starwars made in hungary – starwarsklub.hu
1665
1664 – PRIMAL (2019 -)
timespace coordinates: some anachronistic dimension where primitive humans (late comers of evolution) share the world with many kinds of extinct dinosaurs from all epochs and geological eras.
Primal is a TV series about a prehistoric caveman hero (Spear) and his partner in carnage – a dinosaur Tyrannosaurus (Fang). It is created and directed by Genndy Tartakovsky for Adult Swim.
Primal has been hailed as both incredibly bloody, gory and majestic and epic paleontology at one draw. Although most of the references were to the heroic fantasy of R. E. Howard’s Conan the Barbarian and King Kull – I would delve more into European paleo- fiction, in particular the stories of French contemporary of Jules Verne J.-H. Rosny aîné (more on him below).
Gennady T. known for Samurai Jack and Dexter’s Lab. At first sight Primal is just the embodiment of the ‘man the hunter’ thesis (the pitiless Darwinist or Huxleyan struggle – ‘nature red in tooth and claw’ associated mostly with 19th c social darwinism and expansive imperialism justifying its own brutal annihilation of native populations), while with each episode it teaches about tender inter-species cooperation within the most unlikely human-dinosaur partnerships. Eschewing the usual in grou/out group primary divisions, Primal is one of the most egalitarian partnership in both animation and cinema. Compared to Primal – Dinotopia comes out as exploitative, relegating dinosaurs into a sort of syndicate or a non-human animal working labor pool (except for the thinking scientific writing dino elites), it still seems to reproduces a sort of colonialist classist speeieism but with an industrial bent. Primal is about friendship at the end of the world – between two impossible friends, that always contribute mutualistically while retaing their specific skills, two endangered members of their species. The dinosaur is not exactly a dog companion species (how could it?) and is always quite independent of its human partner.
Primal is silent – or not really, it is full or bubbling rage, of flight, of communal sleep, of smiles, of fury, of grunts, gutturals, cuddling and the background of the forest, lake or jungle. It is non-verbal which gives it even more thrust. The animation is fluid, wonderful – really transforming the dinosaurs into some of the most naturalistic depictions of extinct species anywhere. The non-3D somehow adds to that – its full colors and strong contrasts swim in a landscape of degrade hues, of gradients that announce immense vistas, swaths of land that have seem impossible to map out, to scan. Both Spear and Fang are united by a strange fate – they are strange kin like Haraway intended it, although completely an impossible meet-up, a temporally and evolutionary impossibility.
There are many living fossils on Earth but dinosaurs are none of those. Both are somehow matched, and their stories match as well, both have been losing their most precious kin to meaner, bigger and more voracious species roaming their world. Out of necessity, out of similarity, their bond is incredible and seems to grow with each episode. It a total splatterfest – as well as touching, every bit desperate and always managing to more or less make it barely alive out of their trials. Although several lineages of humans went extinct (so no Yeti or Bigfoot I am really sorry) and our current direct ancestors were nearly wiped out nearly 70.000 years ago (as per Toba catastrophe theory), we mostly associate extinction fears with the modern era – especially the nuclear doomsday clock threat or geologically with a singular event (KT impact boundary).
There has been rarely such unrepentant and gratuitous violence in animation (and I am choosing my words here), and still there is no other way to basically write history – paleo history and animation history, to keep the speeds and cuts at an ideal pace, to push, ramp the tension the max.
Sometimes the violence is hidden, it is almost as if we stumble on a crime scene – where the culprit is nowhere to be found, almost like an evolutionary detective story where we always dread and yearn to glimpse the raw answer. Although graphic in its violence – the savage world of Spear and Fang is still mysterious, with only brief and harsh encounters that make you yearn for more. But even if this brutality – is almost elemental, there are forces at work that ensure some brief but welcome moments of fishing and even camp fires. We have never been modern – well yes, this modernity traces its scars, does not hail the noble savage but the slaughterhouse of evolution, of hunter-gathers always being under extinction threat from much larger, much more organized and destructive civilizational (or colonial or imperial) intrusions. The current paleo- lifestyles seems to deny this feeding frenzy, being built upon an exclusive and elusive pleasure of raw flesh in a vegan- oriented world, or a type of rawness that lacks any pretense of cosmetic intervention, animal rights activism as if indulging in a form of voluntary cannibalism.
