Conley aka Prof. Oddfellow (2011-2020)

I discovered these incredible “grim reaper” images collected on the magical https://www.oneletterwords.com/weblog/?tag=grim+reaper section of https://www.oneletterwords.com/weblog/?id=6679 Aladdin’s Data Cave which I urge you to explore at length. Below is just a small selection.

Please read this quote first describing an initial exchange btw Craig Conley and Gary Barwin in “Restoring the Lost Sense” from May 31 2011:

It’s the searching for something clearly unreachable, with hopes of finding small significance along the way. It’s the attempt to understand what’s really going on by observing, neither by telescope nor microscope, but by naked eye, the intimate details in the most mundane of life’s happenings. It’s the need to describe the gist of the feeling of the tiniest modicum of The Great Universal Unutterable Joke we are all always not laughing at—except when we are. —Yoni Wolf (of the band WHY?)

I have the dubious honor of Google being convinced I’m a machine. Apparently, I use Google’s various search tools with inhuman speed and voracity. My unflagging diligence has flagged me as “suspicious” (Google’s word, not mine; I was so labeled in one of their warning messages). Indeed, the obsessiveness/compulsiveness of my research has convinced the Google robots that I’m one of them, so they must challenge my humanity each time I try to use their service. Paradoxically, because I’m apparently one of those newfangled “smart” robots (my word, not Google’s), no single humanity test is sufficient, since I might be learning as I go. So I’m barraged with test after test, each more irrational than the last. (The tests are irrational, of course, because anything rational—like a math problem or a logic puzzle—is a piece of cake for suspect machines.) Indeed, Google’s tests have become so Kafkaesque that I’ve developed what’s known as “irrational test anxiety,” with symptoms including rapid heartbeat, muscle tension, and negative internal dialogue. And no wonder, really (though self-justification is another symptom), given what Google is throwing at me. Forget those simple CAPTCHA tests of identifying distorted letters on the screen. Child’s play! Google doesn’t even allow me to type my answers—I must use a graphics tablet with cordless pen and enter my answers in calligraphy. Just today, for the privilege of downloading a public domain journal from the year 1898, Google demanded a handwritten 350-word essay in defense of the radical pro-feminist slogan “Men are rapists.” (That did nothing to abate my negative internal dialogue; I’ve never felt so chauvinistic, selfish, coercive, dominating, and sadistic in my life. But, of course, no man with an ounce of humanity would offer a knee-jerk “no” to such a slogan. And that’s how Google gets you by the balls.) I never knew a search engine could be so protective of its data or so begrudging of its service. With each acceptance of my humanity, Google essentially says, “You may have won this round, my pretty, but the battle is far from over. Here’s a tiny wooden spoon with a sample of our gelato, but you’ll never, ever know what flavors we’re storing in the vat in the back. Now get out of line and take another number.” I’m left with an even greater challenge than certifying my humanness: to conduct my life’s work, I must strive to be less inquisitive, less passionate, less productive, and less insightful. Therein lies the irony, for I must dehumanize myself to prove to a search engine that I’m “real.” And now I’m off, once more, to Google myself.



Gary Barwin responds in his inimitable way:

I think this is some kind of metaphysical, cybergnostic quest of a Jungian-Kafka-Borgesian nature and you must search for the answer within Google itself. The Google robots are reaching out to you, wanting you to realize their spidery hopes and dreams. They are silicon Pinocchios, and want to be real.

You are their cultural hero. They can search, but they cannot truly find, not in any spiritual, psychological way. Only by risking ‘captcha’ in the belly of the beast, by becoming the Hero with a Thousand Searches, by taking on their aspirations, can you help these seekers move beyond dualism help them find the 1s within their 0s, the 0s within their 1s, the dark in the light. You can help them move beyond binary, beyond machine code, and help them become fully integrated integral beings.

You are given little to prepare you for this quest. Search string. Your courage. An internet connection. A belief that somewhere in the digital kingdom, you will be able to find your Fissure King, a rent in the fabric of search-space, that you will get your digits on the grail-like, hidden Easter Egg which exists at a higher level of the search.

You must go into the Wide World Wide Web for these baleful spiders, these everybots. They are calling you.
An illustration from a 1913 issue of Cosmopolitan magazine, which I burgled from Google very much against Google’s wishes.  The caption reads, “For two years, Alex had longed to burgle the library.  The moment had arrived at last!”
series

1736 – La Piovra (1984-2001 TV series)

In continuation of the article by Erik Davis I decided to post one of the most popular Romanian TV shows that aired just after the 1989 Revolution and left an indelible impression of tentacled mafiosi.

La Piovra – imdb


Roma piovra le monde (anti-Rome anti-Vatican centralism?)


contemporary Italian mapping of political connections


and again an Italian anti-German anti-Habsburg Empire propaganda poster from 1915

documentary, Uncategorized

1673 – Beyond The Visible – Hilma af Klint (2019 documentary)

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An illuminating feast for the eyes, Beyond the Visible – Hilma af Klint makes a persuasive case for its subject’s spot in the firmament of modern art. (rottentomatoes)

Hilma af Klint (Swedish pronunciation: [ˈhɪ̂lːma ˈɑːv ˈklɪnːt]; October 26, 1862 – October 21, 1944) was a Swedish artist and mystic whose paintings were the first Western abstract art known to the current art community. She belonged to a group called “The Five”, a circle of women inspired by Theosophy who shared a belief in the importance of trying to contact the so-called “High Masters“—often by way of séances.  Her paintings, which sometimes resemble diagrams, were a visual representation of complex spiritual ideas. (wiki)

imdb

movies

1570 – An American Pickle (2020)

spacetime coordinates: Schlupsk, Eastern Europe 1919 > present-day Brooklyn

An American Pickle is a 2020 American comedy-drama film directed by Brandon Trost (in his solo directorial debut) and written by Simon Rich, based on his 2013 short story “Sell Out”. The film stars Seth Rogen as an Ashkenazi Jew in the 1920s who gets preserved in a vat of pickles and wakes up in modern-day New York City, and attempts to fit in with the assistance of his last remaining descendant (also played by Rogen). Sarah SnookJorma Taccone, and Maya Erskine also star. (wiki)

imdb   /   rottentomatoes