Beware the Slenderman (stylized as _beware the slenderman) is a 2016 American documentary film directed by Irene Taylor Brodsky about the Slender Man stabbing.Lurking in the shadows of the Internet, a faceless modern-day bogeyman has attracted the attention and fear of a young generation who whisper his name online. Slenderman lives on the dark pages of the web, where impressionable youth create and cultivate his mythos in message boards, YouTube clips and various other digital incantations. But the online fairy tale becomes a shocking real-life horror as two 12-year-old girls, guided by their devotion to Slenderman, lure their friend into the woods to attempt a seemingly inexplicable, brutal murder.
spacetime coordinates: July 1967, Detroit Detroit is a 2017 American period crime drama film directed by Kathryn Bigelow and written by Mark Boal. Based on the Algiers Motel incident during Detroit’s 1967 12th Street Riot, the film’s release commemorated the 50th anniversary of the event.
Singularity began as a low-budget sci-fi film called Aurora, which was shot in 2013 in the Czech Republic and Switzerland. John Cusack was not involved in the original shoot. Years later, scenes with Cusack were shot and inserted into the new production, and extensive CGI effects were used to tie the new material to the original film.
spacetime coordinates: Germany. 57 years after aliens took over Planet Earth
Invasion: S.U.M.1 is a 2017 English-language German science fiction film starring Iwan Rheon and André Hennicke, written and directed by Christian Pasquariello. The film follows Private S.U.M.1, a soldier living in a post-apocalyptic Earth. He is serving on a hundred-day mission outside Exilium, the highly fortified compound housing the human survivors of an alien invasion. S.U.M.1 is assigned to an outpost to monitor and secure a remote bunker which is part of a defense circle surrounding the compound.
The Russian Woodpecker is a 2015 documentary film written, produced and directed by Chad Gracia following Fedor Alexandrovich’s investigation into the Chernobyl disaster. It is Gracia’s directorial debut feature.
The films focuses on Fedor Alexandrovich’s research into the cause of the Chernobyl nuclear disaster in Ukraine and its potential connection to a Soviet Cold War-era structure, the Duga over-the-horizon radio antenna. His investigation is interrupted and impacted by the 2014 Euromaidan uprising, which eventually led to the ousting of the president Viktor Yanukovych.
Drawing on her experiences as a scientist, a mother, and a Native American, Kimmerer explains the stories of mosses in scientific terms as well as in the framework of indigenous ways of knowing. In her book, the natural history and cultural relationships of mosses become a powerful metaphor for ways of living in the world.
“the tiny pool of water held in a spoon-shaped leaf is the perfect resting place for a waterbear, as plump and gelatinous as a candy gummy bear. the moisture in a moss mat is as vital to the moss as it is to the waterbear. but, since mosses are non-vascular, their water content fluctuates with the amount of water in the environment. the moss leaves shrivel and contort as water evaporates, leaving them crisp and dry. the waterbears too, simply shrink when desiccated to as little as one-eight of their size forming barrel- shaped miniatures of themselves called tuns. metabolism is reduced to near zero and the tun can survive in this state for years. the tuns blow around in the dry winds like specks of dust, landing on new clumps of moss and dispersing farther than their short waterbear legs could ever carry them.”
Mother! (stylized as mother!) is a 2017 American psychological horror film written and directed by Darren Aronofsky, and starring Jennifer Lawrence, Javier Bardem, Ed Harris and Michelle Pfeiffer. Lawrence said that the film is an allegory: “It depicts the rape and torment of Mother Earth … I represent Mother Earth; Javier, whose character is a poet, represents a form of God, a creator; Michelle Pfeiffer is an Eve to Ed Harris’s Adam, there’s Cain and Abel and the setting sometimes resembles the Garden of Eden.The film uses a dream-logic narrative, of which Aronofsky has noted, “if you try to unscrew it, it kind of falls apart,” and that “it’s a psychological freak-out. You shouldn’t over-explain it.”