To push it – Primal may be the way the brutality of the outside (also in geological terms), its volcanic hadean and protean spirit has been bursting, erupting into a primeval fantasy of the PALEO. The lifestyle PALEO – element is today represented by ‘paleo-muesli’ products in supermarkets, a notch above your average bio-food, an addition of invented rawness that also seems to appeal to the perceived lack of ‘untamed wildness’ as well as the white male survivalist renewal of ‘lost’ hairy manliness. Today’s riot police violence (not at all PRIMAL but seemingly directed and targeted) is doubled by a more structural strain of violence and neglect that is non spectacular, slow and almost interminable, a suffocating death that never comes easy no matter what the state of indignity, misery and decrepitude of propped-up carbon ideologies. There is a disconnect btw what we see on screen where everything is evident and brief. There is no pity for most of the creatures and other lifeforms and they in turn might not find any pity on the protagonists – but we can never have time to find out. In comparison with previous savage heroes and heroines – Primal is really not worried about the non-ideal type of body (according to Cro-Magnon standards or latest fitness fads) being able to discover in the midst of carnage – all sorts of grim and touching thoughts and fine sentiments arising out of the most brutalized heads.
A note on Rosny
To be honest Rosny is entirely my own attribution, in my knowledge none of the producers or animatiors mentioned him. Rosny is not only one of the pioneers of the Sci-Fi genre (and of an entire different breath than Verne I would add), but also of dawn of time speculative fiction. He ranks second after J Verne in French Sci-fi but his more conceptually oriented works are unique and highly original. His 1887 short story Les Xipéhuz pits primitive humans against extraterrestrial inorganic alien beings – most probably the first time Sci-Fi left behind the boringly anthropomorphic forms and earthly metabolism for something completely different. Would be interesting to find out if Rosny was somehow haunted by the same spectre of various genocides committed against indigenous populations considered “primitive” or “lacking reason” or “inferior” others by the Europeans – such as was the case with H G Wells War of the Worlds based on the Australian and British destruction of the Tasmanian peoples. The illustration work by Frank R. Paul appeared on the cover of the first issue (April 1926) of Amazing Stories magazine, the first magazine dedicated to science fiction. He would paint all the covers for over three years. John Rieder’s Colonialism and the Emergence of Science Fiction argues forcefully that interplanetary invasion narratives from the pulp 20s and 30s age in Golden sci-fi period (preceded by a plethora of dime novels and penny dreadfulls) perfectly mirror colonial encounters who branded those that dared oppose as ‘backward’ or ‘atavic’. Rosny wrote also in the dying Earth genre – stories set in the far future where the Earth is drying out and a new species – the ferromagnetals is destined to supplant all others. He wrote several primitive Earth novels including Vamireh (1892), Eyrimah (1893) and the world-renowned classic La Guerre du Feu better known as Quest for Fire (1909). For the first time, several lineages, several hominid and modern humans share the same narrative frame, the same territory. There we have all these various hominid and hominin evolutionary lineages crossing over, interacting and exchanging knowledge, microbes and as modern paleo genetics has thought us – even ancient genes.
Les Xipéhuz 1887
1663 – The Psychedelic Video Museum (60s, 70s, 80s, 90s, 2000s, 2010s, 2020s)
Sit back, relax and drip drop out! Dig into this wonderfully magick link via Erik Davis.
Towards a science of psychedelic aesthetic (essay originally published in Psychedelic Press, no. XXV (2018): 49–59.)
About:
The Psychedelic Video Museum is the world’s first museum of psychedelic art and video. It is the fruit of a decade long effort which began in April 2010, and the foundation of the Daily Psychedelic Video, a group blog that’s been serving the internet it’s daily menu of selectively curated psychedelic videos from across the web.
The videos on this website were carefully selected from within the Daily Psychedelic Video collections of more than 4,000 videos that were posted on the website between April 2010 and April 2020. Together, they constitute the first ever attempt to showcase the variety and creativity of psychedelic video artists from across the globe, since early 20th century and to this day.
You can roam our virtual exhibition halls choosing to advance chronologically, from early 20th century psychedelia to this day, or by region, by exploring global hotspots of psychedelic creativity such as Germany, France, China, Japan and Israel. Alternatively, you can also explore psychedelic videos of different themes, styles and moods: feelgood psychedelia, contemplative psychedelia, marine psychedelia, poppy psychedelia or hip-hop psychedelia.
Whichever way you decide to move through these collections, be sure to do so in an explorative psychedelic frame of mind. These videos are a mindstate-dependent form of art. They don’t have to be viewed under the influence to be enjoyed, but they dramatically benefit from a relaxed, fanciful, contemplative gaze which allows the shapes and colors on the screen to resonate in our minds and bodies.
Some examples
Everyday Objects In Macro – Macro Room
A mind-bending video shows the reality of everyday object in extreme close-up.
An awesomely psychedelic yellow-submarine-style soviet animation from 1976.
Awesome, elevating video by Japanese group Apogee
A person wakes up naked and embarks on a strange journey
A morbid but stunning and impeccably done video by MGMT. Directed by (Mike Burakoff & Hallie Cooper-Novack).
A song by Israeli band Boom Pam.
ou cannot talk about psychedelic video games without talking about Jeff Minter. Teaser for the documentary Heart of Neon about the legendary game designer (by Paul Docherty).
All cutscenes from the remaster of 2004’s trippy classic Katamari Damacy.
Animated marine life forms. Animated by Hideki Inaba.
1662 – The New Mutants (2020)
The New Mutants is a 2020 American horror film in the superhero genre, based on the Marvel Comics team of the same name and distributed by 20th Century Studios. It is the thirteenth and final installment in the X-Men film series.
The film was directed by Josh Boone and stars Maisie Williams, Anya Taylor-Joy, Charlie Heaton, Alice Braga, Blu Hunt, and Henry Zaga. In the film, a group of young mutants held in a secret facility fight to save themselves. (wiki)
1661 – Fermentology mini-seminars (2020)
Apart of the current divisive populist politics in this 2020, there is this widening gap that seems to separate the past i.e. these last years of microbiome and holobiont revelations, the recognition of Lynn Margulis’s life’s work, of probiotics, craft beers, hipster sourdough homemade bread, super-bugs multi-resistance warnings – and the sudden ramping up of antibacterial soaps production and biocidal technologies. While invisible for much of mankind’s history and ultimately relegated to imaginary beings, demons, spirits – bacteria and viruses (not to talk about mushroom, molds and their kin) have been with us, in and on us since the beginning and while their profile is rising for the first time, enriching our schlock ‘blob’ B-movie repertoire (our heightened sense of contagion is already indistinguishable from general online virality). As an aside in our management-drenched culture, I might add that the very start-up culture of late capitalism, of venture capital and tech unicorns (TESLA, Google, Amazon etc) – overshadows another use of the term “starter” – maybe its initial, dirty secret embedded in its biological anb biosemiotic material sense, the one in which there is always something antecedent, some highly transmissible starter-culture, a microbial mat that has preceded all ulterior divisions, ever evolving invasions, and upon which back everything else grows, blooms, and who’s metabolic pathways and chemical chain reactions we enjoy, inherit, borrow or dread. There is scope in just having a look into the various questions raised by scientist regarding this undercover complexity that animates much of what we regard as the most basic, simple (and thence falsely simplistic) and mostly still highly disregarded (non charismatic) organisms.
With current rising ‘Pandemic Fatigue’ and governments searching for new ways to variously entice and/or enforce effective restrictions and contact tracing technologies, one should balance it out with the work of Rob Dunn (check out his classic The Wild Life of Our Bodies: Predators, Parasites, and Partners That Shape Who We Are Today), Dr. Anne A. Madden (The Kingdom documentary which I urge u to see), Sandor Katz (Wild Fermentation primer), Athena Aktipis (applying system biology and evo-devo to cancer research). They and a bunch of other wonderful people at NC State University’s Department of Applied Ecology including Lauren Nichols, Erin McKenney under self-isolation measures have organized this year’s incredible series of webinars concerning FERMENTOLOGY – the incredible shapeshifting science of fermentation, ‘umami’ taste with a motley crew honing changing practices, field research experience, trough labs and out of lab works, trough ancient history archaeology and multispecies coreographies in humans and non-humans.
As a fellow practitioner and fermentation necromancer, putrescient beginner and bacterealist I urge you to check out these free seminars below. Climate science outreach has become a caricature of struggling to reach the decision makers, an important lesson in loosing its touch with an increasingly disdainful and aggressively non-scientific (or not sufficiently scientific) crowd (including politicians) . yet microbiology and fermentology offers hope in the sense that it has became highly pop – both in bad (as every hype can witness) and good example of translatable, relatable, surprisingly material gooey way of exploring new and exciting discoveries that somehow have a two pronged way: both home kitchen and highly rated chef restaurateur, both laboratory oriented outcomes and field work, both insider talk and informing day to day people’s experiences. While heeding all the warning signs of the groomed bearded sourdough hipster (mostly male bro type) guy – and his newfound hobby in its breadtivist breadarian accusatory tinge – it is still a fact that such slimy, sticky gooey (almost in tandem with the slime – kids videos) have raised the profile of wild fermentation online around the globe. Partly industrial knowledge, partly hype, partly a blob of big pharma and wild fermentation bio hacking type of exchanges – its troublesome and meddling prospects prosper at the edge of traditional knowledge expropriation and biocapitalisation and/or speculative biological experimentation.
Deep Time Background + take it with a grain: Maybe grasslands should be seen as the first in a series of new warming earth changes at the geologic scale – that started happening roughly 20 mil yr ago (accelerating incredibly nowadays due to human herd in tow with other herds that have been replacing dwindling forests environments) and have included co-evolved multiple stomachs, specific enzymes from grass and grain digesting yeasts and bacteria). While mostly growing around bread and sourdough, these webinars have been more than diverse – encompassing cheese, milk etc You will say ahhhhhh AGAIN the grain-grass eater ecosystemic bias – well yes, grass again (!!) in an age of steppes, grasslands, lawns, dwindling forests and high yield crops – the haunt of all those Neolithic revolutionaries. Well grasses and ruminants are here to stay so we better learn and ruminate along. In spite of gluten free authoritarianism bread keeps diversifying and going in unsuspected directions. And so not any grain is on the menu, so one might also see here a Western- North /Near-Eastern/Fertile Crescent bias towards a particular kind of grain products (so not so much about rice culture and rice wine fermentation – or pickling such as jiu niang (酒酿) or miso using koji.
Read more about the Fermentology seminars here
A few of the highlights for me (although please consider watching all of them since they are very much in tune to what I mentioned above):
Jessica (Jessie) Hendy is a lecturer in paleoproteomics at the University of York where she studies ancient proteins associated with foods in archaeological sites. Jessie will describe her research at ancient archaeological sites in Turkey, Mongolia and elsewhere to understand, using ancient protein analyses, the beginnings of milk fermentation. She will take viewers on a journey to one of her archaeological sites, describe her approach to archaeology and consider take homes from her work with regard to what anyone can do in their kitchen with milk today.
Jessie has recently made major discoveries with regard to the history of Mongolian dairying and dairy fermentation and the oldest dairy fermentation in the world. This talk is sponsored and supported by the Max Planck Institute’s ERC-funded project, Dairy Cultures. (YT description)
Margarita López-Uribe is the Lorenzo L. Langstroth Early Career Professor at Pennsylvania State University’s Department of Entomology where she studies bees of many kinds. Many bees rely on fermentation in different ways (some ferment nectar, others pollen, others still ferment leaves). Margarita will talk about the fermentation carried out by honeybees. Honeybees make bread out of pollen that they ferment (and then feed to their babies). Margarita and her student Brooke talk about what goes into making bee bread and what microbes are involved in this process. They will also share preliminary data of an ongoing project about how various biocides shape bee bread microbiome.
This talk is supported and promoted by the NC State Apiculture Program.(YT)
In many parts of the world, especially in regions with limited growing seasons and long winters, people preserve vegetables through fermentation. Learn about the illustrious history of fermented vegetables, the science behind it, and how simple it is to ferment vegetables yourself at home. This talk is hosted by Sandor Ellix Katz, a fermentation revivalist. His books Wild Fermentation and The Art of Fermentation, along with the hundreds of fermentation workshops he has taught around the world, have helped to catalyze a broad revival of the fermentation arts. A self-taught experimentalist who lives in rural Tennessee, the New York Times calls him “one of the unlikely rock stars of the American food scene.” S
andor is the recipient of a James Beard award and other honors.(YT)
How does fermentation fit into your zombie apocalypse preparation plan? Fermenting can provide a number of benefits – from enhancing the nutritional value of your food, to preserving it for the long haul, to cultivating antimicrobial compounds that might help protect you from the agents of the zombie apocalypse. Fermented foods are also an example of multi-species cooperation that might serve as a good example for us all for how we might cooperate to survive the zombie apocalypse.
Athena Aktipis is an assistant professor of psychology at Arizona State University, chair of the Zombie Apocalypse Medicine Alliance, and co-director of the Human Generosity Project. She is the author of the new book The Cheating Cell from Princeton University Press and the host of the science podcast Zombified.(YT)
Tate Paulette is an archaeologist and Assistant Professor at NC State’s Department of History. He studies agriculture, food, and fermentation in the ancient world, with a particular focus on Bronze Age Mesopotamia. He co-directs archaeological excavations at the site of Makounta-Voules-Mersinoudia in Cyprus (Makounta-Voules Archaeological Project), and he is currently working on a book about the history/archaeology of beer in Mesopotamia. In this talk, we will explore the foods and, especially, the fermented foods of ancient Mesopotamia. We will look at ancient recipes, royal inscriptions, administrative records, archaeological remains, artistic works, and more on our culinary tour through the famous “land between the rivers.” Particular attention will be devoted to bread, beer, yogurt, and cheese, the fermented cornerstones of the Mesopotamian diet.
This talk is co-sponsored by NC State’s College of Humanities and Social Sciences.(YT)
In this talk, Benjamin Wolfe will explore how microbes compete and cooperate in cheese rind microbiomes. From fungal highways on wheels of Saint Nectaire to antibiotic producing fungi in cheddar, we’ll learn about the ecology and chemistry of microbial interactions in some of your favorite stinky cheeses. We will also learn how cheesemakers can use this knowledge of microbial interactions to improve the safety and quality of their products. Benjamin Wolfe is the Aptman Family Assistant Professor of microbiology at Tufts University.
The Wolfe Lab at Tufts uses fermented foods as model systems to identify the processes that shape the diversity of microbiomes. In addition to research focused on the basic biology of microbes, the Wolfe lab has worked with chefs and food producers, including David Chang’s Momofuku Culinary Lab and Jasper Hill Farms, to understand the roles of microbes in creating the diversity of flavors in fermented foods. This talk is co-sponsored by NC State’s College of Humanities and Social Sciences. (YT)
The origins of bread have long been associated with the development of farming communities that first cultivated and domesticated cereals in the Fertile Crescent 10,000 years ago. However, most recent discoveries show that bread was not a product of farming, but perhaps something which fuelled it. Amaia and Lara will share the story of the discovery of the oldest bread and what we do and don’t know about its recipe, how it was baked and more. They will also talk about the cereal-based foodstuffs that prehistoric communities consumed in southwest Asia and how they changed with the development of new technologies such as pottery.
Amaia Arranz Otaegui is Assistant Professor at the University of Copenhagen. She is an archaeobotanist and investigates the use and consumption of plants by prehistoric hunter-gatherers and early farming communities in southwest Asia. Lara Gonzalez Carretero is an archaeobotanist at the Museum of London Archaeology (MOLA) and a researcher at the Scientific Department of the British Museum. She is an expert on the study of archaeological food remains, with especial interest in cereal meals such as bread, porridge, etc. (YT)
The world’s oldest culinary recipes exist in the form of clay tablets from ancient Babylonia dating to the 18th century BCE. In this talk, Patricia Jurado, Gojko Barjamovic and Pia Sörensen from Harvard University will introduce the history and science of the recipes, as well as their team’s efforts interpreting and reproducing them. Their work follows an experimental approach and draws on expertise from their team’s collective backgrounds in assyriology, the life sciences, and culinary practice and history. Join us for this deep dive into culinary history — you may even come away knowing how to cook a 4,000 year old recipe!
The team that conducted this research includes:
- Patricia Jurado Gonzalez (Research Scholar, Harvard University),
- Gojko Barjamovic (Senior Lecturer on Assyriology, Harvard University),
- Pia Sörensen (Senior Preceptor in Chemical Engineering and Applied Materials, SEAS, Harvard University),
- Chelsea Alene Graham (Digital Imaging Specialist at the Institute for the Preservation of Cultural Heritage, Yale University),
- Agnete Wisti Lassen (Associate Curator of the Yale Babylonian Collection, Yale University),
- Nawal Nasrallah (Culinary historian, author, chef)
Part of the 2020 BEESS seminar series: Wildlife microbiomes, the complex communities of microorganisms that inhabit virtually every body site, perform countless micro-ecosystem services for their host, profoundly affecting wildlife behavior, physiology, reproduction, health, survival and ultimately evolution.
To study these tightly co-evolved systems, I strive to build diverse and collaborative interdisciplinary research teams to (a) advance our knowledge of the eco-evolutionary factors (e.g., sex, diet, phylogeny) governing wildlife-associated microbiomes, (b) identify species-specific microbiomes that can serve as sentinels for environmental quality (i.e., biomarkers for wildlife population health), (c) evaluate the impact of environmental perturbations on wildlife microbiome functions, and (d) inform management decisions to promote long-term conservation of wildlife and their symbiotic microbes.(YT)
The world’s oldest culinary recipes exist in the form of clay tablets from ancient Babylonia dating to the 18th century BCE. In this talk, Patricia Jurado, Gojko Barjamovic and Pia Sörensen from Harvard University will introduce the history and science of the recipes, as well as their team’s efforts interpreting and reproducing them. Their work follows an experimental approach and draws on expertise from their team’s collective backgrounds in assyriology, the life sciences, and culinary practice and history. Join us for this deep dive into culinary history — you may even come away knowing how to cook a 4,000 year old recipe!
#The team that conducted this research includes: + Patricia Jurado Gonzalez (Research Scholar, Harvard University), + Gojko Barjamovic (Senior Lecturer on Assyriology, Harvard University), + Pia Sörensen (Senior Preceptor in Chemical Engineering and Applied Materials, SEAS, Harvard University), + Chelsea Alene Graham (Digital Imaging Specialist at the Institute for the Preservation of Cultural Heritage, Yale University), + Agnete Wisti Lassen (Associate Curator of the Yale Babylonian Collection, Yale University), + Nawal Nasrallah (Culinary historian, author, chef) (YT)
1660 – Book title: Seeker of the Serpent’s Eye by Lenora Tor (1983 ?)
via
TimeSpace Warps 